Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 22 verk av Charles Herbert Moore i vår katalog
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I galleriets øyne er Charles Herbert Moores mest kjente maleri San Barnaba, Venice (1876). Seated Man (1861) og Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877) fullfører trioen som alle kjenner igjen. Av de 22 verkene til Charles Herbert Moore i vår katalog, presenterer galleriet de 22 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
In this intimate study, Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence by Charles Herbert Moore, we find ourselves in immediate proximity to a singular, celestial presence. Created about 1877, the work is vertically oriented, focusing entirely on a single, dynamic figure of an angel captured in mid-motion. The perspective is a close-up view, drawing the viewer into a private encounter…
In this intimate oil study, titled Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Charles Herbert Moore presents a quiet moment of repose. The composition is a close-up, focusing our attention entirely on the head and upper torso of the sleeping female figure. She rests her head against large, soft pillows that frame her features. The perspective is a tight, slightly elevated…
The oil on canvas work titled Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice is a painting by the American artist Charles Herbert Moore. This specific piece was created in 1876 within the United States. The work functions as a study of a religious scene, focusing on the central figure of a Madonna and the surrounding celestial and terrestrial figures.
This work is titled Reduced Study of a Portion of the Lower Part of Titian's Picture of "The Assumption of the Virgin," in the Academy of Venice. It was executed by the American artist Charles Herbert Moore. The piece offers a focused look at a specific fragment of a larger religious composition, captured through the artist's particular lens of academic realism.
Charles Herbert Moore rendered this portrait of John Ruskin in 1876. The subject is the English polymath, a writer, lecturer, and art critic whose influence extended across the Victorian era. Moore, an American artist, captured the figure during a period when the two were connected through their shared interests in aesthetics and the study of art.
Rocks by the Water1865
12
Landscape: Rocks and Water1865
13
Winter Landscape, Valley of the Catskills1866
14
The Catskill Mountains1872 · Harvard Art Museums
15
Mount Kearsarge1872
16
Old Doorway, Venice1877
17
Peacock Feather1879
18
Street near Simplon Village1881
19
Mullen and Rocks1883
20
Lincoln Cathedral1886
21
Hudson River, Above Catskill1865 · Amon Carter Museum of American Art
22
San Giorgio Maggiore, Venice, from the Lagoon.1876
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Herbert Moore | Malerier fra denne listen |
|---|---|---|---|
 Harvard Art Museums |
Cambridge | 5 | Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice |
 Fogg Art Museum |
Cambridge | 1 | John Ruskin |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Landscape |
 Amon Carter Museum of American Art |
Fort Worth | 1 | Hudson River, Above Catskill |
Velg et tiår for å se originalverket som definerer det.
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
San Barnaba, Venice (1876). Deretter følger Seated Man (1861) og Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877).
36 år gammel: San Barnaba, Venice er fra 1876, og Charles Herbert Moore ble født i 1840.
San Barnaba, Venice, Seated Man, Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice, Reduced Study of a Portion of the Lower Part of Titian's Picture of "The Assumption of the Virgin," in the Academy of Venice, John Ruskin, Landscape, River View with Cattle og Leeds Bridge. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 22 verk av Charles Herbert Moore, datert fra 1859 til 1886.
Hovedsakelig i Harvard Art Museums (Cambridge), Fogg Art Museum (Cambridge) og Smithsonian American Art Museum (Washington, D.C.). Museumslisten ovenfor viser alle.
I 1870s: 11 av de 22 verkene på denne siden ble laget da, San Barnaba, Venice av dem.
På denne siden er det eldste Landscape (1859) og det nyeste Lincoln Cathedral (1886).
People (3), Water (3) og Man (3), fordelt på 22 verk på denne siden.
Oil, for 4 av de 22 verkene på denne siden.
Hudson river school, basert på originalene på denne siden.
Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice og Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice: Harvard Art Museums, Cambridge har 5 av verkene på denne siden.
