Portrett av Charles de Steuben

De 19 mest kjente maleriene av Charles de Steuben, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 19 verk av Charles de Steuben i vår katalog

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Av alle originalverkene Charles de Steuben etterlot seg, er det mest kjente Portrait of Anna Benardaki (1844), som er en del av samlingen til Eremitasjen i St. Petersburg. Like bak følger Portrait of Baron Alexander Stieglitz (1844) og Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Vår katalog inneholder 19 verk av Charles de Steuben; galleriet har bevart de 19 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1788 – 1856, Bauerbach Romanticism Flest verk: Eremitasjen

Charles de Steubens topp 10 malerier: galleriets utvalg

1
Portrait of Anna Benardaki (1844) av Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Eremitasjen, St. Petersburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) av Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Eremitasjen, St. Petersburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) av Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Eremitasjen, St. Petersburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) av Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Eremitasjen, St. Petersburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) av Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Eremitasjen, St. Petersburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) av Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Eremitasjen, St. Petersburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Utvalget av Charles de Steuben fortsetter, fra 11 til 19

Motivene som fanget Charles de Steubens blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Charles de Steubens originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Charles de Steuben Malerier fra denne listen
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben tiår for tiår: originalverket som definerer hvert av dem

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Samlere spør om maleriene til Charles de Steuben

Hvilket verk er Charles de Steuben mest kjent for?Avslør svaret

Portrait of Anna Benardaki (1844), Eremitasjen, St. Petersburg. Deretter følger Portrait of Baron Alexander Stieglitz (1844) og Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Hvor gammel var Charles de Steuben da Portrait of Anna Benardaki ble laget?Avslør svaret

56 år gammel: Portrait of Anna Benardaki er fra 1844, og Charles de Steuben ble født i 1788.

Hva er de ti mest kjente maleriene til Charles de Steuben?Avslør svaret

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" og Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Charles de Steuben?Avslør svaret

Vår katalog inneholder 19 verk av Charles de Steuben, datert fra 1800 til 1850.

I hvilke museer henger mesterverkene til Charles de Steuben?Avslør svaret

Hovedsakelig i Eremitasjen (St. Petersburg), Palais des Beaux-Arts de Lille (Lille) og Carnavalet Museum (Paris). Museumslisten ovenfor viser alle.

I hvilke år malte Charles de Steuben sine mest kjente verk?Avslør svaret

I 1830s: 9 av de 19 verkene på denne siden ble laget da, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist av dem.

Hva er de første og de siste kjente originalverkene til Charles de Steuben?Avslør svaret

På denne siden er det eldste The Death of Napoleon (1800) og det nyeste Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Hvilke motiver valgte Charles de Steuben oftest?Avslør svaret

Woman (3), Man (3) og Lace (2), fordelt på 19 verk på denne siden.

Hvilken teknikk brukte Charles de Steuben mest?Avslør svaret

Oil On Canvas, for 5 av de 19 verkene på denne siden.

Hvilken kunstretning tilhører Charles de Steuben?Avslør svaret

Romanticism, basert på originalene på denne siden.

Hvilke verk av Charles de Steuben stilles ut på Eremitasjen?Avslør svaret

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz og Portrait of Alexander P. von Benckendorff (1819 – 1851): Eremitasjen, St. Petersburg har 7 av verkene på denne siden.

Charles de Steuben: liv og virke

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.