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The Gambler

Navn Klasse Dato

William Carter, The Gambler (1990), The Kinsey African American Art - History Collection. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Carter originaluniqueart.com/no/artists/william-carter/
Kunstnerens levetid
1843 – 1864
Malt
1990
Arrangert på
The Kinsey African American Art - History Collection originaluniqueart.com/no/museums/the-kinsey-african-american-art-history-collection-los-angeles/

I sammenheng med

The Gambler — William Carter

Når ble dette malt?

  1. 1840
  2. 1860
  3. 1880
  4. 1900
  5. 1920
  6. 1940
  7. 1960
  8. 1980

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 21 ved død.

Skyggelagt: livsløpet til William Carter (1843–1864) ▲ dette verket, 1990 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/william-carter-the-gambler-D4N8ZM-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #282a2f

    Katalogisert palett

    • #282A2F
    • #BBB7AF
    • #856343
    • #54392F

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Phthalo Green
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Carter i løpet av de siste tolv månedene — totalt 3 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 77.8%
    2. 2 United States of America 16.7%
    3. 3 Canada 5.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 14 mest viste verkene av William Carter

    1. 1 James Hughes (1817–1895), Alderman, Mayor (1864, 1869, 1883, 1884, 1886 1889), 1889 10.5%
    2. 2 Lieutenant Maurice James Dease, VC, 1915 10.5%
    3. 3 Henry William Cripps, Esq. (1815–1899), QC, JP 10.5%
    4. 4 Mrs Patrick Forbes, 1906 10.5%
    5. 5 Henry Carter, 1926 10.5%
    6. 6 The Gambler, 1990 dette maleriet 5.3%
    7. 7 Edward Joseph Halsey, 1908 5.3%
    8. 8 The Right Honourable St John Broderick, 9th Viscount Midleton, 1908 5.3%
    9. 9 Thomas Weeding Weeding (1847–1929), 1928 5.3%
    10. 10 William Sheppard Hoare (1835–1911) 5.3%
    11. 11 Mrs John Webster, 1888 5.3%
    12. 12 John Richard Magrath (1839–1930), Provost (1878–1930) 5.3%
    13. 13 George Barclay, Esq 5.3%
    14. 14 George Charles Brodrick, Warden 5.3%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 50 verk av denne kunstneren, hvorav 14 ble sett på minst én gang. Dette maleriet rangerer som nummer 6 av dem, med 5.3% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    The Gambler — William Carter

    Born in St. Louis, Missouri, William Carter (1909-1996) moved to Chicago in 1930, situating him in the midst of the Depression-era migration of African-Americans from the American South. He studied at the Art Institute of Chicago and the University of Illinois and was part of the WPA

    Kunstner og museum

    Kunstner

    William Carter

    William Carter: Echoes of Victorian Faith and Landscape

    Born around 1843 in the heart of London’s Bedford Square, William Carter was a painter whose brief, luminous life captured the very essence of a transitioning England. As a British landscape artist, his work serves as a poignant window into the Victorian era—a period defined by a profound reverence for the natural world and an burgeoning fascination with scientific precision. Though his career was tragically truncated by his death at the young age of twenty-one, Carter managed to weave a distinctive thread into the tapestry of 19t-century art, creating a synthesis of Romantic idealism and the emerging realist tendencies that would come to define the age.

    The foundations of Carter’s artistic journey were laid by his privileged upbringing. The son of John Thornton Carter, a prominent coal and iron baron, William was raised amidst the symbols of Britain's industrial ascendancy. This background provided him with the means to pursue an elite education, blending classical scholarship with rigorous artistic training. His development was shaped by the mentorship of two vastly different masters: the Symbolist George Frederic Watts, who instilled in him a sense of spiritual depth and thematic complexity, and John Goss, whose commitment to realism influenced Carter’s meticulous observational skills. This duality—the tension between the ethereal and the tangible—became the hallmark of his creative vision.

    A Vision of Quietude and Detail

    While many of his contemporaries sought to capture the sweeping, tempestuous grandeur of the sublime in the tradition of Turner, Carter found his voice in the intimate and the serene. His canvases often eschewed the dramatic storm for the quiet dignity of the English countryside. One might find himself wandering through rolling hillsides dotted with grazing sheep or standing before a still, reflective lake that mirrored the soft light of a summer afternoon. These were not merely topographical studies; they were atmospheric meditations designed to evoke a sense of peace and contemplative depth.

    Carter’s technique was characterized by an extraordinary attention to detail and a mastery of subtle tonal harmonies. He possessed a keen ability to render textures with such conviction that the viewer could almost feel the coarseness of wool or the dampness of earth. His use of light and shadow was never merely decorative; it served to create volume and a sense of lived-in reality, grounding his more poetic landscapes in a palpable, physical world. Through this careful application of oil on canvas, he bridged the gap between the dreamlike qualities of Romanticism and the grounded truth of Realism.

    Legacy and Historical Significance

    The historical significance of William Carter lies in his ability to capture a specific cultural moment: the intersection of Victorian faith and the dawn of modern observation. His work reflects a society that was simultaneously looking backward toward pastoral innocence and forward toward an era of empirical discovery. Even though his total output remains modest due to his untimely passing in 1864, the impact of his aesthetic remains visible in the way he treated the landscape as both a spiritual sanctuary and a subject of scientific interest.

    Today, Carter’s paintings are cherished not only for their technical merit but as historical artifacts that preserve the atmosphere of a lost era. His ability to imbue quiet scenes with profound emotional weight ensures that his name remains etched in the annals of British art history. To view a Carter landscape is to experience a moment of stillness, a brief respite from the industrial roar of the 19th century, inviting the modern observer to rediscover the beauty found in the subtle and the overlooked.

    Museum

    The Kinsey African American Art - History Collection

    Utstilt i Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

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    QR-kode som lenker til nedlastingssiden for The Gambler

    originaluniqueart.com/no/art/download/william-carter-the-gambler-D4N8ZM-en/

    Kildehenvisning for dette kunstverket

    MLA
    Carter, William. The Gambler. 1990, The Kinsey African American Art - History Collection. https://originaluniqueart.com/no/art/william-carter-the-gambler-D4N8ZM-en/
    APA
    Carter, William (1990). The Gambler [Painting]. The Kinsey African American Art - History Collection. https://originaluniqueart.com/no/art/william-carter-the-gambler-D4N8ZM-en/
    Chicago
    William Carter. The Gambler. 1990. The Kinsey African American Art - History Collection. https://originaluniqueart.com/no/art/william-carter-the-gambler-D4N8ZM-en/
    Harvard
    Carter, William (1990) The Gambler. The Kinsey African American Art - History Collection. Available at: https://originaluniqueart.com/no/art/william-carter-the-gambler-D4N8ZM-en/

    Se nærmere på

    The Gambler — William Carter

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Henry Yool, Esq (1895), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

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    Spørsmål og svar

    Kan jeg undersøke "The Gambler" mer detaljert?

    "The Gambler" kan undersøkes lag for lag på verkets Røntgenstråling-side, en interaktiv visning inspirert av en konservators lysbord med elleve optiske lag av bildet.

    Hva er den dominerende fargetonen i "The Gambler" av William Carter?

    "The Gambler" har en tendens til en Amber to Saffron tone.

    Hva er den dominerende fargen i "The Gambler" av William Carter?

    Phthalo Green (#282a2f) er den dominerende fargen i "The Gambler" av William Carter.