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Dominik Webers malerier: De 9 mest kjente, sett gjennom et galleris øyne
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 9 verk av Dominik Weber i vår katalog
Kort fortalt
Etter galleriets vurdering er Dominik Webers mest kjente maleri Portrait of Two Children (1840), hvis original henger i Augustiner Museum, Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) og Portrait of a Young Woman with Two Children (1854) fullfører trioen som alle kjenner igjen. Av de 9 verkene til Dominik Weber i vår katalog, presenterer galleriet de 9 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
1819 – 1887, Sankt Peter
Flest verk: Augustiner Museum
Galleriets 10 beste malerier av Dominik Weber
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Museene som har Dominik Webers originalverk
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Dominik Weber | Malerier fra denne listen |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, ett signaturmaleri per tiår
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Dominik Webers malerier: galleriets svar
Hvilket maleri av Dominik Weber er det mest kjente av alle?Avslør svaret
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Deretter følger Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) og Portrait of a Young Woman with Two Children (1854).
Hvor gammel var Dominik Weber da Portrait of Two Children ble ferdigstilt?Avslør svaret
21 år gammel: Portrait of Two Children er fra 1840, og Dominik Weber ble født i 1819.
Hvor mange verk skapte Dominik Weber?Avslør svaret
Vår katalog inneholder 9 verk av Dominik Weber, datert fra 1840 til 1869.
Hvor henger de mest kjente originalverkene til Dominik Weber?Avslør svaret
Hovedsakelig i Augustiner Museum (Freiburg) og Staatliche Kunsthalle Karlsruhe (Karlsruhe). Museumslisten ovenfor viser alle.
Når malte Dominik Weber sine mest kjente malerier?Avslør svaret
I 1860s: 5 av de 9 verkene på denne siden ble laget da, Artist’s Daughter Wearing a Grey Dress av dem.
Hvilke er Dominik Webers tidligste og nyeste berømte verk?Avslør svaret
På denne siden er det eldste Portrait of Two Children (1840) og det nyeste Two Girls with Dove (1869).
Hvilke originalverk av Dominik Weber har Augustiner Museum i sin samling?Avslør svaret
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt og Portrait of a Young Woman with Two Children: Augustiner Museum, Freiburg har 8 av verkene på denne siden.
Dominik Weber: kunstneren
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.