Kort fortalt
Mrs. Bailey Nicholson, Shenandoah National Park, Virginia (1935) er maleriet av Arthur Rothstein som vekker mest oppmerksomhet. Deretter går blikket til Wife and child of a sharecropper, Washington County, Arkansas (1935) og The Bittenger family and his cabin in which they live. Garrett County, Maryland (1937). Blant de 24 verkene til Arthur Rothstein i vår katalog, er disse 24 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Arthur Rothstein, sett gjennom galleriets øyne
Girl at Gee
Artelia Bendolph in the window of her grandfather Patrick
Drawing water from well. Gees Bend, Alabama [Martha Jane Pettway]
During the Great Depression, government representatives learned that Gee
Inhabitants of Gees Bend, Alabama
When Adrian Van de Graaff of Tuscaloosa, Alabama, bought the Pettway estate in 1900, he installed a relative, W. C. Travis, as overseer. Needom Mooney and his wife, Lucy (c. 1880 - 1969), worked as domestic servants at Sandy Hill, the former plantation house, where Travis lived until his death in 1916. When Arthur Rothstein photographed Gee
Arthur Rothsteins berømte malerier, nummer 11 til 24
Motivene som fanget Arthur Rothsteins blikk
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
Rural america 5 verk
Great depression 3 verk
Dust bowl era 2 verk
Museene som har Arthur Rothsteins originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Arthur Rothstein | Malerier fra denne listen |
|---|---|---|---|
| Atlanta | 8 | Girl at Gee, Drawing water from well. Gees Bend, Alabama [Martha Jane Pettway], Plowing at Gee |
Arthur Rothstein gjennom årene: de unike originalene fra hvert verk
Mellom 1935 og 1940, totalt 6 år, skapte Arthur Rothstein hvert daterte originalverk som vises her: et kort tidsrom, år for år.
Verk per år
Velg et år for å se originalverkene.
The Bittenger family and his cabin in which they live. Garrett County, Maryland
Mer fra 1937
Arthur Rothsteins malerier: spørsmål til galleriet
Hva er det mest kjente verket til Arthur Rothstein?Avslør svaret
Mrs. Bailey Nicholson, Shenandoah National Park, Virginia (1935). Deretter følger Wife and child of a sharecropper, Washington County, Arkansas (1935) og The Bittenger family and his cabin in which they live. Garrett County, Maryland (1937).
Hvor gammel var Arthur Rothstein da Mrs. Bailey Nicholson, Shenandoah National Park, Virginia ble skapt?Avslør svaret
20 år gammel: Mrs. Bailey Nicholson, Shenandoah National Park, Virginia er fra 1935, og Arthur Rothstein ble født i 1915.
Hvilke ti malerier av Arthur Rothstein er de mest kjente?Avslør svaret
Mrs. Bailey Nicholson, Shenandoah National Park, Virginia, Wife and child of a sharecropper, Washington County, Arkansas, The Bittenger family and his cabin in which they live. Garrett County, Maryland, Mrs. Dodson and One of her Nine Children, Shenandoah National Park, Virginia, Girl at Gee, Drawing water from well. Gees Bend, Alabama [Martha Jane Pettway], Plowing at Gee, South Dakota Drought Refugee, Montana, Logs Coming up Conveyor into Mill, Longview, Washington og Inhabitants of Gees Bend, Alabama. Rangeringen ovenfor viser årstall og museum for hvert verk.
Hvor mange verk av Arthur Rothstein er kjent?Avslør svaret
Vår katalog inneholder 24 verk av Arthur Rothstein, datert fra 1935 til 1940.
Hvor kan de mest kjente originalverkene til Arthur Rothstein ses?Avslør svaret
Hovedsakelig i Souls Grown Deep (Atlanta). Museumslisten ovenfor viser alle.
I hvilken periode malte Arthur Rothstein sine mest kjente malerier?Avslør svaret
I 1937: 12 av de 24 verkene på denne siden ble laget da, The Bittenger family and his cabin in which they live. Garrett County, Maryland av dem.
