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Alexander Mitchell, Dalkeith

Navn Klasse Dato

Robert Gibb, Alexander Mitchell, Dalkeith (1884), Midlothian Council Library Headquarters. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Robert Gibb originaluniqueart.com/no/artists/robert-gibb/
Kunstnerens levetid
1845 – 1932
Malt
1884
Opprinnelig størrelse
126 x 101 cm
Arrangert på
Midlothian Council Library Headquarters originaluniqueart.com/no/museums/midlothian-council-library-headquarters-leith/

I sammenheng med

Alexander Mitchell, Dalkeith — Robert Gibb

Dimensjoner

Originalen måler 126 × 101 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 87 ved død.

Malt da kunstneren var 39. Kunstneren ble 87 år gammel. 3 av de 17 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Robert Gibb (1845–1932) ▲ dette verket, 1884 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1890 Hovedvirksomhetsår: 1890–1903 Senere verk: fra 1903

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #29221e

    Lagret palett

    • #29221E
    • #171411
    • #6C4C37
    • #A57C5A

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Phthalo Green
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Robert Gibb i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 Indonesia 66.7%
    2. 2 China 33.3%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 5 mest viste verkene av Robert Gibb

    1. 1 Closing the Gates at Hougoumont, 1815, 1903 57.1%
    2. 2 Sir Francis Webster, 1912 14.3%
    3. 3 Comrades, the 42nd Highlanders (copy of an earlier painting by the artist), 1894 14.3%
    4. 4 View of Perth, 1829 14.3%
    5. — Alexander Mitchell, Dalkeith, 1884 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 27 verk av denne kunstneren, hvorav 4 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Robert Gibb

    The Atmospheric Soul of Scotland: The Life and Art of Robert Gibb

    In the misty, heather-clad expanses of the nineteenth-century Scottish landscape, few artists captured the profound intersection of historical grandeur and natural atmosphere as masterfully as Robert Gibb. Born in Edinburgh in 1845, Gibb emerged as a pivotal figure in late Victorian British art, a painter whose brush possessed the unique ability to bridge the gap between classical tradition and the burgeoning emotional depth of tonalism. His life’s work serves as a visual chronicle of his homeland, moving seamlessly from the rugged, monumental scale of the Highlands to the intimate, psychological complexities of formal portraiture.

    Gibb’s artistic foundation was laid within the prestigious halls of the Royal Scottish Academy in Edinburgh. During these formative years, he immersed himself in the neoclassical traditions that defined the era, drawing inspiration from the structured compositions and idealized beauty championed by masters such as Benjamin Haydon and George Frederic Watts. This rigorous training instilled in him a lifelong respect for classical form, yet Gibb was never content to remain merely a student of the past. He possessed an innate drive to explore the ephemeral qualities of light and air, seeking to capture not just the physical reality of a scene, but its very spirit.

    From Barbizon Realism to Tonalist Light

    As his career progressed, Gibb’s style underwent a captivating evolution, moving away from strict academic precision toward a more evocative, atmospheric realism. He found deep resonance in the Barbizon School, particularly in the works of Jean-François Millet and Gustave Courbet. From these French masters, he adopted an emphasis on plein air painting and a reverence for the monumental scale of nature. His early landscapes often reflected this rugged grandeur, portraying the Scottish lochs and mountains with a sense of weight and permanence that commanded the viewer's attention.

    However, as the influence of Impressionism began to ripple through the British art world, Gibb transitioned toward Tonalism. This stylistic shift marked his most mature period, characterized by a move away from sharp, defined outlines in favor of subtle gradations of color and a pervasive atmospheric haze. In these later works, the landscape becomes an ethereal experience; light does not merely illuminate the subject but seems to emerge from within it. Through this technique, Gibb achieved a sense of sfumato that allowed the boundaries between earth and sky to dissolve, creating canvases imbued with a haunting, poetic quality.

    A Legacy of Portraits and Historical Grandeur

    While his landscapes are celebrated for their atmospheric depth, Gibb’s reputation was equally bolstered by his prowess as a portraitist. He possessed a remarkable ability to render the likenesses of prominent Scottish figures with both technical precision and profound psychological insight. His portraits of individuals such as Sir John Watson Gordon and Sir Daniel Macnee are distinguished by their rich textures and a sense of dignified presence, capturing the character of his sitters through masterful control of light and shadow.

