Portrett av August von der Embde

De 7 mest kjente maleriene av August von der Embde, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 7 verk av August von der Embde i vår katalog

Kort fortalt

Av alle originalverkene August von der Embde etterlot seg, er det mest kjente Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), som er en del av samlingen til New Gallery i Kassel. Like bak følger Portrait of Countess Louise Bose as a Child (1820) og Self-portrait (1819). Vår katalog inneholder 7 verk av August von der Embde; galleriet har bevart de 7 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1780 – 1862, Kassel Flest verk: New Gallery

August von der Embdes topp 10 malerier: galleriets utvalg

Museene som har August von der Embdes originalverk

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av August von der Embde Malerier fra denne listen
New Gallery, KasselNew Gallery Kassel 6 Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child, Self-portrait

August von der Embde tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til August von der Embde

Hvilket verk er August von der Embde mest kjent for?Avslør svaret

Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), New Gallery, Kassel. Deretter følger Portrait of Countess Louise Bose as a Child (1820) og Self-portrait (1819).

Hvor gammel var August von der Embde da Portrait of Wilhelmine Caroline von Hessen-Kassel ble laget?Avslør svaret

38 år gammel: Portrait of Wilhelmine Caroline von Hessen-Kassel er fra 1818, og August von der Embde ble født i 1780.

Hvor mange malerier etterlot August von der Embde?Avslør svaret

Vår katalog inneholder 7 verk av August von der Embde, datert fra 1818 til 1839.

I hvilke museer henger mesterverkene til August von der Embde?Avslør svaret

Hovedsakelig i New Gallery (Kassel). Museumslisten ovenfor viser alle.

I hvilke år malte August von der Embde sine mest kjente verk?Avslør svaret

I 1830s: 4 av de 7 verkene på denne siden ble laget da, Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich av dem.

Hva er de første og de siste kjente originalverkene til August von der Embde?Avslør svaret

På denne siden er det eldste Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) og det nyeste Portr. of three brothers playing with flowers (1839).

Hvilke verk av August von der Embde stilles ut på New Gallery?Avslør svaret

Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child og Self-portrait: New Gallery, Kassel har 6 av verkene på denne siden.

August von der Embde: liv og virke

The Journey of a Master: The Life of August von der Embde

In the heart of the German landscape, during an era defined by the transition from classical traditions to the burgeoning romantic spirit, the life of August von der Embde unfolded with the quiet determination of a true craftsman. Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. Yet, the call of the brush proved more resonant than the chisel. This foundational discipline of craftsmanship would later manifest in the meticulous detail and structural integrity of his painted works, bridging the gap between the physical world of form and the ethereal realm of fine art.

His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration. This period was not merely one of academic study but of profound observation. As he traveled through the vibrant cultural hubs of Germany—visiting Dresden, Düsseldorf, and Munich—he did more than just witness the art of his era; he engaged in a deep, transformative dialogue with the masters of the past. His travels were punctuated by periods of intense study, where he sought to capture the essence of greatness through the act of copying, a practice that allowed him to internalize the brushwork and light of the Old Masters.

A Legacy of Mimicry and Mastery

One of the most remarkable chapters in Embde’s career was his ability to inhabit the styles of those who came before him. He possessed a rare, almost scholarly devotion to the lineage of European painting. In 1803, he achieved a significant milestone by becoming one of the first artists to independently reproduce the Angel from Raphael's legendary Sixtine Madonna. This feat was not merely an exercise in imitation but a profound way of reclaiming and reinterpreting classical beauty for his own generation. Through such works, he bridged the gap between the Renaissance ideal and the nineteenth-century aesthetic.

As his horizons expanded, so did his influences. His time in Vienna brought him into the orbit of the Füger school, particularly under the influence of the historical and portrait painter Josef Abel. This exposure to the refined, academic style of Vienna added a layer of sophistication to his repertoire, blending the rigorous structure of German training with the graceful, narrative elegance found in Austrian portraiture. His development was a continuous loop of learning, traveling, and absorbing the diverse artistic languages of the various German-speaking residencies he inhabited.

The Enduring Impression

Though history often remembers the innovators who broke entirely from tradition, the significance of an artist like August von der Embde lies in his role as a custodian of excellence. He served as a vital link in the chain of artistic continuity, ensuring that the techniques and spiritual weight of the masters were preserved through his careful hands. His life, which concluded in Kassel on August 10, 1862, represents a period of profound cultural synthesis.

To look upon the works associated with his name is to witness a lifetime of devotion to the craft. His legacy remains etched in the meticulous way he approached every canvas, treating each subject with the reverence of a historian and the precision of a master builder. Through his eyes, we see the echoes of Raphael and the structured elegance of the Viennese academy, all unified by the singular, dedicated spirit of a man who found his true calling far beyond the carpenter's workshop.