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The Scouts

Navn Klasse Dato

William Barns Wollen, The Scouts (1905). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Barns Wollen originaluniqueart.com/no/artists/william-barns-wollen/
Kunstnerens levetid
1857 – 1936
Malt
1905
Opprinnelig størrelse
142 x 114 cm

I sammenheng med

The Scouts — William Barns Wollen

Hvor stort er det?

Originalen måler 142 × 114 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 79 ved død.

Malt da kunstneren var 48. Kunstneren ble 79 år gammel. 6 av de 20 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Barns Wollen (1857–1936) ▲ dette verket, 1905 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1899 Hovedvirksomhetsår: 1899–1915 Senere verk: fra 1915

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/william-barns-wollen-the-scouts-AQV6L9-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #2b1f12

    Katalogisert palett

    • #2B1F12
    • #9F9A85
    • #E1D9C2
    • #70593B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Phthalo Green
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Barns Wollen i løpet av de siste tolv månedene — totalt 6 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 44.4%
    2. 2 Brazil 11.1%
    3. 3 Hong Kong 11.1%
    4. 4 Netherlands 11.1%
    5. 5 New Zealand 11.1%
    6. 6 United States of America 11.1%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 9 mest viste verkene av William Barns Wollen

    1. 1 The Black Watch at Bay, 1894 16.7%
    2. 2 An Ambush, Boer War, 1900 16.7%
    3. 3 The Scouts, 1905 dette maleriet 16.7%
    4. 4 Right About Turn 'Nobby', Peninsular War, c.1809, 1910 8.3%
    5. 5 Landrécies, 25 August 1914, 1915 8.3%
    6. 6 News, Horsemen of the New Model Army Greet a Messenger, c.1645, 1910 8.3%
    7. 7 The 28th (1st Gloucestershire Regiment) at Waterloo 8.3%
    8. 8 Sir Thomas Forster, KC, 1918 8.3%
    9. 9 The 21st Lancers at Omdurman, Sudan, 1899 8.3%

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 23 verk av denne kunstneren, hvorav 9 ble sett på minst én gang. Dette maleriet rangerer som nummer 3 av dem, med 16.7% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Barns Wollen

    William Barnes Wollen: A Master of Victorian Military Art

    William Barnes Wollen, a name perhaps less familiar than some of his contemporaries, stands as a pivotal figure in the history of British military art. Born in Leipzig, Germany, in 1857, and passing away in London in 1936, his life was inextricably linked to the dramatic events unfolding across Europe during the late Victorian and Edwardian eras. Wollen’s career wasn't defined by grand salons or courtly commissions; instead, he found his voice amidst the tumult of war and empire, meticulously documenting battles, campaigns, and the lives of soldiers – a testament to his keen observational skills and profound understanding of human drama under pressure. His work offers a uniquely visceral glimpse into a bygone era, capturing not just the spectacle of conflict but also the courage, sacrifice, and often brutal realities faced by those who fought in its name.

    Early Life and Artistic Training

    Wollen’s early life was marked by a restless spirit and a burgeoning artistic talent. He initially studied at University College School in London before pursuing formal training at the Slade School of Fine Art, where he honed his skills in drawing and painting under the tutelage of established artists. This foundation proved crucial as he transitioned from academic pursuits to a career dedicated to capturing the immediacy of military life. Unlike many artists who sought romanticized depictions of heroism, Wollen’s early works already demonstrated an interest in realism and a willingness to portray the gritty details of combat – a characteristic that would become increasingly prominent throughout his career. His initial exposure to art was influenced by the prevailing trends of the time, including the influence of French Impressionism, which subtly informed his approach to light, color, and composition.

    The Rise of a Military Artist

    Wollen’s breakthrough came with his depiction of Private Andrews being rescued from the Motee Mahal during the Siege of Lucknow in 1879 – an event that quickly gained recognition for its dramatic intensity and realistic portrayal of heroism. This marked the beginning of a prolific period where he produced over thirty battle and campaign paintings, primarily exhibited at Burlington House. He wasn’t simply illustrating historical events; he was actively seeking to understand and represent the experience of war firsthand. Crucially, Wollen's artistic journey coincided with a surge in public interest in military affairs, fueled by colonial expansion and ongoing conflicts. This created a receptive audience for his work, which offered a visual record of these momentous occasions.

