Portrett av Augustus Fuller

De 6 mest kjente Augustus Fuller-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 6 verk av Augustus Fuller i vår katalog

Kort fortalt

Mr. Pierce (1843) er maleriet av Augustus Fuller som vekker mest oppmerksomhet; originalen befinner seg i Metropolitan Museum of Art, New York. Deretter går blikket til Emancipation (1913) og Inseparables (1900). Blant de 6 verkene til Augustus Fuller i vår katalog, er disse 6 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1812 – 1873, Deerfield Flest verk: Museum of African American History

Topp 10 malerier av Augustus Fuller, sett gjennom galleriets øyne

1
Mr. Pierce (1843) av Augustus Fuller

Mr. Pierce

1843 · Watercolor · Metropolitan Museum of Art, New York

This black and white miniature portrait, titled Mr. Pierce, was created by Augustus Fuller in 1843. The composition focuses on the head and shoulders of the subject, presented within an oval frame that features a decorative loop or bail at the top, suggesting it may have been intended as jewelry. The portrait is rendered in a grayscale palette, utilizing a range of tones from deep blacks to light whites to…

2
Emancipation (1913) av Augustus Fuller

Emancipation

1913 · Sculpture · Museum of African American History, Boston

To stand before Emancipation is to witness a profound moment of transition captured in bronze. Created in 1913, this work emerged during the 50th anniversary of the Emancipation Proclamation, a period when the memory of the Civil War was being actively reclaimed. The sculpture depicts a group of figures emerging from the center of a tree of knowledge, a composition that suggests a collective movement toward light and autonomy. There…

3
Inseparables (1900) av Augustus Fuller

Inseparables

1900 · Oil · Art Gallery of South Australia, Adelaide

In the gentle embrace of Augustus Fuller’s 1900 masterpiece, Inseparables, we are invited into a sanctuary of profound stillness and domestic warmth. The painting presents a captivating portrait of a woman lost in the pages of a book, her legs crossed in a posture of complete ease. As she sits within her chair, the world around her seems to fade, leaving only the intimate connection between the reader and her…

Motivene som fanget Augustus Fullers blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Augustus Fullers originalverk

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Augustus Fuller Malerier fra denne listen
Museum of African American History, BostonMuseum of African American History Boston 3 Emancipation, Talking Skull, In Memory of Mary Turner As A Silent Protest Against Mob Violence
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 Mr. Pierce, Portrait of a Boy
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Inseparables

Augustus Fuller gjennom årene: de unike originalene fra hvert verk

Alle de daterte originalene av Augustus Fuller som vises her, tilhører ett enkelt år, 1843: de er oppført i rekkefølge etter berømmelse.

Verk per år

Velg et år for å se originalverkene.

Augustus Fullers malerier: spørsmål til galleriet

Hva er det mest kjente verket til Augustus Fuller?Avslør svaret

Mr. Pierce (1843), Metropolitan Museum of Art, New York. Deretter følger Emancipation (1913) og Inseparables (1900).

Hvor gammel var Augustus Fuller da Mr. Pierce ble skapt?Avslør svaret

31 år gammel: Mr. Pierce er fra 1843, og Augustus Fuller ble født i 1812.

Hvor mange verk av Augustus Fuller er kjent?Avslør svaret

Vår katalog inneholder 6 verk av Augustus Fuller.

Hvor kan de mest kjente originalverkene til Augustus Fuller ses?Avslør svaret

Hovedsakelig i Museum of African American History (Boston), Metropolitan Museum of Art (New York) og Art Gallery of South Australia (Adelaide). Museumslisten ovenfor viser alle.

Hvilke motiver foretrakk Augustus Fuller?Avslør svaret

Man (2) og Portrait (2), fordelt på 6 verk på denne siden.

Hvilke originalverk av Augustus Fuller kan jeg se på Museum of African American History?Avslør svaret

Emancipation, Talking Skull og In Memory of Mary Turner As A Silent Protest Against Mob Violence: Museum of African American History, Boston har 3 av verkene på denne siden.

