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Charles Errards malerier: De 1 mest kjente, sett gjennom et galleris øyne
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Charles Errard i vår katalog
Kort fortalt
Etter galleriets vurdering er Charles Errards mest kjente maleri Renaud abandonnant Armide (1640), hvis original henger i Musée du Pays de Hanau, Bouxwiller. Av de 1 verkene til Charles Errard i vår katalog, presenterer galleriet de 1 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
1606 – 1689, Nantes
Flest verk: Musée du Pays de Hanau
Galleriets 10 beste malerier av Charles Errard
Museene som har Charles Errards originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Errard | Malerier fra denne listen |
|---|---|---|---|
 Musée du Pays de Hanau |
Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, årets signaturmalerier
Hvert daterte originalverk av Charles Errard på denne siden ble laget i 1640: her er de, med de mest kjente først.
Verk per år
Velg et år for å se originalverkene.
Charles Errards malerier: galleriets svar
Hvilket maleri av Charles Errard er det mest kjente av alle?Avslør svaret
Renaud abandonnant Armide (1640)
Hvor gammel var Charles Errard da Renaud abandonnant Armide ble ferdigstilt?Avslør svaret
34 år gammel: Renaud abandonnant Armide er fra 1640, og Charles Errard ble født i 1606.
Hvor mange verk skapte Charles Errard?Avslør svaret
Vår katalog inneholder 1 verk av Charles Errard.
Hvor henger de mest kjente originalverkene til Charles Errard?Avslør svaret
Hovedsakelig i Musée du Pays de Hanau (Bouxwiller). Museumslisten ovenfor viser alle.
Charles Errard: kunstneren
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.