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Number 23, 1951

Navn Klasse Dato

Jackson Pollock, Number 23, 1951, Chrysler Museum of Art. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Jackson Pollock originaluniqueart.com/no/artists/jackson-pollock_no/
Kunstnerens levetid
1912 – 1956
Opprinnelig størrelse
148 x 119 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Arrangert på
Chrysler Museum of Art originaluniqueart.com/no/museums/chrysler-museum-of-art-norfolk_no/
Artistic style
Black pouring
Influences
Surrealism
Notable elements
Drip technique, figures
Subject or theme
Psychological themes

I sammenheng med

Number 23, 1951 — Jackson Pollock

Hvor stort er det?

Originalen måler 148 × 119 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 44 ved død.

Skyggelagt: livsløpet til Jackson Pollock (1912–1956) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1941 Hovedvirksomhetsår: 1941–1948 Senere verk: fra 1948

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/paul-jackson-pollock-number-23-1951-D433CW-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #847f6a

    Katalogisert palett

    • #847F6A
    • #121217
    • #C4B899
    • #43423C

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Jackson Pollock i løpet av de siste tolv månedene — totalt 70 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 18.8%13200 visits
    2. 2 France 8.1%5700 visits
    3. 3 United States of America 7.4%5200 visits
    4. 4 Germany 7.1%5000 visits
    5. 5 Japan 5.7%4000 visits
    6. 6 Spain 5.6%3900 visits
    7. 7 Italy 5.4%3800 visits
    8. 8 Brazil 3.1%2200 visits
    9. 9 Singapore 2.7%1900 visits
    10. 10 Mexico 2.6%1800 visits
    11. · 60 andre land 33.5%23500 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 35.3%44800 visits
    2. 2 Høstrytme. Nummer 30, 1950 7.0%8900 visits
    3. 3 One. Number 31, 1950 5.6%7100 visits
    4. 4 Konvergens 5.1%6500 visits
    5. 5 Number 5, 1948 3.1%3900 visits
    6. 6 Number 5, 1948 2.5%3200 visits
    7. 7 Tall nummer 1A 2.3%2900 visits
    8. 8 Hvit Lys, 1954 2.1%2700 visits
    9. 9 Number 10, 1949 1.7%2100 visits
    10. 10 Number 3, 1948 1.6%2000 visits
    11. 11 Number 6, 1949 1.3%1600 visits
    12. 12 Number 1, 1948 1.2%1500 visits
    13. 13 Number 3, 1949 1.2%1500 visits
    14. 14 Number 8 0.9%1200 visits
    15. 15 The She Wolf, 1943 0.9%1100 visits
    16. 16 Number 2, 1951 0.9%1100 visits
    17. 17 Saint 0.8%1000 visits
    18. 18 Cathedral 0.8%1000 visits
    19. 19 The Deep 0.8%1000 visits
    20. 45 Number 23, 1951 dette maleriet 0.3%400 visits

    Sammen utgjør disse verkene 75.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 176 verk av denne kunstneren, hvorav 126 ble sett på minst én gang. This painting ranks 45 of them, with 0.3% of that attention (400 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Number 23, 1951 — Jackson Pollock

    The Raw Nerve: Paul Jackson Pollock’s Black Pouring

    Paul Jackson Pollock's "Number 23, 1951" isn’t merely a painting; it’s an immersion. Created during a pivotal period of his artistic evolution – the “black pourings” – this work represents a deliberate retreat from the vibrant, all-over drips that initially defined his fame and a profound exploration into the subconscious. It's a piece that vibrates with a potent energy, a visual manifestation of anxiety, introspection, and a burgeoning interest in surrealist imagery and psychological depth. The stark monochrome palette immediately commands attention, stripping away any pretense of representational art and forcing the viewer to confront the raw materiality of paint itself.

    The Technique: Pollock’s method here is strikingly precise yet utterly chaotic. He thinned enamel paint – a material he experimented with extensively – to an almost liquid consistency, then employed a large basting syringe to fling and squirt it onto the unprimed canvas. This wasn't a spontaneous act of abandon; rather, it was a carefully orchestrated process, resulting in swirling patterns that seem to both coalesce and disintegrate before your eyes. The slow drying time allowed for an unexpected merging of colors and textures, creating a layered effect reminiscent of geological strata or even the shifting sands of memory.

