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Cattle on Dartmoor

Navn Klasse Dato

William Widgery, Cattle on Dartmoor, Torre Abbey Historic House And Gardens. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Widgery originaluniqueart.com/no/artists/william-widgery/
Kunstnerens levetid
1822 – 1893
Opprinnelig størrelse
74 x 151 cm
Arrangert på
Torre Abbey Historic House And Gardens originaluniqueart.com/no/museums/torre-abbey-historic-house-and-gardens-torquay/

I sammenheng med

Cattle on Dartmoor — William Widgery

Hvor stort er det?

Originalen måler 74 × 151 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 71 ved død.

Skyggelagt: livsløpet til William Widgery (1822–1893) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1859 Hovedvirksomhetsår: 1859–1870 Senere verk: fra 1870

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/william-widgery-cattle-on-dartmoor-AQV5CR-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #d7dbd8

    Katalogisert palett

    • #D7DBD8
    • #3B290E
    • #62583E
    • #9B9E9F

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Widgery i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 81.8%
    2. 2 Storbritannia 18.2%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 10 mest viste verkene av William Widgery

    1. 1 Fingle Bridge, Devon, 1863 11.8%
    2. 2 Burdocks, Brambles and Furze, 1868 11.8%
    3. 3 Beechwood Scene, 1870 11.8%
    4. 4 Landscape with Figures by a Waterfall, 1858 11.8%
    5. 5 Cheddar Gorge, Somerset, 1860 11.8%
    6. 6 Cattle on Dartmoor dette maleriet 11.8%
    7. 7 River Scene 11.8%
    8. 8 On the Lyd, Devon, 1873 5.9%
    9. 9 Bowerman’s Nose, Dartmoor, Devon, 1870 5.9%
    10. 10 Edward Adams (1823–1892), of Crediton, 1856 5.9%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 25 verk av denne kunstneren, hvorav 10 ble sett på minst én gang. Dette maleriet rangerer som nummer 6 av dem, med 11.8% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Widgery

    A Life Rooted in the British Landscape: William Widgery (1822-1893)

    William Widgery, born in 1822 in Uppercot, Northmolton, Devonshire, embodies a compelling narrative of self-taught artistic dedication blossoming amidst humble beginnings. His story isn’t one of privileged academies and early patronage, but rather a testament to the enduring power of observation and an innate connection to the natural world. Initially working as a mason, Widgery pursued painting in his spare time, driven by an internal compulsion that would ultimately redefine his life's path. The encouragement of friends proved pivotal, yet it was the guidance of Mr. Thomas Hex of St. Thomas who truly catalyzed his transformation, urging him to abandon his trade and wholeheartedly embrace his artistic calling. This leap of faith—a commitment to a future solely dependent on his creative abilities—speaks volumes about Widgery’s unwavering belief in his own potential.

    The Self-Made Aesthetic: Developing a Unique Vision

    Remarkably, Widgery received no formal art instruction. In an era where artistic training often dictated style and subject matter, he forged his own path, relying solely on Nature as his master. Exeter, at the time, lacked a significant art gallery to provide guidance; instead, Widgery ventured directly into the fields, meticulously studying light, color, and form. This direct engagement with the landscape fostered a distinctive aesthetic—one characterized by bold brushwork, atmospheric effects, and an acute sensitivity to the nuances of rural life. Early works often involved skillful reproductions of popular artists like Landseer, providing him with a foundation in technique while simultaneously allowing him to develop his own unique voice. Dr. W.R. Scott, a keen art critic, consistently praised Widgery’s exceptional eye for color—a quality that would become a hallmark of his mature style. He didn't adhere to any particular school or movement; rather, he created a style uniquely his own, inspiring a generation of painters in Exeter who sought to emulate his approach.

    Dartmoor and Beyond: Subjects and Style

    Widgery’s artistic focus centered on the beauty of the British countryside, particularly the dramatic landscapes of Dartmoor. He captured the wildness and untamed spirit of the moor with a remarkable ability to convey both its grandeur and its intimate details. While Dartmoor remained his primary muse, he also explored coastal scenes in Devon and Cornwall, skillfully depicting rugged iron-bound coasts battered by crashing waves. His paintings are not merely representations of places; they are evocative experiences—imbued with atmosphere, light, and a palpable sense of place. He was equally adept at portraying animals, integrating them seamlessly into his landscapes to create harmonious compositions. His work is characterized by its directness and lack of excessive finish, prioritizing the emotional impact of the scene over meticulous detail. Over three thousand paintings were produced during his lifetime, each one eagerly sought after even before it left his easel—a testament to his growing reputation and the enduring appeal of his vision.

    Legacy and Influence: A Family Tradition

    William Widgery’s influence extended beyond his own prolific output; he also profoundly impacted his son, Frederick John Widgery (1861-1942). While William was largely self-taught, Frederick received formal training at Exeter Cathedral School, the Royal Albert Memorial Museum, and academies in London and Antwerp. This difference in education led to a more precise draughtsmanship in Frederick’s work, particularly suited for smaller-scale paintings and illustrations. Both father and son shared a deep connection to Dartmoor, but their individual styles reflect distinct approaches to capturing its essence. The family's artistic legacy is further cemented by the numerous works they left behind, now cherished collections within institutions like the Royal Albert Memorial Museum (RAMM) in Exeter. William Widgery’s story serves as an inspiring example of how passion, dedication, and a profound connection to nature can overcome adversity and create a lasting artistic impact. His paintings continue to resonate with audiences today, offering a glimpse into the beauty of 19th-century Britain and the enduring power of landscape art.

