Portrett av David Jones

De 3 mest kjente David Jones-maleriene, hvert og ett unikt

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 4 verk av David Jones i vår katalog

Kort fortalt

Self-portrait (1928) er maleriet av David Jones som vekker mest oppmerksomhet; originalen befinner seg i Art Gallery of New South Wales, Sydney. Deretter går blikket til Australian Jersey 1937 Australian jersey (1937) og Australian Jersey 1938 Australian jerse (1938). Blant de 4 verkene til David Jones i vår katalog, er disse 3 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1895 – 1974, Brockley Flest verk: Art Gallery of New South Wales

Topp 10 malerier av David Jones, sett gjennom galleriets øyne

Museene som har David Joness originalverk

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av David Jones Malerier fra denne listen
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Self-portrait

David Jones gjennom årene: de unike originalene fra hvert verk

David Joness daterte originaler som vises her, strekker seg over omtrent ti år, fra 1928 til 1938: øyet følger dem år for år.

Verk per år

Velg et år for å se originalverkene.

David Joness malerier: spørsmål til galleriet

Hva er det mest kjente verket til David Jones?Avslør svaret

Self-portrait (1928), Art Gallery of New South Wales, Sydney. Deretter følger Australian Jersey 1937 Australian jersey (1937) og Australian Jersey 1938 Australian jerse (1938).

Hvor gammel var David Jones da Self-portrait ble skapt?Avslør svaret

33 år gammel: Self-portrait er fra 1928, og David Jones ble født i 1895.

Hvor mange verk av David Jones er kjent?Avslør svaret

Vår katalog inneholder 4 verk av David Jones, datert fra 1928 til 1938.

Hvor kan de mest kjente originalverkene til David Jones ses?Avslør svaret

Hovedsakelig i Art Gallery of New South Wales (Sydney). Museumslisten ovenfor viser alle.

Hvilket kjent maleri av David Jones er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Self-portrait (1928) og det nyeste Australian Jersey 1938 Australian jerse (1938).

David Jones: et portrett av kunstneren

David Jones (Poète): A Weaver of Welsh Myth and Modernist Vision

Born in Brockley, London, in 1895, David Jones was more than simply an artist; he was a poet, engraver, calligrapher, illustrator, and a profound explorer of the intersection between faith, myth, and the modern world. His life, marked by both artistic brilliance and personal struggles, culminated in a body of work that continues to resonate with its haunting beauty and intellectual depth. Jones’s heritage—a Welsh father steeped in folklore and language, coupled with a Catholic upbringing—formed the bedrock of his creative vision, informing every brushstroke, every etched line, and every carefully crafted word.

Early influences were diverse yet formative. He began drawing at a young age, nurtured by his father’s appreciation for printmaking. His time at Camberwell School of Art exposed him to the Impressionists and Pre-Raphaelites, artists who valued beauty, narrative, and symbolic representation—qualities that would become central to Jones's own artistic practice. However, it was his encounter with Eric Gill and the Roman Catholic community at Ditchling that truly shaped his trajectory, introducing him to a world of ritual, symbolism, and a profound engagement with Christian iconography.

The War Years and Artistic Transformation

World War I profoundly impacted Jones’s life and work. Enlisting in the Royal Welch Fusiliers, he experienced firsthand the horrors of trench warfare, an experience that deeply scarred him and fueled his artistic exploration of trauma, loss, and the disintegration of meaning. This period produced *In Parenthesis*, a monumental poem published in 1937—a sprawling, multi-layered work that defies easy categorization. It’s a fragmented narrative, blending prose, poetry, and visual imagery to depict the psychological and spiritual devastation of war, viewed through the eyes of Private John Ball. The poem's innovative structure and intensely personal voice established Jones as a major figure in modernist literature.

Following the war, Jones continued to develop his artistic practice, experimenting with watercolour, engraving, and calligraphy. He sought to integrate these mediums into a cohesive visual language, creating works that were both aesthetically stunning and intellectually stimulating. His paintings often depicted scenes from Welsh mythology, biblical narratives, and Arthurian legends—subjects imbued with symbolic weight and personal significance. His engravings, particularly those produced in collaboration with Gill, showcased his remarkable technical skill and his ability to capture the essence of his subjects with exquisite detail.

A Synthesis of Faith and Art

Jones’s artistic vision was inextricably linked to his Catholic faith. The Latin Mass became a central source of inspiration for his work, providing him with a framework for exploring themes of sacrifice, redemption, and the eternal. He saw art as a means of engaging with the sacred—a way to translate religious experience into visual and literary form. This commitment is powerfully evident in *The Anathemata* (1952), a sprawling philosophical poem that traces the history of Western culture through the lens of the Mass, revealing connections between myth, religion, and human consciousness.

His work wasn’t solely focused on religious themes; Jones also produced evocative landscapes and portraits. His watercolors captured the beauty of the English countryside, while his portraits revealed a keen eye for capturing the inner lives of his subjects. He was particularly drawn to Welsh scenes—rolling hills, dramatic coastlines, and ancient ruins—evoking a deep sense of connection to his ancestral homeland.

Legacy and Recognition

Despite facing periods of personal struggle and relative obscurity during his lifetime, David Jones’s artistic legacy has grown steadily in recent decades. His work is now recognized as a pivotal contribution to both British art and modernist literature. He received significant accolades for his achievements, including the Hawthornden Prize in 1938 and the Bollingen Prize in 1960—testaments to the profound impact of his creative vision. His influence can be seen in the work of numerous artists and writers who followed in his footsteps, and his innovative approach to combining visual and literary forms continues to inspire contemporary artists today.

Jones’s art remains a powerful testament to the enduring power of myth, faith, and imagination—a reminder that beauty and meaning can be found even in the darkest corners of human experience. His work invites us to contemplate our place in the world, to grapple with profound questions about existence, and to appreciate the transformative potential of art.