    The Figures: Embedded within this turbulent field are enigmatic figures – faces, breasts, hands—fragments that emerge from the swirling chaos with a disconcerting immediacy. These aren’t easily deciphered; they're not portraits in the traditional sense but rather symbolic representations of anxieties and desires lurking beneath the surface. Their fragmented nature mirrors the fractured state of the psyche, suggesting a struggle to articulate inner turmoil.

    A Surrealist Awakening: Influences and Intent

    Pollock’s exploration of black paint wasn't born in isolation. The period coincided with a renewed interest in surrealism, fueled by his exposure to the works of artists like Joan Miró and Max Ernst. He was captivated by the idea of tapping into the unconscious mind, believing that painting could be a vehicle for accessing hidden emotions and symbolic imagery. “Number 23” is therefore a direct response to this influence, a deliberate attempt to bypass rational thought and delve into the realm of dreams and intuition. The absence of a clear narrative or subject matter further reinforces this surrealist impulse, inviting viewers to project their own interpretations onto the canvas.

    Historical Context:

    The painting was created in 1951, a time of significant global upheaval – the Korean War raged on, and anxieties about the Cold War were escalating. Pollock’s work reflects this atmosphere of uncertainty and tension, capturing a sense of unease and psychological strain.

    Decoding the Symbols: Faces and the Unconscious

    The recurring presence of faces within “Number 23” is particularly intriguing. These aren't idealized or flattering representations; they are distorted, fragmented, and often obscured by layers of paint. Some scholars interpret them as self-portraits—a visual manifestation of Pollock’s own anxieties and insecurities. Others see them as archetypal figures representing primal instincts and unconscious desires. The ambiguity is deliberate, encouraging viewers to engage in a dialogue with the painting and construct their own meaning.

    The Breast/Hand Motif: The prominent presence of what appears to be a breast or hand—a recurring motif in Pollock’s black pourings—has been interpreted as symbols of vulnerability, creation, and perhaps even mortality.

    Fragmented Forms: The overall fragmentation of the figures suggests a sense of psychological disintegration, reflecting the anxieties of the post-war era.

    A Legacy in Monochrome: Reproduction and Appreciation

    "Number 23, 1951" stands as a testament to Pollock’s groundbreaking approach to painting—a radical departure from traditional techniques and a profound exploration of the human psyche. WahooArt offers high-quality reproductions that capture the essence of this iconic work, allowing you to bring its raw energy and enigmatic symbolism into your own space. Consider it not just a decoration, but an invitation to contemplate the complexities of the human experience.

    Kunstner og museum

    Kunstner

    Jackson Pollock

    Født i Cody, USA

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the youngest of five children, born into a family struggling financially but filled with a strong work ethic and a love for art. His mother, Stella May McClure Pollock, recognized his artistic potential and fostered it through encouragement and support.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences—the rugged beauty of the West, the traditions of Native American art, and the dramatic narratives of Benton and the murals of Mexico – laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. The technique was revolutionary, rejecting traditional notions of brushstrokes and composition.

    He used a variety of materials: oil paints, house paints, inks, and even tar.

    His movements were often described as dance-like or ecstatic.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Critics initially struggled to understand or appreciate this new approach, but over time, Pollock's work gained recognition as a groundbreaking contribution to modern art.

    His style transcends mere aesthetics; it’s an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies. The paintings are often interpreted as reflections of the artist’s inner turmoil and spiritual quest.

    Influence and Historical Significance

    Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was a key figure in the rise of Abstract Expressionism, alongside artists like Mark Rothko and Willem de Kooning. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Despite facing initial criticism and skepticism, Pollock’s legacy has solidified over time. He is now considered one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring presence in the art world for generations to come.

