Kort fortalt
Still Life with Dead Rooster and Dove on Chest (1871) er maleriet av Bartus Korteling som vekker mest oppmerksomhet; originalen befinner seg i Museum De Waag, Deventer. Deretter går blikket til Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) og Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890). Blant de 10 verkene til Bartus Korteling i vår katalog, er disse 10 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Bartus Korteling, sett gjennom galleriets øyne
Museene som har Bartus Kortelings originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Bartus Korteling | Malerier fra denne listen |
|---|---|---|---|
| Deventer | 10 | Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan |
Bartus Korteling gjennom tiårene: ett unikt originalverk for hvert tiår
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Small Street in 'De Hoven' with Two Characteristic Garden Houses
Bartus Kortelings malerier: spørsmål til galleriet
Hva er det mest kjente verket til Bartus Korteling?Avslør svaret
Still Life with Dead Rooster and Dove on Chest (1871), Museum De Waag, Deventer. Deretter følger Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) og Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890).
Hvor gammel var Bartus Korteling da Still Life with Dead Rooster and Dove on Chest ble skapt?Avslør svaret
18 år gammel: Still Life with Dead Rooster and Dove on Chest er fra 1871, og Bartus Korteling ble født i 1853.
Hvilke ti malerier av Bartus Korteling er de mest kjente?Avslør svaret
Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan, Still Life with Copper Pan, Onions and Cauliflower, Painting with Boats at Oude Turfhaven, Still Life with Copper Pan, Sunflowers, Raalterkanaal near Zandbeltermolen, Flooded Park, Worpplantsoen og Small Piece of Land near the Steenenkamer, Deventer. Rangeringen ovenfor viser årstall og museum for hvert verk.
Hvor mange verk av Bartus Korteling er kjent?Avslør svaret
Vår katalog inneholder 10 verk av Bartus Korteling, datert fra 1871 til 1912.
Hvor kan de mest kjente originalverkene til Bartus Korteling ses?Avslør svaret
Hovedsakelig i Museum De Waag (Deventer). Museumslisten ovenfor viser alle.
I hvilken periode malte Bartus Korteling sine mest kjente malerier?Avslør svaret
I 1900s: 5 av de 10 verkene på denne siden ble laget da, Still Life with Copper Pan, Onions and Cauliflower av dem.
Hvilket kjent maleri av Bartus Korteling er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste Still Life with Dead Rooster and Dove on Chest (1871) og det nyeste Small Piece of Land near the Steenenkamer, Deventer (1912).
Hvilke originalverk av Bartus Korteling kan jeg se på Museum De Waag?Avslør svaret
Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses og Ships in the Turfhaven, now Mr. H.F. de Boerlaan: Museum De Waag, Deventer har 10 av verkene på denne siden.
Bartus Korteling: et portrett av kunstneren
The Legacy of the Smedenstraat
In the narrow streets of Deventer, where the scent of pigment and oil once lingered in the air, the Korteling name was woven into the very fabric of the city's creative life. Born in 1853, Bartus Korteling emerged from a lineage of craftsmen who understood the alchemy of color. His family had established a foundation in the Smedenstraat, where his forefather, Gerhard, spent his days preparing paints by hand and preserving the ancient methods of the trade. This upbringing meant that for Bartus, art was not a distant pursuit but a tangible, daily reality shaped by the textures of raw materials and the discipline of the workshop.
He did not merely inherit a trade; he inherited a way of seeing. While his ancestors focused on the production of the medium itself, Bartus sought to master the application of it. His life was deeply rooted in the local community, a man of the city who moved through its cultural circles with a quiet, steady purpose. He became a figure of influence, not through loud proclamations, but through the steady guidance he offered to those seeking to master the line and the shadow.
A Teacher and a Practitioner
Bartus found his calling in the delicate balance between instruction and creation. He became a teacher of drawing in Deventer, a role that allowed him to shape the hands and eyes of many young talents. His influence was felt in the studios and academies where he imparted the technical rigors of his craft. He possessed a deep understanding of form, a skill honed by a lifetime spent surrounded by the tools of the painter.
His personal work reflected the shifting tides of the era, finding its place within the stylistic echoes of the Hague School. He worked with a precision that spoke of his lineage, yet his hand was his own. His output was characterized by:
- A mastery of draftsmanship that informed his teaching.
- A commitment to the high standards of the Dutch tradition.
- A technical proficiency rooted in the family's history of pigment making.
The Quiet Influence of a Family Line
The significance of Bartus lies in the continuity he provided for the generations that followed. He was a bridge between the old world of the artisan-painter and the modern era of the professional artist. His son, Willem, would eventually take the family's artistic ambitions even further, becoming the first to pursue the life of a full-time artist. This progression was built upon the technical foundations and the local respect earned by Bartus during his long life in the Netherlands.
When he passed away in 1930, he left behind more than just sketches and canvases; he left a legacy of craftsmanship that had been refined over decades. His life was a testament to the idea that art is often a matter of lineage, a slow accumulation of skill passed from father to son, from the workshop to the academy, and from the hand to the heart of a city.





