Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 100 verk av Charles Conder i vår katalog
Kort fortalt
Etter galleriets vurdering er Charles Conders mest kjente maleri Colombo (1890), hvis original henger i National Gallery of Victoria, Melbourne. Rickett's Punkt (1890) og A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887) fullfører trioen som alle kjenner igjen. Av de 100 verkene til Charles Conder i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
Rickett's Point – Et Øyeblikk av Australsk Idylle Charles Edward Conder, født i Tottenham, Middlesex, England i 1868 og død i Sydney, Australia i 1909, var en mann hvis kunstneriske arv forteller historien om en fascinasjon for det australske landskapet og dets naturlige skjønnhet. Hans reise begynte tidlig i livet da han ble født under vanskelige omstendigheter – hans mor døde av tuberkulose kort tid etter fødselen, noe som førte…
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
In the gentle light of 1890, Charles Edward Conder captured a moment of profound tranquility in his masterpiece, On the River Yarra near Heidelberg, Victoria. This evocative oil on canvas serves as more than just a landscape; it is a window into the soul of the Australian countryside during a pivotal era of artistic discovery. The scene unfolds along the banks of the Yarra River, where the water rests in…
In the heart of late Victorian Paris, amidst the bohemian pulse of the Pigalle district, Charles Edward Conder captured a fleeting moment of pure, unadulterated joy. The Moulin Rouge is not merely a painting of a cabaret; it is an immersive descent into the vibrant energy of the Belle Époque. Through his masterful lens, the canvas breathes with the spirit of a society indulging in its most exuberant pleasures. The…
The sun hangs heavy over the sandy expanse of Sandringham. Figures are scattered across the shore like salt grains on a dark cloth. Some stand, watching the tide, while others sit tucked into the dunes. A boat rests near the center, its hull a still point amidst the movement of the coast. Umbrellas cast small, dark circles of shade upon the pale ground. The air feels thick with the salt…
Night in the Garden in Spain is an oil on canvas painted by Charles Conder. The work emerged in 1895, capturing a specific moment of evening light and shadow. It remains part of the permanent collection at the Art Gallery of Western Australia in Perth, Australia.
Charles Edward Conder’s “Dieppe,” painted in 1895, isn't merely a depiction of a coastal scene; it’s an immersion into a fleeting moment of tranquility and observation. The canvas breathes with the muted palette of a late afternoon – a symphony of blues deepening towards the horizon, punctuated by the warm ochres and yellows of the sand and distant buildings. The composition immediately draws the eye along a gentle diagonal path…
To gaze upon Charles Edward Conder's "The Farm, Richmond, New South Wales" is to step through a veil of time directly into the sun-drenched heart of colonial Australian life. Painted in 1888, this oil on canvas is far more than a mere depiction of rural scenery; it is an evocative meditation on peace, community, and the enduring rhythm of agricultural existence. Conder masterfully captures a moment suspended in amber—a tableau…
We are looking at All on a summer's day, a work created by Charles Conder in 1888. This piece captures a quiet moment of leisure, rendered with the sensitive touch characteristic of the artist's period in Australia. It is a significant example of Conder's ability to translate the atmosphere of a coastal setting onto the canvas.
An Impressionist (Tom Roberts)1889 · Art Gallery of New South Wales
12
Orchard Scene1889
13
A Grey Day1890
14
View of Port Pillip Bay1889
15
A Summer Afternoon: The Green Apple1894
16
The Ord of Caithness1896
17
Oriental Dance. A Fancy Composition1898
18
Beauvais - The Inconstant, The Silenus, The Charlatan1899 · Birmingham Museum and Art Gallery
19
Spring by the Sea1905
20
Portrait Study. Verso: Study of a Man in Bed and a Nurse Holding a Lamp1903
21
Portrait Study1903
22
Gibraltar from Algeciras1905
23
The Shore at Dornoch1896
24
Sketch Portrait1889 · National Gallery of Victoria
25
Going home (The Gray and Gold)1888 · National Gallery of Australia
26
William Orpen1900 · National Gallery of Ireland
27
A Taste for Literature1888
28
Ricketts Point, Beaumaris1890 · National Gallery of Australia
29
The Sands, Newquay1906
30
MIrage1889 · National Gallery of Victoria
31
Springime1892 · Tate Gallery
32
Fruit Trees in Blossom, Algiers1892
33
Swnage1900 · Tate Gallery
34
Riddell's Creek1889 · National Gallery of Australia
35
Sunset, Sydney Harbour1888 · Art Gallery of New South Wales
36
Carnival1890 · National Gallery of Victoria
37
A Dream in Absinthe1890
38
Landscape with River and Boat1890
39
Two Sketches of Richmond Common from Sketchbook1887
40
Golden Grass Scene1890
41
The Fatal Colours1888
42
The Wreck1889
43
Landscape with Two Small Figures Richmond, New South Wales1886
44
Landscape with Theodolite1887
45
Cliffs at Yport1891
46
How We Lost Poor Flossie1889 · Art Gallery of South Australia
47
Hot Wind1889 · National Gallery of Australia
48