    Museum

    Torre Abbey Historic House And Gardens

    Utstilt i Torquay, United Kingdom

    A Tapestry of Time: The Living Legacy of Torre Abbey

    Nestled on the sun-kissed shores of Torquay, within the heart of the English Riviera, stands

    Torre Abbey

    —a place where centuries whisper from ancient stone walls and artistic visions bloom amidst tranquil gardens. More than just a historic landmark, it is a living narrative woven through medieval foundations, Georgian elegance, and contemporary dialogues. Founded by Premonstratensian canons seeking solace and spiritual pursuit, the Abbey began as a beacon of monastic life, its rhythms dictated by prayer and contemplation. Today, it remains the best-preserved medieval monastery in Devon and Cornwall, a testament to enduring faith and architectural resilience. The very stones seem to hum with echoes of the past, inviting visitors into a world far removed from our own, yet profoundly connected to the present through its breathtaking art and storied halls.

    The architecture of Torre Abbey offers a captivating journey through the evolution of English design. Visitors can wander through remarkably intact medieval ruins, where the Chapel Nave showcases the intricate stonework and masterful achievements of Norman architecture. Yet, as one moves through the estate, the austere monastic atmosphere gives

    gradually

    to the refined splendor of the Georgian era. Around 1740, a transformative period saw the Abbey reborn as a stately residence under the patronage of Sir Richard Boyle, introducing a deliberate contrast of neoclassical design and opulent drawing rooms. This architectural duality—the rugged strength of the medieval period meeting the sophisticated grace of the Georgian age—creates a unique atmosphere that is both grounding and uplifting.

    Masterpieces and Sculptural Splendor

    For the discerning art lover and collector, the Abbey’s collection is nothing short of extraordinary. The galleries shine brightest with masterpieces by

    William Blake

    and

    Edward Burne-Jones

    , offering a profound exploration of symbolism and the human spirit. Burne-Jones' “The Planets” series of cartoons stands as a breathtaking display of luminous color and Pre-Raphaelite aesthetic, capturing the imagination with its ethereal beauty. Complementing these are Blake’s paintings, which delve into deep spiritual themes, challenging viewers to contemplate the relationship between humanity and the divine.

    Beyond the canvas, the Abbey holds a magnificent legacy in three dimensions. It possesses the largest surviving collection of Victorian sculpture in the United Kingdom, a treasure trove bequeathed by the studio contents of

    Frederick Thrupp

    . These sculptures, exemplifying the Romantic spirit and meticulous detail, provide a sculptural dialogue that breathes life into the historic rooms. This rich assemblage of works is further enriched by:

    The 800 Years Gallery:

    A space utilizing state-of-the-art technology to tell the abbey’s fascinating story through videos and talking portraits.

    Contemporary Dialogues:

    Ongoing exhibitions that feature artists from across the globe, exploring the intersections of art, science, and culture.

    Local Talent:

    A commitment to hosting creative work from the cream of local talent alongside world-class installations.

    A Sanctuary of Nature and Contemporary Expression

    Beyond the grandeur of its interior collections, Torre Abbey serves as a vibrant sanctuary for natural beauty. When one seeks respite from the historical intensity of the galleries, the formal gardens of

    Abbey Park and Meadows

    offer a lush, verdant escape. Meticulously landscaped spaces filled with fragrant blooms and tranquil greenery, these gardens provide the perfect contemplative end to an artistic pilgrimage, completing an experience that nourishes both the intellect and the soul.

    This unique intersection of a scheduled monument and a center for creativity ensures that the Abbey remains a relevant and breathing institution. Whether exploring the medieval ruins or admiring the neoclassical elegance of the drawing rooms, every corner of this estate offers a new layer of discovery for those who appreciate the profound beauty of history and art intertwined.

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    QR-kode som lenker til nedlastingssiden for Cattle on Dartmoor

    originaluniqueart.com/no/art/download/william-widgery-cattle-on-dartmoor-AQV5CR-en/

    Kildehenvisning for dette kunstverket

    MLA
    Widgery, William. Cattle on Dartmoor. n.d., Torre Abbey Historic House And Gardens. https://originaluniqueart.com/no/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    APA
    Widgery, William (n.d.). Cattle on Dartmoor [Painting]. Torre Abbey Historic House And Gardens. https://originaluniqueart.com/no/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    Chicago
    William Widgery. Cattle on Dartmoor. n.d. Torre Abbey Historic House And Gardens. https://originaluniqueart.com/no/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/
    Harvard
    Widgery, William (n.d.) Cattle on Dartmoor. Torre Abbey Historic House And Gardens. Available at: https://originaluniqueart.com/no/art/william-widgery-cattle-on-dartmoor-AQV5CR-en/

    Se nærmere på

    Cattle on Dartmoor — William Widgery

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Rustic Courtship (1859), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan jeg bestille en olje-reproduksjon av "Cattle on Dartmoor"?

    Håndmalte kopier av "Cattle on Dartmoor" av William Widgery kan kjøpes på denne nettsiden: en håndmalt oljereproduksjon på linlerret, via siden for Håndmalt oljereproduksjon.

    Hva er reproduksjonsrettighetene til "Cattle on Dartmoor" hos Torre Abbey Historic House And Gardens?

    Opphavsretten til "Cattle on Dartmoor" av William Widgery er klar: verket er fritt tilgjengelig – opphavsretten har utløpt. At det befinner seg hos Torre Abbey Historic House And Gardens, endrer ikke denne statusen.

    Er fargene i "Cattle on Dartmoor" av William Widgery livlige eller dempede?

    Fargene i "Cattle on Dartmoor" har en metning på Muted og en intensitet på Monochromatic.