    Beyond the quietude of portraiture, Gibb also found great success in depicting dramatic historical and military scenes. His work often touched upon themes of national identity and heroism, most notably seen in pieces like The Thin Red Line. These compositions allowed him to combine his skill for large-scale narrative painting with his talent for capturing movement and tension. Through this diverse body of work—ranging from the solemnity of a legal figure's portrait to the epic scale of a battlefield—Robert Gibb secured his place in art history as an artist who could translate the enduring strength of Scottish heritage into the delicate, fleeting language of light.

    Museum

    Midlothian Council Library Headquarters

    Utstilt på Leith, United Kingdom

    A Dialogue of Concrete and Greenery

    In the historic, salt-aired atmosphere of Leith, where the urban pulse of Scotland meets the quiet majesty of the Pentland Hills, stands a structure that defies the traditional boundaries of a library. The Midlothian Council Library Headquarters is far more than a mere repository for the written word; it is a contemporary architectural triumph that serves as a sanctuary for the visual arts. Completed in 2013, the building presents a striking

    Brutalist-inspired

    concrete façade, a deliberate and bold choice that creates a profound aesthetic tension with the verdant, rolling landscapes bordering its campus. This architectural dialogue between the man-made and the natural is further enriched by the clever use of sustainable materials and an interior design that maximizes the influx of soft, natural light, casting ever-changing shadows across its modern surfaces.

    The Soul of Midlothian Captured in Art

    To step inside this sanctuary is to encounter a curated dialogue between the local spirit and the passage of time. The museum’s core strength lies in its intimate yet powerful assemblage of thirty-one artworks, each a testament to the talent of local artists. These pieces—spanning the tactile depth of

    sculpture

    , the intricate textures of

    printmaking

    , and the evocative layers of

    painting

    —act as windows into the region's evolving identity. Many of these works delve into the poignant themes of Midlothian’s industrial heritage, capturing the grit and grandeur of a landscape transformed by human endeavor. For the collector or the interior designer, these works offer more than mere decoration; they provide a narrative connection to the very earth and history of Scotland, making them ideal for spaces that seek to evoke a sense of place and profound cultural depth.

    A Living Legacy of Heritage and Community

    The institution’s significance extends far beyond its modern walls, rooted deeply in the historical lineage of the Edinburgh City Council and the ancient records of the Old Tolbooth. This sense of continuity is woven into the museum's very mission: to safeguard Midlothian’s heritage while fostering a vibrant, living culture. Unlike larger, more impersonal national galleries, this headquarters offers a unique, intimate engagement with art through scheduled viewings that allow for a direct, unhurried connection with the works on display. The museum frequently transforms into a hub of cultural exploration, hosting exhibitions that delve into the enchanting realms of

    Scottish folklore

    and the delicate beauty of local crafts. Through dedicated workshops for both children and adults, the library ensures that the appreciation of visual arts is not merely observed but actively practiced, cementing its role as a vital heartbeat of community engagement and intellectual curiosity.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Alexander Mitchell, Dalkeith

    originaluniqueart.com/no/art/download/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/

    Kildehenvisning for dette kunstverket

    MLA
    Gibb, Robert. Alexander Mitchell, Dalkeith. 1884, Midlothian Council Library Headquarters. https://originaluniqueart.com/no/art/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/
    APA
    Gibb, Robert (1884). Alexander Mitchell, Dalkeith [Painting]. Midlothian Council Library Headquarters. https://originaluniqueart.com/no/art/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/
    Chicago
    Robert Gibb. Alexander Mitchell, Dalkeith. 1884. Midlothian Council Library Headquarters. https://originaluniqueart.com/no/art/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/
    Harvard
    Gibb, Robert (1884) Alexander Mitchell, Dalkeith. Midlothian Council Library Headquarters. Available at: https://originaluniqueart.com/no/art/robert-gibb-alexander-mitchell-dalkeith-AQV38F-en/

    Se nærmere etter

    Alexander Mitchell, Dalkeith — Robert Gibb

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Closing the Gates at Hougoumont, 1815 (1903), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Robert Gibb var omtrent 39 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem er kunstneren bak "Alexander Mitchell, Dalkeith"?

    "Alexander Mitchell, Dalkeith" tilskrives Robert Gibb.

    Hva er formatet og størrelsen på "Alexander Mitchell, Dalkeith"?

    "Alexander Mitchell, Dalkeith" av Robert Gibb har proporsjonene til et Portrait-verk på 126 x 101 cm.

    Hvilken fargepalett brukes i "Alexander Mitchell, Dalkeith" av Robert Gibb?

    Fargepaletten i "Alexander Mitchell, Dalkeith" av Robert Gibb beskrives som Earthy. Det er en kortfattet beskrivelse av verkets farger.