Kort fortalt
Anno 1648. The Peace of Munster (1850) er maleriet av Barend Wijnveld som vekker mest oppmerksomhet; originalen befinner seg i Amsterdam Museum, Amsterdam. Deretter går blikket til Anno 1584. The Murder of Willem van Oranje (1850) og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Blant de 56 verkene til Barend Wijnveld i vår katalog, er disse 56 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Barend Wijnveld, sett gjennom galleriets øyne
Barend Wijnvelds berømte malerier, nummer 11 til 56
Museene som har Barend Wijnvelds originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Barend Wijnveld | Malerier fra denne listen |
|---|---|---|---|
| Amsterdam | 55 | Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten |
Barend Wijnveld gjennom tiårene: ett unikt originalverk for hvert tiår
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Barend Wijnvelds malerier: spørsmål til galleriet
Hva er det mest kjente verket til Barend Wijnveld?Avslør svaret
Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Deretter følger Anno 1584. The Murder of Willem van Oranje (1850) og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850).
Hvor gammel var Barend Wijnveld da Anno 1648. The Peace of Munster ble skapt?Avslør svaret
30 år gammel: Anno 1648. The Peace of Munster er fra 1850, og Barend Wijnveld ble født i 1820.
Hvilke ti malerier av Barend Wijnveld er de mest kjente?Avslør svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people og Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. Rangeringen ovenfor viser årstall og museum for hvert verk.
Hvor mange verk av Barend Wijnveld er kjent?Avslør svaret
Vår katalog inneholder 56 verk av Barend Wijnveld, datert fra 1850 til 1885.
Hvor kan de mest kjente originalverkene til Barend Wijnveld ses?Avslør svaret
Hovedsakelig i Amsterdam Museum (Amsterdam). Museumslisten ovenfor viser alle.
I hvilken periode malte Barend Wijnveld sine mest kjente malerier?Avslør svaret
I 1860s: 44 av de 56 verkene på denne siden ble laget da, Count Jan II grants the first Privilege to Amsterdam, 1300 av dem.
Hvilket kjent maleri av Barend Wijnveld er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste Anno 1648. The Peace of Munster (1850) og det nyeste Anno 1573. The Battle on the Zuiderzee (1885).
Hvilke originalverk av Barend Wijnveld kan jeg se på Amsterdam Museum?Avslør svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: Amsterdam Museum, Amsterdam har 55 av verkene på denne siden.
Barend Wijnveld: et portrett av kunstneren
The Life of a Dutch Painter
Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.
His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.
A Legacy of Instruction and Residence
Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:
- Professor at the Rijksakademie van Beeldende Kunsten
- Member of the society Arti et Amicitiae
- Artist-in-residence at Natura Artis Magistra
His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.
The Final Years in Haarlem
As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.