Hvilket kjent maleri av Arthur Rothstein er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste Mrs. Bailey Nicholson, Shenandoah National Park, Virginia (1935) og det nyeste Copper Pit, Ruth, Nevada (1940).
Hvilke motiver foretrakk Arthur Rothstein?Avslør svaret
Rural america (5), Great depression (3) og Dust bowl era (2), fordelt på 24 verk på denne siden.
Hvilken kunstretning tilhører verkene til Arthur Rothstein?Avslør svaret
Documentary photography, basert på originalene på denne siden.
Hvilke originalverk av Arthur Rothstein kan jeg se på Souls Grown Deep?Avslør svaret
Girl at Gee, Drawing water from well. Gees Bend, Alabama [Martha Jane Pettway] og Plowing at Gee: Souls Grown Deep, Atlanta har 8 av verkene på denne siden.
Arthur Rothstein: et portrett av kunstneren
Arthur Rothstein: Documenting America's Struggles
Arthur Rothstein (1915-1985) was a prominent American photojournalist whose career spanned five decades. He is celebrated for his powerful and poignant documentation of rural life, particularly during the Great Depression and its aftermath. His work offers invaluable insights into a pivotal period in American history, capturing both hardship and resilience.
Early Life and Education
Born in Manhattan, New York City, and raised in the Bronx, Rothstein came from a family of Jewish immigrants. He developed an early interest in photography, which he pursued at Columbia University. While there, he founded the university camera club and served as the photography editor of the Columbian yearbook.
Early Career & The Farm Security Administration
Rothstein’s career took a defining turn after graduating from Columbia during the Great Depression. He was invited to Washington D.C. by his former professor, Roy Stryker, who was establishing a photo unit within the Resettlement Administration (RA). Rothstein became the first photographer sent out by Stryker, embarking on a five-year journey documenting the lives of rural Americans.
Documenting Rural America
Rothstein’s photographs captured the stark realities faced by farmers and sharecroppers during this era. He traveled extensively throughout the country, including assignments to document evictions in Virginia (for Shenandoah National Park) and conditions in the Dust Bowl and Montana cattle ranches. His work aimed to publicize the plight of the rural poor and garner support for New Deal programs.
The Gee's Bend Project
One particularly significant assignment took Rothstein to Gee’s Bend, Alabama, a remote community of African American farmers. His photographs of the residents showcased their unique cultural heritage and resilience. These images offered a nuanced portrayal of life in Gee’s Bend, emphasizing dignity and self-sufficiency rather than solely focusing on hardship.
Transition to the Office of War Information
As the nation geared up for World War II, the Farm Security Administration (FSA) transitioned into the Office of War Information (OWI). Rothstein continued his work as a photographer, documenting wartime industries and homefront life. His role evolved to include more staged and propagandistic imagery reflecting the war effort.
Later Career & Legacy
After leaving the OWI, Rothstein pursued various photographic projects, including commercial assignments and educational work. He taught photography at several institutions and continued to document American life. While his later work didn’t achieve the same level of recognition as his FSA photographs, it demonstrated his versatility and commitment to visual storytelling.
Influences & Artistic Development
Roy Stryker was a major influence on Rothstein's early career, shaping his approach to documentary photography and emphasizing its potential for social impact. The artistic style of the FSA photographers generally leaned towards social realism, aiming to depict subjects truthfully and without embellishment.
Major Achievements & Historical Significance
- Created a comprehensive visual record of rural America during the Great Depression.
- Documented the lives of African Americans in Gee’s Bend, Alabama, preserving their cultural heritage.
- Contributed to public awareness of social and economic issues facing the nation.
- His work remains an important historical resource for understanding a critical period in American history.
Arthur Rothstein's photographs are not merely historical documents; they are powerful works of art that continue to resonate with audiences today, reminding us of the challenges and triumphs of the human spirit.