Kort fortalt
Av alle originalverkene Albert Dumouchel etterlot seg, er det mest kjente The Snow on the Olive Trees (1957), som er en del av samlingen til National Gallery of Canada i Ottawa. Vår katalog inneholder 3 verk av Albert Dumouchel; galleriet har bevart de 2 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Albert Dumouchels topp 10 malerier: galleriets utvalg
Museene som har Albert Dumouchels originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Albert Dumouchel | Malerier fra denne listen |
|---|---|---|---|
| Ottawa | 2 | The Snow on the Olive Trees, The Bubos of the Sun Are Elongated |
Albert Dumouchel år for år: originalverkene som definerer hvert år
Albert Dumouchels daterte verk i dette utvalget dekker kun 5 år, fra 1953 til 1957: en kort karriere, vist her år for år.
Samlere spør om maleriene til Albert Dumouchel
Hvilket verk er Albert Dumouchel mest kjent for?Avslør svaret
The Snow on the Olive Trees (1957)
Hvor gammel var Albert Dumouchel da The Snow on the Olive Trees ble laget?Avslør svaret
41 år gammel: The Snow on the Olive Trees er fra 1957, og Albert Dumouchel ble født i 1916.
Hvor mange malerier etterlot Albert Dumouchel?Avslør svaret
Vår katalog inneholder 3 verk av Albert Dumouchel, datert fra 1953 til 1957.
I hvilke museer henger mesterverkene til Albert Dumouchel?Avslør svaret
Hovedsakelig i National Gallery of Canada (Ottawa). Museumslisten ovenfor viser alle.
Hva er de første og de siste kjente originalverkene til Albert Dumouchel?Avslør svaret
På denne siden er det eldste The Bubos of the Sun Are Elongated (1953) og det nyeste The Snow on the Olive Trees (1957).
Hvilke verk av Albert Dumouchel stilles ut på National Gallery of Canada?Avslør svaret
The Snow on the Olive Trees og The Bubos of the Sun Are Elongated: National Gallery of Canada, Ottawa har 2 av verkene på denne siden.
Albert Dumouchel: liv og virke
The Life and Art of Albert Dumouchel
Albert Dumouchel was a Canadian printmaker, painter, and teacher whose creative practice spanned from abstract to figurative expressions. Born in Salaberry-de-Valleyfield, Canada, his artistic journey was shaped by diverse studies, including engraving in Montreal, etching and lithography in Paris, and sculpture in Valleyfield. He also studied with Alfred Pellan. Beyond his visual arts, Dumouchel was a photographer and a musician. His professional life included roles as a textile designer at Montreal Cottons and a teacher of art, drawing, art history, publicity, and photography.
A significant figure in Montreal's artistic community, Dumouchel was involved in the Exquisite corpse experiments and the Montreal surrealists. He was a member of The Non-Figurative Artists Association of Montreal and signed the Prisme d'yeux manifesto. His work has been featured in various exhibitions worldwide and is held in major public collections, including:
Teaching and Legacy
Dumouchel left a profound mark on art education, particularly through his work at the École des arts graphiques (now Collège Ahuntsic), where he taught from 1942 to 1960. He established an engraving workshop at the École des Beaux-Arts in Montreal and served as the head of its graphics division from 1960 to 1969. His teaching was noted for influencing and inspiring many artists, with the graphics department being described as a premier training ground in the country.
His international recognition included a UNESCO scholarship to study in Europe and representing Canada at the Venice Biennale in 1960. He was also honored by the Florentine Academy of Fine Arts. In his later years, he resided in Saint-Antoine-sur-Richelieu, where he passed away.
