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The Rhododendron

Navn Klasse Dato

William Patrick Roberts, The Rhododendron (1948), The Ingram Collection of Modern British And Contemporary Art. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Patrick Roberts originaluniqueart.com/no/artists/william-patrick-roberts/
Kunstnerens levetid
1895 – 1980
Malt
1948
Opprinnelig størrelse
62 x 51 cm
Arrangert på
The Ingram Collection of Modern British And Contemporary Art originaluniqueart.com/no/museums/the-ingram-collection-of-modern-british-and-contemporary-art-london/

I sammenheng med

The Rhododendron — William Patrick Roberts

Dimensjoner

Originalen måler 62 × 51 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 85 ved død.

Malt da kunstneren var 53. Kunstneren ble 85 år gammel. 42 av de 46 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Patrick Roberts (1895–1980) ▲ dette verket, 1948 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1922 Hovedvirksomhetsår: 1922–1935 Senere verk: fra 1935

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/william-patrick-roberts-the-rhododendron-AQULRP-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Driftwood #ab8e61

    Lagret palett

    • #AB8E61
    • #171D14
    • #8D693A
    • #4F402B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Driftwood
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av William Patrick Roberts i løpet av de siste tolv månedene — 5 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 53.3%
    2. 2 United States of America 20.0%
    3. 3 Germany 13.3%
    4. 4 Argentina 6.7%
    5. 5 Italy 6.7%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 12 mest viste verkene av William Patrick Roberts

    1. 1 Munitions Factory, 1940 18.8%
    2. 2 Les Routiers, 1931 12.5%
    3. 3 The Dentist, 1925 12.5%
    4. 4 The Rhododendron, 1948 dette maleriet 6.2%
    5. 5 At the Hippodrome, 1921 6.2%
    6. 6 The Demolition Squad, 1941 6.2%
    7. 7 The Cinema, 1920 6.2%
    8. 8 The Ballet, 1932 6.2%
    9. 9 The Control Room, 1941 6.2%
    10. 10 Portrait of a Man Lighting a Pipe, 1948 6.2%
    11. 11 Playground (The Gutter), 1934 6.2%
    12. 12 The Char, 1924 6.2%

    Sammen utgjør disse verkene 99.6% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 50 verk av denne kunstneren, hvorav 12 ble sett på minst én gang. Dette maleriet rangerer som nummer 4 av dem, med 6.2% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Museum

    The Ingram Collection of Modern British And Contemporary Art

    Utstilt på London, United Kingdom

    A Sanctuary of British Vision: Discovering The Ingram Collection

    Nestled within the vibrant cultural landscape of London lies a treasure trove often whispered about amongst connoisseurs – The Ingram Collection of Modern British and Contemporary Art. More than just a museum, it’s an intimate exploration of artistic evolution spanning over a century, a testament to the enduring power of British creativity from the dawn of the 20th century to the present day. Unlike some of London's grander institutions, The Ingram Collection offers a uniquely personal experience, allowing visitors to connect with each artwork on a deeper level within its serene and thoughtfully designed spaces. It’s a place where the echoes of artistic innovation resonate, inviting contemplation and sparking new perspectives – a true haven for those seeking to understand the soul of British art.

    The story of The Ingram Collection is one driven by passion and foresight. Founded in 2002 by media entrepreneur and philanthropist Chris Ingram, the collection quickly blossomed into one of the most significant publicly accessible repositories of Modern British art in the UK. Ingram’s dedication wasn't simply to amass works; it was a commitment to ensuring these vital pieces of cultural heritage were shared with all. This ethos led to the establishment of The Ingram Art Foundation, further solidifying his ambition and facilitating an extensive program of loans and exhibitions that bring British art to audiences across the nation. The collection’s growth reflects not just an appreciation for aesthetic beauty but a deep understanding of the historical and social contexts that shaped these artistic expressions. It's a narrative woven with threads of post-war anxieties, societal shifts, and the relentless pursuit of new forms of visual language – a poignant reflection of Britain itself.

