Portrett av Colin Gill

De 22 mest kjente Colin Gill-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 24 verk av Colin Gill i vår katalog

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King Alfred's Longships Defeat the Danes, 877 (1927) er maleriet av Colin Gill som vekker mest oppmerksomhet; originalen befinner seg i Parliamentary Art Collection, London. Deretter går blikket til Evening after a Push (1919) og Captain Albert Jacka (1893–1932), VC, MC and Bar (1919). Blant de 24 verkene til Colin Gill i vår katalog, er disse 22 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1892 – 1940, Bexleyheath Expressionism Flest verk: Imperial War Museums

Topp 10 malerier av Colin Gill, sett gjennom galleriets øyne

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Evening after a Push (1919) av Colin Gill

Evening after a Push

1919 · Oil On Canvas · Imperial War Museums, London

The artwork titled Evening after a Push was created by the artist Colin Gill. This specific work dates to about 1919. The artist, who was born in 1892 in Bexleyheath, United Kingdom, produced this piece during a period following the First World War. Gill's life concluded in 1940.

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Captain Albert Jacka (1893–1932), VC, MC and Bar (1919) av Colin Gill

Captain Albert Jacka (1893–1932), VC, MC and Bar

1919 · Oil On Canvas

In this 1919 oil portrait, we find ourselves in the presence of Captain Albert Jacka. The composition is intimate, a medium shot that focuses our attention on the man’s face and the structured lines of his military uniform. He is seated, a posture that suggests a moment of stillness amidst the heavy history of his service. The palette is restrained, dominated by olive and forest greens that lend a sense…

4
Heavy Artillery (1919) av Colin Gill

Heavy Artillery

1919 · Oil On Canvas

In the chaotic aftermath of the Great War, Colin Gill captures a moment of intense, grinding labor within Heavy Artillery. Created in 1919, this large-scale work confronts the viewer with the sheer scale of industrial warfare. The scene unfolds as a crowded, restless landscape where the machinery of conflict meets the exhaustion of the men tasked with its upkeep. Two massive howitzers dominate the space, their surfaces covered in a…

5
Boadicea at Colchester, 61 AD (1938) av Colin Gill

Boadicea at Colchester, 61 AD

1938 · Oil On Canvas

In this large-scale oil painting from 1938, we find ourselves drawn into a scene of profound drama set within a classical Roman environment. The composition is dense, crowded with figures that create a sense of vastness and immediate chaos. At the heart of this narrative is the central figure of Boadicea, surrounded by a multitude of onlookers and attendants whose expressions range from horror to compassion. The scale of the…

Colin Gills berømte malerier, nummer 11 til 22

Motivene som fanget Colin Gills blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Colin Gills originalverk

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Colin Gill Malerier fra denne listen
Imperial War Museums, LondonImperial War Museums London 5 Evening after a Push, A Gunner, Heavy Artillery
Parliamentary Art Collection, LondonParliamentary Art Collection London 1 King Alfred's Longships Defeat the Danes, 877
Government Art Collection, LondonGovernment Art Collection London 1 Café Bar

Colin Gill gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Colin Gills malerier: spørsmål til galleriet

Hva er det mest kjente verket til Colin Gill?Avslør svaret

King Alfred's Longships Defeat the Danes, 877 (1927), Parliamentary Art Collection, London. Deretter følger Evening after a Push (1919) og Captain Albert Jacka (1893–1932), VC, MC and Bar (1919).

Hvor gammel var Colin Gill da King Alfred's Longships Defeat the Danes, 877 ble skapt?Avslør svaret

35 år gammel: King Alfred's Longships Defeat the Danes, 877 er fra 1927, og Colin Gill ble født i 1892.

Hvilke ti malerier av Colin Gill er de mest kjente?Avslør svaret

King Alfred's Longships Defeat the Danes, 877, Evening after a Push, Captain Albert Jacka (1893–1932), VC, MC and Bar, Heavy Artillery, Boadicea at Colchester, 61 AD, Moving Gold in the Old Gold Vault, A Gunner, Heavy Artillery, Fampoux og The Captive. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Colin Gill er kjent?Avslør svaret

Vår katalog inneholder 24 verk av Colin Gill, datert fra 1918 til 1940.

