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I galleriets øyne er Copley Fieldings mest kjente maleri Richmond hill, (1830). Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837) fullfører trioen som alle kjenner igjen. Av de 105 verkene til Copley Fielding i vår katalog, presenterer galleriet de 89 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
Galleriets 10 beste malerier av Copley Fielding
Copley Fielding sine malerier, rangert fra 11 til 89
Motivene som fanget Copley Fieldings blikk
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
Beach 11 verk
Landscape 9 verk
Animals 8 verk
Museene som har Copley Fieldings originalverk
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Copley Fielding | Malerier fra denne listen |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, ett signaturmaleri per tiår
Copley Fieldings malerier: galleriets svar
Hvilket maleri av Copley Fielding er det mest kjente av alle?Avslør svaret
Richmond hill, (1830). Deretter følger Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837).
Hvor gammel var Copley Fielding da Richmond hill, ble ferdigstilt?Avslør svaret
43 år gammel: Richmond hill, er fra 1830, og Copley Fielding ble født i 1787.
Hvilke er de 10 beste maleriene til Copley Fielding?Avslør svaret
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide og Unloading the catch, whitby. Rangeringen ovenfor viser årstall og museum for hvert verk.
Hvor mange verk skapte Copley Fielding?Avslør svaret
Vår katalog inneholder 105 verk av Copley Fielding, datert fra 1829 til 1851.
Hvor henger de mest kjente originalverkene til Copley Fielding?Avslør svaret
Hovedsakelig i Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) og Yale Center for British Art (New Haven). Museumslisten ovenfor viser alle.
Når malte Copley Fielding sine mest kjente malerier?Avslør svaret
I 1830s: 4 av de 89 verkene på denne siden ble laget da, Richmond hill, av dem.
Hvilke er Copley Fieldings tidligste og nyeste berømte verk?Avslør svaret
På denne siden er det eldste Ambelside, (1829) og det nyeste Byland Abbey, (1851).
Hvilke motiver vendte Copley Fielding oftest tilbake til?Avslør svaret
Beach (11), Landscape (9) og Animals (8), fordelt på 89 verk på denne siden.
Hvilken kunstretning er Copley Fielding tilknyttet?Avslør svaret
Romanticism, basert på originalene på denne siden.
Hvilke originalverk av Copley Fielding har Birmingham Museum and Art Gallery i sin samling?Avslør svaret
Lake Nemi with Pontine Marshes in the Background og Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham har 2 av verkene på denne siden.
Copley Fielding: kunstneren
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