    The Ingram Collection boasts an impressive roster of celebrated artists, each contributing their unique voice to the chorus of British modernism. Lucian Freud’s intensely psychological portraits are a cornerstone, capturing the raw vulnerability and complex inner lives of his subjects with unflinching honesty. His work isn't merely representation; it’s an excavation of the human condition – a direct line to the emotions that shape our experience. Alongside Freud, Frank Auerbach’s expressive paintings pulse with the energy of urban life, built up through layers of thick impasto that convey both the grit and the beauty of the city. His canvases seem to breathe with the rhythm of London itself, a testament to his masterful use of color and texture. And then there's David Hockney, whose vibrant landscapes and innovative use of color inject a sense of joy and optimism into the collection, demonstrating his mastery of perspective and light – a beacon of hope amidst the complexities of modern life. Beyond these luminaries, the Ingram Collection showcases an extraordinary breadth of talent, encompassing sculpture, installations, and works on paper from artists like Dame Elisabeth Frink, Dame Barbara Hepworth, Sir Eduardo Paolozzi, William Roberts, Edward Burra, and many more – a carefully curated panorama of British artistic achievement.

    A Harmonious Space for Artistic Encounter

    The architecture of the museum itself enhances the viewing experience. The building seamlessly blends historical charm with modern functionality, creating a space that is both inviting and conducive to contemplation. Situated in London’s West End, the Ingram Collection occupies a beautifully restored historic building, retaining elements of its original character while incorporating contemporary design features. Natural light floods the galleries through strategically placed windows, illuminating the artworks and allowing their textures and colors to come alive – a deliberate choice that prioritizes the immersive experience for the visitor. The interior spaces are thoughtfully designed to encourage quiet reflection, with comfortable seating areas and ample space to move between pieces. This thoughtful design isn’t accidental; it's intended to complement the art, providing a serene environment where visitors can fully immerse themselves in the creative process – a sanctuary dedicated to fostering genuine connection with the artwork.

    The Ingram Collection: A Living Legacy

    Beyond its impressive collection and elegant setting, The Ingram Collection is defined by its commitment to accessibility and community engagement. Free admission ensures that the collection remains open to all, breaking down barriers and fostering a wider appreciation for British art. The museum actively fosters this connection through its educational programs, guided tours, and special events – offering something for everyone, from seasoned collectors to curious newcomers. Notably, The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent, ensuring that the legacy of British creativity continues to evolve. The collection’s active loan program extends its reach far beyond London, bringing these masterpieces to museums and galleries across the country, enriching cultural experiences for audiences nationwide.

    Beyond Display: A Commitment to Community & Innovation

    What truly sets The Ingram Collection apart is its unwavering commitment to accessibility and innovation. The museum’s active engagement with the local community through workshops, lectures, and special events further solidifies its role as a cultural hub. The establishment of The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent. This forward-thinking approach ensures that The Ingram Collection isn’t just preserving the past; it's actively shaping the future of British art. It is a dynamic institution, constantly evolving and seeking new ways to connect with audiences and inspire creativity – a testament to Chris Ingram’s vision and a vital resource for anyone interested in exploring the rich tapestry of British artistic heritage.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for The Rhododendron

    originaluniqueart.com/no/art/download/william-patrick-roberts-the-rhododendron-AQULRP-en/

    Kildehenvisning for dette kunstverket

    MLA
    Roberts, William Patrick. The Rhododendron. 1948, The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/no/art/william-patrick-roberts-the-rhododendron-AQULRP-en/
    APA
    Roberts, William Patrick (1948). The Rhododendron [Painting]. The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/no/art/william-patrick-roberts-the-rhododendron-AQULRP-en/
    Chicago
    William Patrick Roberts. The Rhododendron. 1948. The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/no/art/william-patrick-roberts-the-rhododendron-AQULRP-en/
    Harvard
    Roberts, William Patrick (1948) The Rhododendron. The Ingram Collection of Modern British And Contemporary Art. Available at: https://originaluniqueart.com/no/art/william-patrick-roberts-the-rhododendron-AQULRP-en/

    Se nærmere etter

    The Rhododendron — William Patrick Roberts

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Munitions Factory (1940), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Patrick Roberts var omtrent 53 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken lysstyrke har "The Rhododendron" av William Patrick Roberts?

    "The Rhododendron" av William Patrick Roberts har en luminans på Soft Shadow. Luminans beskriver hvor mye lys fargene ser ut til å reflektere.

    Hvor kan jeg kjøpe en håndmalt reproduksjon av "The Rhododendron" av William Patrick Roberts?

    Du kan bestille en håndmalt reproduksjon av "The Rhododendron" av William Patrick Roberts direkte på dens Håndmalt reproduksjon-side: en håndmalt oljereproduksjon på linlerret, laget etter bestilling.

    Hvor lys eller mørk oppleves "The Rhododendron" av William Patrick Roberts som?

    Den oppfattede lysstyrken til "The Rhododendron" av William Patrick Roberts er shadow. Den kan tilpasses lysforholdene i det tiltenkte rommet.