Portrett av Copley Fielding

Copley Fieldings malerier: De 89 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 105 verk av Copley Fielding i vår katalog

Kort fortalt

I galleriets øyne er Copley Fieldings mest kjente maleri Richmond hill, (1830). Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837) fullfører trioen som alle kjenner igjen. Av de 105 verkene til Copley Fielding i vår katalog, presenterer galleriet de 89 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1787 – 1855, Sowerby Bridge Romanticism Flest verk: Birmingham Museum and Art Gallery

Galleriets 10 beste malerier av Copley Fielding

Copley Fielding sine malerier, rangert fra 11 til 89

11Rotha Quillinan av Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape av Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor av Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District av Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London av Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods av Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine av Copley FieldingLoch Katrine 18Dunster Castle, sunset av Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn av Copley FieldingLoch Lomond at Dawn 20Sea Piece av Copley FieldingSea Piece 21On The Wye av Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. av Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall av Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks av Copley FieldingNanette Rocks 25North View Of Tintern Abbey av Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath av Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas av Copley FieldingShipping In Rough Seas 28Henry Graves av Copley FieldingHenry Graves 29A Sea Piece av Copley FieldingA Sea Piece 30John Gibson av Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore av Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake av Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth av Copley FieldingShipping off Portsmouth 34St. john's vale av Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater av Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales av Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond av Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater av Copley FieldingSkiddaw from derwentwater 39Near Ullswater av Copley FieldingNear Ullswater 40Crowded Waters At Dusk av Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds av Copley FieldingOff to the fishing grounds 42Scarborough Castle av Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover av Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales av Copley FieldingOn the glaslyn, north wales 45Droving cattle av Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream av Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View av Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin av Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale av Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon av Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire av Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall av Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster av Copley FieldingMrs John Forster 54Cattle Watering In The Lake District av Copley FieldingCattle Watering In The Lake District 55River view av Copley FieldingRiver view 56Dolbadern castle av Copley FieldingDolbadern castle 57Windsor Castle From The Park av Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond av Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle av Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground av Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside av Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough av Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales av Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle av Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground av Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland av Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour av Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount av Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape av Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset av Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore av Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire av Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire av Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape av Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground av Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk av Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock av Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape av Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor av Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire av Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove av Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond av Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire av Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton av Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset av Copley FieldingA rest by the wayside, sunset 86William Gibbs av Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm av Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis av Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum av Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

Motivene som fanget Copley Fieldings blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Copley Fieldings originalverk

De 4 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Copley Fielding Malerier fra denne listen
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, ett signaturmaleri per tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Copley Fieldings malerier: galleriets svar

Hvilket maleri av Copley Fielding er det mest kjente av alle?Avslør svaret

Richmond hill, (1830). Deretter følger Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837).

Hvor gammel var Copley Fielding da Richmond hill, ble ferdigstilt?Avslør svaret

43 år gammel: Richmond hill, er fra 1830, og Copley Fielding ble født i 1787.

Hvilke er de 10 beste maleriene til Copley Fielding?Avslør svaret

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide og Unloading the catch, whitby. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Copley Fielding?Avslør svaret

Vår katalog inneholder 105 verk av Copley Fielding, datert fra 1829 til 1851.

Hvor henger de mest kjente originalverkene til Copley Fielding?Avslør svaret

Hovedsakelig i Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) og Yale Center for British Art (New Haven). Museumslisten ovenfor viser alle.

Når malte Copley Fielding sine mest kjente malerier?Avslør svaret

I 1830s: 4 av de 89 verkene på denne siden ble laget da, Richmond hill, av dem.

Hvilke er Copley Fieldings tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste Ambelside, (1829) og det nyeste Byland Abbey, (1851).

Hvilke motiver vendte Copley Fielding oftest tilbake til?Avslør svaret

Beach (11), Landscape (9) og Animals (8), fordelt på 89 verk på denne siden.

Hvilken kunstretning er Copley Fielding tilknyttet?Avslør svaret

Romanticism, basert på originalene på denne siden.

Hvilke originalverk av Copley Fielding har Birmingham Museum and Art Gallery i sin samling?Avslør svaret

Lake Nemi with Pontine Marshes in the Background og Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham har 2 av verkene på denne siden.

Copley Fielding: kunstneren

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.