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Punting on the Cherwell

Navn Klasse Dato

William Patrick Roberts, Punting on the Cherwell (1939), Jerwood Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Patrick Roberts originaluniqueart.com/no/artists/william-patrick-roberts/
Kunstnerens levetid
1895 – 1980
Malt
1939
Opprinnelig størrelse
62 x 55 cm
Arrangert på
Jerwood Gallery originaluniqueart.com/no/museums/jerwood-gallery-hastings/

I sammenheng med

Punting on the Cherwell — William Patrick Roberts

Hvor stort er det?

Originalen måler 62 × 55 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 85 ved død.

Malt da kunstneren var 44. Kunstneren ble 85 år gammel. 38 av de 46 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Patrick Roberts (1895–1980) ▲ dette verket, 1939 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1922 Hovedvirksomhetsår: 1922–1935 Senere verk: fra 1935

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Walnut #685239

    Katalogisert palett

    • #685239
    • #B29776
    • #796F5E
    • #38372B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Walnut
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Patrick Roberts i løpet av de siste tolv månedene — totalt 6 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 50.0%800 besøk
    2. 2 United States of America 18.8%300 besøk
    3. 3 Germany 12.5%200 besøk
    4. 4 Argentina 6.2%100 besøk
    5. 5 Italy 6.2%100 besøk
    6. 6 Ukraine 6.2%100 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 14 mest viste verkene av William Patrick Roberts

    1. 1 Munitions Factory, 1940 16.7%300 besøk
    2. 2 Les Routiers, 1931 11.1%200 besøk
    3. 3 Kit (Katie Bissett Smith née Knewstub, 1907–2008) 11.1%200 besøk
    4. 4 The Dentist, 1925 11.1%200 besøk
    5. 5 The Rhododendron, 1948 5.6%100 besøk
    6. 6 At the Hippodrome, 1921 5.6%100 besøk
    7. 7 The Demolition Squad, 1941 5.6%100 besøk
    8. 8 The Cinema, 1920 5.6%100 besøk
    9. 9 The Ballet, 1932 5.6%100 besøk
    10. 10 The Control Room, 1941 5.6%100 besøk
    11. 11 Portrait of a Man Lighting a Pipe, 1948 5.6%100 besøk
    12. 12 Playground (The Gutter), 1934 5.6%100 besøk
    13. 13 The Char, 1924 5.6%100 besøk
    14. — Punting on the Cherwell, 1939 dette maleriet 0.0%0 besøk

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 50 verk av denne kunstneren, hvorav 13 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Museum

    Jerwood Gallery

    Utstilt i Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

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    QR-kode som lenker til nedlastingssiden for Punting on the Cherwell

    originaluniqueart.com/no/art/download/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/

    Kildehenvisning for dette kunstverket

    MLA
    Roberts, William Patrick. Punting on the Cherwell. 1939, Jerwood Gallery. https://originaluniqueart.com/no/art/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/
    APA
    Roberts, William Patrick (1939). Punting on the Cherwell [Painting]. Jerwood Gallery. https://originaluniqueart.com/no/art/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/
    Chicago
    William Patrick Roberts. Punting on the Cherwell. 1939. Jerwood Gallery. https://originaluniqueart.com/no/art/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/
    Harvard
    Roberts, William Patrick (1939) Punting on the Cherwell. Jerwood Gallery. Available at: https://originaluniqueart.com/no/art/william-patrick-roberts-punting-on-the-cherwell-AQULRT-en/

    Se nærmere på

    Punting on the Cherwell — William Patrick Roberts

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Munitions Factory (1940), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Patrick Roberts var omtrent 44 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken fargepalett brukes i "Punting on the Cherwell" av William Patrick Roberts?

    Fargene i "Punting on the Cherwell" utgjør en Earthy palett. Denne klassifiseringen beskriver de dominerende fargefamiliene.

    Hvor intens er fargebruken i "Punting on the Cherwell" av William Patrick Roberts?

    Fargeintensiteten i "Punting on the Cherwell" er Balanced. Intensitet beskriver hvor sterke fargene fremstår.

    Kan jeg bruke utvidet virkelighet (AR) for å se "Punting on the Cherwell" av William Patrick Roberts i mitt eget rom?

    "Punting on the Cherwell" har en forhåndsvisning med utvidet virkelighet: Se i AR-siden til kunstverket viser det i ditt eget rom på en kompatibel enhet.