Kort fortalt
Av alle originalverkene Consort Jin etterlot seg, er det mest kjente Untitled, som er en del av samlingen til The Palace Museum i Beijing. Vår katalog inneholder 1 verk av Consort Jin; galleriet har bevart de 1 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Consort Jins topp 10 malerier: galleriets utvalg
Museene som har Consort Jins originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Consort Jin | Malerier fra denne listen |
|---|---|---|---|
| Beijing | 1 | Untitled |
Samlere spør om maleriene til Consort Jin
Hvilket verk er Consort Jin mest kjent for?Avslør svaret
Untitled
Hvor mange malerier etterlot Consort Jin?Avslør svaret
Vår katalog inneholder 1 verk av Consort Jin.
I hvilke museer henger mesterverkene til Consort Jin?Avslør svaret
Hovedsakelig i The Palace Museum (Beijing). Museumslisten ovenfor viser alle.
Consort Jin: liv og virke
Historical Identity of Consort Jin
Consort Jin was not a visual artist, but a historical figure of the Qing dynasty. Born into the Manchu Bordered Red Banner Tatara clan, she was a consort of the Guangxu Emperor. Her life was marked by various imperial titles, including Concubine Jin, Consort Jin, and later, Noble Consort Jin. Following the end of the dynasty, she held the high rank of Dowager Imperial Noble Consort Duankang and was eventually known as Imperial Noble Consort Wenjing.
Her family connections were significant within the imperial court; her father was Changxu, who served as the Right Vice Minister of Revenue, and her sister was Consort Zhen. During the transition from the Qing dynasty to the Republican era, she remained a prominent figure in the palace, eventually becoming the highest-ranked woman in the palace after the death of Empress Dowager Longyu.