Augustus Fuller: et portrett av kunstneren

A Silent Voice: The Life and Art of Augustus Fuller

Augustus Fuller, a name often whispered in the annals of American folk art, represents more than just a painter; he embodies resilience, self-taught skill, and a unique perspective born from silence. Born in Deerfield, Massachusetts, around 1812, Fuller navigated a world largely inaccessible to him as a deaf-mute individual. His story is one of overcoming societal barriers through artistic expression, becoming an itinerant portraitist who captured the essence of his subjects with striking simplicity and directness. While biographical details remain fragmented, piecing together accounts from letters, historical records, and surviving artworks reveals a life dedicated to observation, connection, and the quiet power of visual communication. Fuller’s early exposure to art likely stemmed from his family; his stepmother came from an artistic background, providing a nurturing environment that fostered his innate talent. A pivotal moment arrived with his attendance at the American Asylum for the Deaf in Hartford, Connecticut, where he received formal instruction in drawing and painting—a rare opportunity for someone with his disabilities during that era. This foundational training equipped him with technical skills but couldn’t fully contain the burgeoning artistic vision within him.

The Itinerant Life: Painting a New England Portrait

Fuller eschewed the traditional path of settling into a single community, instead embracing the life of an itinerant portrait painter. Traveling throughout New England and western New York in the mid-19th century, he offered his services to those who sought to preserve their likenesses—farmers, merchants, families, individuals from all walks of life. This nomadic existence was not merely a matter of professional necessity; it was also a means of connection. Unable to communicate verbally, Fuller relied on keen observation and empathetic engagement with his sitters. His portraits are remarkable for their intimacy, capturing not just physical features but also the personality and spirit of each individual. He worked primarily in watercolor on ivory, creating miniature masterpieces that were affordable and accessible to a wider clientele. The small scale of these works perhaps reflected both practical considerations—ease of transport during his travels—and an artistic preference for focused detail and emotional resonance. His half-brother, George Fuller, initially accompanied him on his painting tours before embarking on his own successful career as an artist, demonstrating the familial encouragement that underpinned Augustus’s journey.

Simplicity and Social Commentary: A Unique Artistic Style

Fuller's artistic style is characterized by its deliberate simplicity—a rejection of elaborate ornamentation in favor of directness and emotional honesty. His figures are rendered with a gentle realism, often set against plain backgrounds that emphasize their presence. While he adhered to the conventions of folk portraiture, Fuller infused his work with subtle yet powerful social commentary. Several of his most intriguing paintings address themes of slavery and abolitionism. “Emancipation”, for example, depicts a Black man breaking free from chains—a bold statement against the institution of slavery that was particularly striking for its time. Perhaps even more arresting is “Talking Skull”, a haunting image of a skull with an open mouth, seemingly speaking out against injustice and oppression. These works reveal Fuller’s awareness of the social issues surrounding him and his willingness to use his art as a vehicle for protest—a silent yet potent form of activism. The inclusion of such imagery in his repertoire sets him apart from many of his contemporaries, highlighting his unique perspective and moral convictions.

Legacy and Historical Significance

Augustus Fuller’s life was cut short in 1873 at the age of 61, leaving behind a body of work that continues to captivate and inspire. Though he received little recognition during his lifetime, his paintings have gained increasing attention in recent decades as scholars and collectors rediscover the richness and depth of American folk art. His story challenges conventional notions of artistic genius, demonstrating that creativity can flourish even in the face of adversity. Fuller’s work is not merely a reflection of 19th-century New England society; it is a testament to the power of human connection, the importance of self-expression, and the enduring legacy of an artist who found his voice—not through words, but through the eloquent language of paint. He stands as a significant figure in American art history, not only for his artistic skill but also for his unwavering commitment to social justice and his ability to transcend personal limitations through the transformative power of creativity.
  • Pioneered silent protest art within the folk painting tradition.
  • Demonstrated the accessibility of portraiture to a wider audience.
  • Challenged societal norms through depictions of abolitionist themes.