    South Africa and the Boer War

    Perhaps the most significant chapter in Wollen’s career unfolded during the Second Boer War (1899-1902). Appointed as a special artist by The Sphere, a new illustrated newspaper, he travelled to South Africa to document the conflict. This experience profoundly shaped his artistic vision and cemented his reputation as a skilled military painter. He meticulously observed battles like Abu Klea and Waggon Hill, capturing not just the strategic maneuvers but also the emotional toll on the soldiers involved. Paintings such as “The Imperial Light Horse at Waggon Hill” and “The Victoria Cross” are particularly compelling examples of this period, showcasing his ability to convey both the grandeur of military action and the individual stories within it. These works demonstrated a shift towards greater realism and psychological depth, moving beyond mere depictions of combat to explore themes of courage, loss, and the human cost of war.

    World War I and Beyond

    As Europe plunged into World War I, Wollen continued his artistic output, producing a series of powerful paintings that reflected the scale and brutality of the conflict. Works like “Defeat of the Prussian Guard, Ypres, 1914” and "Semper Fidelis: The Last Stand of the 2nd Devons at Bois des Buttes" vividly portray the desperate struggles on the Western Front. He also documented lesser-known engagements, demonstrating a commitment to representing the diverse experiences of British soldiers across various theaters of war. Even in his later years, Wollen remained dedicated to capturing the essence of military life, producing evocative scenes from earlier conflicts and illustrating historical events with meticulous detail. His final works, including depictions of the American Revolution and the Crimean War, stand as a testament to his enduring fascination with history and his remarkable ability to translate it onto canvas.

    Legacy and Significance

    William Barnes Wollen’s legacy lies not in grand pronouncements or revolutionary techniques but in his unwavering commitment to documenting the realities of war through powerful visual narratives. He was a keen observer, a skilled artist, and a dedicated recorder of history. His paintings offer invaluable insights into the lives of soldiers during a turbulent period, providing a poignant reminder of the sacrifices made in the name of empire and nationhood. While overshadowed by some of his more flamboyant contemporaries, Wollen’s work continues to be appreciated for its realism, emotional depth, and historical significance – solidifying his place as a significant figure in the history of British military art. His paintings are now housed in collections such as the Royal Green Jackets Museum and the National Army Museum, ensuring that his artistic legacy endures for future generations.

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    QR-kode som lenker til nedlastingssiden for The Scouts

    originaluniqueart.com/no/art/download/william-barns-wollen-the-scouts-AQV6L9-en/

    Kildehenvisning for dette kunstverket

    MLA
    Wollen, William Barns. The Scouts. 1905, https://originaluniqueart.com/no/art/william-barns-wollen-the-scouts-AQV6L9-en/
    APA
    Wollen, William Barns (1905). The Scouts [Painting]. https://originaluniqueart.com/no/art/william-barns-wollen-the-scouts-AQV6L9-en/
    Chicago
    William Barns Wollen. The Scouts. 1905. https://originaluniqueart.com/no/art/william-barns-wollen-the-scouts-AQV6L9-en/
    Harvard
    Wollen, William Barns (1905) The Scouts. Available at: https://originaluniqueart.com/no/art/william-barns-wollen-the-scouts-AQV6L9-en/

    Se nærmere på

    The Scouts — William Barns Wollen

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: military, winter, soldiers. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på The Patrol (1906), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. William Barns Wollen var omtrent 48 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan balanserer "The Scouts" lys og mørke?

    "The Scouts" av William Barns Wollen er registrert med shadow, og har en luminans på Soft Shadow.

    Hvem har skapt "The Scouts"?

    Kunstneren bak "The Scouts" er William Barns Wollen. Verket er katalogisert under William Barns Wollen sitt navn.

    Hvilken farge dominerer i "The Scouts"?

    Den dominerende fargen i "The Scouts" av William Barns Wollen er Phthalo Green (#2b1f12).