Hvor kan de mest kjente originalverkene til Colin Gill ses?Avslør svaret

Hovedsakelig i Imperial War Museums (London), Parliamentary Art Collection (London) og Government Art Collection (London). Museumslisten ovenfor viser alle.

I hvilken periode malte Colin Gill sine mest kjente malerier?Avslør svaret

I 1910s: 11 av de 22 verkene på denne siden ble laget da, Evening after a Push av dem.

Hvilket kjent maleri av Colin Gill er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste The Captive (1918) og det nyeste Catherine (1940).

Hvilke motiver foretrakk Colin Gill?Avslør svaret

Soldiers (2) og Isolation (2), fordelt på 22 verk på denne siden.

Hvilke materialer brukte Colin Gill mest av?Avslør svaret

Oil On Canvas, for 4 av de 22 verkene på denne siden.

Hvilken kunstretning tilhører verkene til Colin Gill?Avslør svaret

Expressionism, basert på originalene på denne siden.

Hvilke originalverk av Colin Gill kan jeg se på Imperial War Museums?Avslør svaret

Evening after a Push, A Gunner og Heavy Artillery: Imperial War Museums, London har 5 av verkene på denne siden.

Colin Gill: et portrett av kunstneren

The Visionary of the Great War: The Life and Legacy of Colin Unwin Gill

To look upon the works of Colin Unwin Gill is to witness a profound dialogue between the brutal realities of modern warfare and the timeless elegance of classical tradition. Born in 1892, Gill possessed an artistic sensibility that was uniquely shaped by both his English heritage and his early exposure to the light and grandeur of Italy. His journey through the prestigious Slade School of Fine Art provided him with a foundation of disciplined draughtsmanship, yet it was his time in Rome—as the first recipient of the Rome Scholarship in Decorative Painting—that infused his work with a sense of monumental scale and decorative grace. This rare blend of classical training and contemporary observation would later become the hallmark of an artist capable of capturing the soul of a nation in its darkest hour.

The trajectory of Gill’s career was irrevocably altered by the outbreak of the First World War. Serving as a second lieutenant in the Royal Garrison Artillery, he experienced firsthand the harrowing landscape of the Western Front. His service was not merely one of combat but of technical observation; as a camouflage officer, he developed an acute eye for the interplay of light, shadow, and concealment. This period of intense, often traumatic experience—marked by the physical toll of gas poisoning and frostbite—became the crucible in which his most significant artistic themes were forged. When he eventually transitioned into the role of a war artist, he did so not as a detached observer, but as a man who had breathed the very dust and smoke of the trenches.

A Mastery of Memory and Symbolism

Gill’s contribution to the visual record of the Great War extends far beyond simple reportage. His work for the Imperial War Graves Commission and the British War Memorials Committee sought to transcend the immediate carnage to find a deeper, more spiritual resonance. In masterpieces such as Evening after a Resupply and Heavy Artillery, one finds a hauntingly beautiful use of expressionist style and dramatic lighting. He utilized large-scale oil canvases to create immersive environments where the heavy machinery of war is rendered with a startling, almost surreal realism. Through his brush, the patchwork camouflage of a howitzer or the weary posture of a soldier becomes a symbol of both human endurance and the overwhelming weight of industrial conflict.

The depth of his artistry can be observed through several key elements of his technique:

  • Emotional Realism: A profound ability to depict the psychological exhaustion of soldiers, moving past mere physical likeness to capture the internal landscape of loss and resilience.
  • Decorative Grandeur: The influence of his Roman training, which allowed him to approach large-scale murals with a sophisticated understanding of composition and monumental form.
  • Symbolic Depth: The use of light and shadow to create atmospheric tension, turning scenes of military life into allegories for the human condition.

An Enduring Artistic Significance

Though his life was tragically cut short in 1940, Colin Unwin Gill left behind a body of work that serves as a vital bridge between the classical past and the fractured modern era. His ability to weave together the decorative traditions of the early twentieth century with the raw, unvarnished truths of the battlefield ensured that his murals and portraits would remain much more than historical artifacts. They are living monuments to remembrance. Whether capturing the quiet tension of a Café Bar in wartime London or the stoic dignity of a decorated hero like Captain Albert Jacka, Gill’s art continues to resonate with an evocative power that speaks to the enduring strength of the human spirit amidst the shadows of history.