Under a Southern Sun1890 · National Gallery of Australia
49
An Impressionist (Tom Roberts)1889
50
Teatime1888 · Art Gallery of South Australia
51
Stockyard near Jamberoo1886
52
Impressionists' Camp1889 · National Gallery of Australia
53
Herrick's Blossoms1888 · National Gallery of Australia
54
Fisherman's Bridge, Double Bay1888
55
Moonlight at Mustapha1892
56
Dandenongs from Heidelberg1889 · Art Gallery of South Australia
57
Les premiers conseils1898
58
Figures on a aRocky Promontory, Dieppe1894
59
L'Oiseau bleu1895
60
Le premier bal1895
61
Colloque sentimentale (Au pays bleu)1895
62
Madame Rejane1894
63
Homage a Villon1894
64
The Romantic Excursion1899 · Dallas Museum of Art
65
Portrait of Mrs. Aikins1899 · National Gallery of Canada
66
Swanage Bay1901
67
By the Sea: Swanage1901
68
An apple orchard in Brittany1902 · Art Gallery of New South Wales
69
Self Portrait1902
70
Women Bathing, Swanage1900
71
Sketch for a Silk Design1899
72
Madame Errazuriz1905
73
A Toccata of Galuppi1900
74
The Solitary Shore1901
75
Sand Dunes, Ambleteuse1901
76
Design on silk intended to be used as the train for a ball dress (detail)1903
77
Untitled (Seascape)1904
78
The Spector1900
79
Beach Scene, Newquay1907 · National Gallery of Canada
80
Portrait of Mrs. Amy HalfordFitzwilliam Museum
81
Mrs Conder in PinkNew Walk Museum - Art Gallery
82
Hayfield, France1894 · Art Gallery of South Australia
83
Newquay (Town Beach)1906 · Walker Art Gallery
84
Springtime1888 · National Gallery of Victoria
85
Handel's Largo Drøm1889 · Art Gallery of South Australia
86
Watching the Fireworks, St. Cloud (also known as On the Terrace)1893
87
The Hot Sands, Mustapha1891 · Art Gallery of New South Wales
88
Coogee Bay1888 · National Gallery of Victoria
89
Windy Day at Brighton1905 · Tate Gallery
90
Røyk og krysantemum blomster1890 · Manchester Art Gallery
91
Departure of the Orient - Circular Quay1888 · Art Gallery of New South Wales
92
While Daylight Lingers (also known as The Evening Star or Yarding Sheep)1890 · National Gallery of Victoria
93
Low Tide, Hawkesbury River1887
94
Orchard at Box Hill1888
95
The Yarra, Heidelberg1890 · National Gallery of Australia
96
Scene on the Epte
97
Skisse av Littlehapton Beach1890 · National Gallery of Victoria
98
In the Domain, Sydney1888
99
Bronte Beach1888 · National Gallery of Australia
100
A Holiday at Mentone1888 · Art Gallery of South Australia
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Conder | Malerier fra denne listen |
|---|---|---|---|
 National Gallery of Victoria |
Melbourne | 11 | Colombo, Rickett's Punkt, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) |
 National Gallery of Australia |
Canberra | 9 | Going home (The Gray and Gold), Ricketts Point, Beaumaris, Riddell's Creek |
 Art Gallery of South Australia |
Adelaide | 7 | All on a summer's day, How We Lost Poor Flossie, Teatime |
 Art Gallery of New South Wales |
Sydney | 6 | On the River Yarra near Heidelberg, Victoria, An Impressionist (Tom Roberts), Sunset, Sydney Harbour |
 Manchester Art Gallery |
Manchester | 3 | The Moulin Rouge, Dieppe, Røyk og krysantemum blomster |
 Tate Gallery |
London | 3 | Springime, Swnage, Windy Day at Brighton |
 National Gallery of Canada |
Ottawa | 2 | Portrait of Mrs. Aikins, Beach Scene, Newquay |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Beauvais - The Inconstant, The Silenus, The Charlatan |
Velg et tiår for å se originalverket som definerer det.
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
In "Spring by the Sea," Charles Conder presents a serene coastal scene that captures a quiet moment of leisure. Painted about 1905, this Impressionist-style landscape moves away from the rigid precision of traditional realism. Instead, the artist focuses on the immediate impression of a spring day by the water. The work invites a slow observation of the relationship between the land and the sea.
Colombo (1890), National Gallery of Victoria, Melbourne. Deretter følger Rickett's Punkt (1890) og A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887).
22 år gammel: Colombo er fra 1890, og Charles Conder ble født i 1868.
Colombo, Rickett's Punkt, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury), On the River Yarra near Heidelberg, Victoria, The Moulin Rouge, Sandringham, Night in the Garden in Spain, Dieppe, The Farm, Richmond, New South Wales og All on a summer's day. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 100 verk av Charles Conder, datert fra 1886 til 1907.
Hovedsakelig i National Gallery of Victoria (Melbourne), National Gallery of Australia (Canberra) og Art Gallery of South Australia (Adelaide). Museumslisten ovenfor viser alle.
I 1890s: 40 av de 100 verkene på denne siden ble laget da, Colombo av dem.
På denne siden er det eldste Landscape with Two Small Figures Richmond, New South Wales (1886) og det nyeste Beach Scene, Newquay (1907).
Landscape (19), Beach (13) og Woman (8), fordelt på 100 verk på denne siden.
Oil On Canvas, for 27 av de 100 verkene på denne siden.
Impressionism og Heidelberg school, basert på originalene på denne siden.
Colombo, Rickett's Punkt og A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury): National Gallery of Victoria, Melbourne har 11 av verkene på denne siden.
