Portrett av Anthonie Waldorp

De 35 mest kjente maleriene av Anthonie Waldorp, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 37 verk av Anthonie Waldorp i vår katalog

Kort fortalt

Av alle originalverkene Anthonie Waldorp etterlot seg, er det mest kjente View of Spaarnwoude in Stormy Weather (1839), som er en del av samlingen til Amsterdam Museum i Amsterdam. Like bak følger A Pier Head in Calm Weather (1839) og Mill with sight of Delft (1836). Vår katalog inneholder 37 verk av Anthonie Waldorp; galleriet har bevart de 35 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1802 – 1866, The Hague Flest verk: Amsterdam Museum

Anthonie Waldorps topp 10 malerier: galleriets utvalg

Utvalget av Anthonie Waldorp fortsetter, fra 11 til 35

Motivene som fanget Anthonie Waldorps blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Anthonie Waldorps originalverk

De 6 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Anthonie Waldorp Malerier fra denne listen
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 7 View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Church in Delft
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Mill with sight of Delft, Seascape with Ships
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Riviergezicht met een waltoren geïnspireerd op de Camperveerse toren te Veere, Antonie Waldorp, 1855, View Of A Bridge Seine In Paris By Moonlight
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Merwede River with the Flight of Hugo Grotius
Teylers Museum, HarenTeylers Museum Haren 1 The Meuse
Stedelijk Museum, AlkmaarStedelijk Museum Alkmaar 1 Cityscape

Anthonie Waldorp tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Anthonie Waldorp

Hvilket verk er Anthonie Waldorp mest kjent for?Avslør svaret

View of Spaarnwoude in Stormy Weather (1839), Amsterdam Museum, Amsterdam. Deretter følger A Pier Head in Calm Weather (1839) og Mill with sight of Delft (1836).

Hvor gammel var Anthonie Waldorp da View of Spaarnwoude in Stormy Weather ble laget?Avslør svaret

37 år gammel: View of Spaarnwoude in Stormy Weather er fra 1839, og Anthonie Waldorp ble født i 1802.

Hva er de ti mest kjente maleriene til Anthonie Waldorp?Avslør svaret

View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Mill with sight of Delft, Church in Delft, Seascape with Ships, The Portrait of Nuijen, Interior of a church in Alkmaar, The Merwede River with the Flight of Hugo Grotius, Marine: Arrival of High-Ranking Figures in a 17th-Century Dutch Port og A Drawbridge over a City Canal. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Anthonie Waldorp?Avslør svaret

Vår katalog inneholder 37 verk av Anthonie Waldorp, datert fra 1832 til 1862.

I hvilke museer henger mesterverkene til Anthonie Waldorp?Avslør svaret

Hovedsakelig i Amsterdam Museum (Amsterdam), Dordrechts Museum (Dordrecht) og Rijksmuseum (Amsterdam). Museumslisten ovenfor viser alle.

I hvilke år malte Anthonie Waldorp sine mest kjente verk?Avslør svaret

I 1840s: 6 av de 35 verkene på denne siden ble laget da, Seascape with Ships av dem.

Hva er de første og de siste kjente originalverkene til Anthonie Waldorp?Avslør svaret

På denne siden er det eldste Church in Delft (1832) og det nyeste Beurtschip Zaandam (1862).

Hvilke motiver valgte Anthonie Waldorp oftest?Avslør svaret

Scenes (3), Rivers (3) og Coastal scene (2), fordelt på 35 verk på denne siden.

Hvilke verk av Anthonie Waldorp stilles ut på Amsterdam Museum?Avslør svaret

View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather og Church in Delft: Amsterdam Museum, Amsterdam har 7 av verkene på denne siden.

Anthonie Waldorp: liv og virke

Early Life and Artistic Beginnings

Anthonie Waldorp, born Antoine de Saaijer Waldorp on March 28th, 1803, in The Hague, Netherlands, emerged from a family deeply intertwined with the burgeoning Dutch art world. His father, Abel de Saaijer Waldorp, served as keeper of the National Art Gallery—a position that placed young Anthonie directly within a sphere of artistic inspiration during a period when the nation was actively reorganizing its collections after the Napoleonic era. This early exposure to masterpieces undoubtedly sparked his initial fascination with visual expression. Though details regarding his immediate family’s direct involvement in art remain scarce, the household's connection to gallery operations provided invaluable access to both decorative and curatorial practices common within 19th-century artistic circles.

The Hague itself was a vibrant cultural hub during Waldorp’s formative years—the political seat of the Dutch monarchy and government attracted artists, collectors, and institutions that solidified its status as a center for Dutch creativity. Initially, Waldorp embarked on an apprenticeship with Joannes Breckenheimer Jr., a well-known stage scenery painter in The Hague. This foundational training instilled in him a keen understanding of composition, perspective, and the dramatic use of light—skills he would later translate into his fine art endeavors.

Transition to Landscape Painting & Early Influences

Shortly after reaching his twenty-third year, Waldorp committed himself fully to a career as a painter. He quickly distinguished himself as one of the precursors to the celebrated Hague School, a movement known for its realistic depictions of Dutch landscapes and seascapes. His early work reflected this transition, initially focusing on stage sceneries reminiscent of his grandfather’s profession before evolving towards domestic interiors and portraits—often depicting figures in 17th-century attire. However, it was his eventual specialization in landscapes, river scenes, and marine paintings that truly defined his artistic trajectory.

A pivotal moment in Waldorp's development came with a journey through France, Belgium, and Germany in 1833 alongside fellow artist Wijnand Nuyen. This expedition exposed him to diverse artistic styles and broadened his perspective on landscape painting. He began to blend romantic idealism with meticulous observational detail, creating compositions that resonated with contemporary audiences. During this period, Waldorp also took on the role of tutor, sharing his knowledge with aspiring artists such as C.P. 't Hoen, J.C. Hofman, C. Rochussen, and Jan Hendrik Weissenbruch—contributing to the growth of landscape painting within the Netherlands.

Mature Style & International Recognition

Waldorp’s mature style was characterized by serene seascapes and river views that captured the subtle nuances of light and atmosphere. His paintings often featured calm waters, billowing clouds, and meticulously rendered ships—evoking a sense of tranquility and harmony. He wasn't afraid to experiment with lithography as well, expanding his artistic reach beyond traditional oil painting.

His dedication to his craft yielded significant international recognition. Waldorp’s works found favor among the royal courts of Germany, the Netherlands, and France—a testament to their aesthetic appeal and technical skill. This acclaim solidified his position as a leading figure in Dutch landscape painting and paved the way for further artistic exploration.

Legacy & Historical Significance

In 1857, Waldorp relocated to Amsterdam, joining the prestigious Royal Academy and continuing to refine his technique. He received numerous accolades throughout his career, including appointments as a Knight of the Order of Leopold by the Belgian king in 1845, a Knight in the Order of the Dutch Lion in 1847, and a Knight in the Order of the Oak Crown in 1849. His contributions to the art world were further acknowledged through streets named in his honor within both The Hague and Amsterdam.

Anthonie Waldorp’s significance lies not only in the beauty of his paintings but also in his role as a bridge between neoclassical traditions and the emerging realism of the Hague School. He paved the way for future generations of Dutch landscape painters, inspiring them to embrace observational detail while maintaining a sense of romantic idealism. His serene seascapes and river views continue to captivate audiences today, offering a glimpse into the tranquil beauty of 19th-century Netherlands.