Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 10 verk av Anthon van Rappard i vår katalog
Kort fortalt
Etter galleriets vurdering er Anthon van Rappards mest kjente maleri Weaver (1884), hvis original henger i Van Gogh Museum, Amsterdam. Portrait of a Girl (1884) og Woman at the Spinning Wheel (1891) fullfører trioen som alle kjenner igjen. Av de 10 verkene til Anthon van Rappard i vår katalog, presenterer galleriet de 10 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
De 3 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Anthon van Rappard | Malerier fra denne listen |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Noen ti år, fra 1882 til 1891, var nok for Anthon van Rappard: galleriet går gjennom dem år for år, ett berømt originalverk etter det andre.
Velg et år for å se originalverkene.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Mer fra 1884
Weaver (1884), Van Gogh Museum, Amsterdam. Deretter følger Portrait of a Girl (1884) og Woman at the Spinning Wheel (1891).
26 år gammel: Weaver er fra 1884, og Anthon van Rappard ble født i 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine og Washing strands of Cotton. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 10 verk av Anthon van Rappard, datert fra 1882 til 1891.
Hovedsakelig i Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) og Van Gogh Museum (Amsterdam). Museumslisten ovenfor viser alle.
I 1884: 3 av de 10 verkene på denne siden ble laget da, Weaver av dem.
På denne siden er det eldste Tile Painters (1882) og det nyeste Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel og Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam har 5 av verkene på denne siden.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
