Veiledning for studentkunst
Opphavsrett Dette verket er i det frie domene. Paul Sérusier døde i 1927; opphavsretten varer 70 år etter kunstnerens død, så den utløp i 1997.
I sammenheng med
A Widow — Paul Sérusier
Originalen måler 92 × 71 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.
Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 63 ved død.
Malt da kunstneren var 55. Kunstneren ble 63 år gammel. 116 av de 124 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.
Skyggelagt: livsløpet til Paul Sérusier (1864–1927) ▲ dette verket, 1919 hvert daterte maleri, tiår for tiår
Tidlige verk: frem til 1890 Hovedvirksomhetsår: 1890–1906 Senere verk: fra 1906
Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem
Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.
Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/paul-serusier-a-widow-8YE8YX-en/
Målt ut fra bilde
Hovedfarge
Sap Green #65653e
Lagret palett
Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge
De ti ledende landene
Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.
Sammen utgjør disse verkene 47.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 177 verk av denne kunstneren, hvorav 74 ble sett på minst én gang. Dette maleriet rangerer som nummer 16 av dem, med 1.8% av denne oppmerksomheten. Det samme gjelder, måned for måned
Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.
Om dette kunstverket
A Widow — Paul Sérusier
The painting A Widow by Paul Serusier is a beautiful representation of a woman in mourning, created in 1919. This oil on canvas piece is a prime example of the Synthetism style, characterized by the use of bold colors and geometric shapes. The painting features a woman wearing a blue dress with a white collar, sitting on the grass in a field or garden setting, surrounded by trees and bushes.
Paul Serusier was a French painter and pioneer of abstract art, who left an indelible mark on the world of Synthetism and Cloisonnism. His work, such as A Widow, is a testament to his innovative style and artistic vision. The painting is characterized by its harmonious composition, with the woman as the focal point surrounded by elements that create depth and interest in the scene.
The Dayton Art Institute is a museum that features an impressive collection of over 27,000 works spanning 5,000 years, including paintings by Paul Serusier. The museum's collection includes a range of styles and periods, from ancient to modern art. Some notable works include The Times and Celtic Tale, both by Paul Serusier.
The painting A Widow is a beautiful representation of a woman in mourning
The painting features a woman wearing a blue dress with a white collar, sitting on the grass in a field or garden setting
The painting is characterized by its harmonious composition, with the woman as the focal point surrounded by elements that create depth and interest in the scene
The Paul Serusier style is characterized by the use of Synthetism, which emphasizes the use of bold colors and geometric shapes. His paintings, such as The Fern Harvesters in the Boid d'Amour at Pont Aven, are a testament to his innovative style and artistic vision. For more information on Paul Serusier and his work, visit AllPaintingsStore.com.
Kunstner og museum
Født i Paris, Frankrike
Paul Sérusier, born on November 9th, 1864, in the heart of Paris, was a painter whose journey toward abstract art began within the vibrant artistic circles of late 19th-century France. His upbringing, rooted in a prosperous middle-class family with Flemish heritage, provided him with both stability and exposure to cultural refinement. Unlike his father’s aspirations for a business career, young Paul harbored an unwavering passion for painting, a desire that led him to enroll at the Académie Julian in 1885. This institution, known for its progressive approach to art education, offered a space where he could hone his skills and encounter fellow artists who would profoundly influence his artistic development. Crucially, it was during this period that Sérusier encountered Maurice Denis, a kindred spirit who would later become a key figure in the revival of religious imagery within French painting. The Académie Julian’s environment fostered experimentation and challenged traditional academic styles, laying the groundwork for Sérusier's future explorations into new forms of expression.
Sérusier’s artistic trajectory took a decisive turn in the summer of 1888 when he traveled to Pont-Aven, a small coastal village in Brittany. This location held particular significance as it served as a gathering place for a group of artists—including Paul Gauguin, Émile Bernard, and others—who were seeking inspiration from the region’s rugged landscapes and timeless traditions. Under the watchful eye of Gauguin, Sérusier embarked on a period of intense artistic experimentation, culminating in the creation of Bois d’Amour (The Lovers' Wood), often referred to as “The Talisman.” This painting stands as a pivotal work in Sérusier’s career, embodying the principles of cloisonnism—a technique characterized by bold, flat forms delineated by dark contours. Gauguin encouraged Sérusier to move beyond traditional representation and embrace a more symbolic approach, emphasizing color and form over precise detail. The influence of this period is undeniable; Bois d’Amour represents a radical departure from academic painting, foreshadowing the development of abstract art and establishing Sérusier as a pioneer in this nascent movement.
Following his time at Pont-Aven, Sérusier became a founding member of the Nabis, a small but influential group of artists who sought to synthesize diverse artistic influences—including Post-Impressionism, Symbolism, and Japanese art. The name “Nabis” derives from the Hebrew word for “prophet,” reflecting the group’s ambition to create works that possessed spiritual depth and conveyed profound emotions. Alongside figures such as Paul Gauguin, Pierre Bonnard, Édouard Vuillard, and Maurice Denis, Sérusier explored themes of color, pattern, and decorative design, often employing a flattened perspective and simplified forms. The Nabis aimed to move beyond mere imitation of nature, instead focusing on capturing the essence of their subjects through evocative color palettes and symbolic imagery. Their work was characterized by a quiet intensity and a subtle sense of mystery, inviting viewers to engage with the paintings on an emotional level.
Throughout his career, Sérusier produced a body of work that is both visually striking and intellectually stimulating. Key works include L’aversé (The Shower), exhibited at the Musée d'Orsay in Paris, which showcases his masterful use of color and composition; Portrait of Paul Ranson, also held within the Musée d'Orsay, demonstrating his ability to capture personality through subtle gestures and expressions; and Le Serpent Étranglement (The Snake Eaters), a powerful depiction of a Breton legend housed at the National Museum in Warsaw. Beyond these individual pieces, Sérusier’s legacy lies in his pioneering role as a precursor to abstract art and his influence on subsequent generations of artists. His exploration of cloisonnism, his embrace of color and pattern, and his willingness to challenge conventional artistic norms paved the way for the development of modern art movements such as Synthetism and Cubism. Sérusier’s later years were dedicated to teaching at the École Ranson, where he imparted his knowledge and inspired a new cohort of artists. He passed away on October 7th, 1927, in Morlaix, leaving behind a rich artistic legacy that continues to resonate with art lovers today.
Paul Sérusier’s artistic development was profoundly shaped by a confluence of influences. The teachings of Paul Gauguin at Pont-Aven were particularly transformative, encouraging him to prioritize color and form over traditional representation. Furthermore, his exposure to Japanese prints—which were gaining popularity in Europe during this period—inspired him to experiment with flattened perspectives and simplified compositions. Sérusier’s work also reflects the broader artistic currents of the late 19th century, including Post-Impressionism, Symbolism, and the Arts and Crafts movement. His connection to Maurice Denis was especially significant; Denis's emphasis on religious imagery and his belief in the power of color and line profoundly influenced Sérusier’s approach to painting. The Nabis group itself served as a crucible for artistic exchange, fostering experimentation and pushing the boundaries of contemporary art.
originaluniqueart.com/no/art/download/paul-serusier-a-widow-8YE8YX-en/
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A Widow — Paul Sérusier
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Paul Sérusier skapte "A Widow" innenfor Synthetism-bevegelsen.
Siden Lignende verk for "A Widow" av Paul Sérusier viser relaterte kunstverk.
Fargene i "A Widow" har en Dark luminans.