    Further Exploration

    Key Resources:

    Jackson Pollock - Wikipedia:

    Smithsonian American Art Museum:

    National Gallery of Art:

    Museum

    Chrysler Museum of Art

    Utstilt i Norfolk, USA

    Et fristed for lys og visjon

    Dypt forankret i hjertet av Norfolk, Virginia, står Chrysler Museum of Art som et dypsindig vitnesbyrd om den transformative kraften i visjon og generøsitet. Det som begynte i 1933 som det beskjedne Norfolk Museum of Arts and Sciences, blomstret ut til en fremragende kulturell destinasjon, i stor grad takket være det avgjørende bidraget fra Walter P. Chrysler Jr. i 1971. I dag fungerer museet som et lysende fristed hvor fem årtusener med menneskelig kreativitet møtes, og tilbyr en kronologisk odyssé som inviterer besøkende til å vandre gjennom det enorme landskapet av kunstnerisk evolusjon. Fra de eldgamle hviskene fra tidlige sivilisasjoner til den dristige, viscerale energien i samtidens mesterverk, tilbyr museet en oppslukende opplevelse som transcenderer både tid og geografi.

    Sjelden i Chrysler ligger i dets pustløst mangfoldige samlinger, der det monumentale møter det delikate. Man kan ikke vandre gjennom hallene uten å bli bergtatt av den verdensberømte glassamlingen, et glitrende panorama som sporer mediets reise fra skjør antikk til moderne innovasjon. Her skaper den iriserende glansen i

    Louis Comfort Tiffany sine

    lampeskjermer miniatyruniverser av lys, i en vedvarende dialog med massive og storslåtte glassmalerier. Denne mestringen av lys gjenspeiles i museets europeiske gallerier, hvor den dramatiske

    chiaroscuro-teknikken

    til Caravaggio og Vermeers nitidige, stille interiører tilbyr vinduer inn til selve essensen av menneskets tilstand. Samlingen utvides videre inn i barokkens storhet med verk av Bernini og Rubens, og beveger seg fra John Singleton Copleys raffinerte amerikanske portretter til den rå, emosjonelle abstraksjonen hos Jackson Pollock og Mark Rothko.

    Arkitektonisk eleganse og levende kunstnerskap

    Arkitektonisk er museet et mesterverk av modernistisk design, spesielt utformet for å fungere som et kar for lys. Utvidelsen i 2014 transformerte institusjonen til et svimlende landskap av ekspansive gallerier og høye tak, designet for å maksimere naturlig belysning og fremme dyp kontemplasjon. Denne arkitektoniske elegansen brytes av lekne øyeblikk, som tilstedeværelsen av Florentijn Hofmans

    Rubber Duck

    -skulptur, som gir en spøkefull hyllest til Norfolks maritime arv. For de som søker å være vitne til selve skapelsens gnist, huser museet Perry Glass Studio, et interaktivt rom hvor den rytmiske dansen mellom smeltet glass og håndverk kan observeres på nært hold, noe som bygger bro mellom det ferdige mesterverket og kunstnerens hånd.

    Utover sin rolle som et skattekammer, defineres Chrysler Museum av sitt urokkelige engasjement for inkludering og fellesskap. Ved å tilby gratis adgang sikrer institusjonen at kunsten forblir en tilgjengelig luksus, og bryter ned sosioøkonomiske barrierer for å ønske alle skjønnhetssøkere velkommen. For interiørdesignere og samlere fungerer museet som en uendelig kilde til inspirasjon, med en rik palett av teksturer, historiske motiver og fargeharmonier. Det er mer enn et museum; det er et levende knutepunkt for kulturell utveksling, et sted hvor fortid og nåtid puster sammen, og som minner hver besøkende om at skjønnhet og innovasjon er essensielle elementer i et godt levd liv.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Number 23, 1951

    originaluniqueart.com/no/art/download/paul-jackson-pollock-number-23-1951-D433CW-en/

    Kildehenvisning for dette kunstverket

    MLA
    Pollock, Jackson. Number 23, 1951. n.d., Chrysler Museum of Art. https://originaluniqueart.com/no/art/paul-jackson-pollock-number-23-1951-D433CW-en/
    APA
    Pollock, Jackson (n.d.). Number 23, 1951 [Painting]. Chrysler Museum of Art. https://originaluniqueart.com/no/art/paul-jackson-pollock-number-23-1951-D433CW-en/
    Chicago
    Jackson Pollock. Number 23, 1951. n.d. Chrysler Museum of Art. https://originaluniqueart.com/no/art/paul-jackson-pollock-number-23-1951-D433CW-en/
    Harvard
    Pollock, Jackson (n.d.) Number 23, 1951. Chrysler Museum of Art. Available at: https://originaluniqueart.com/no/art/paul-jackson-pollock-number-23-1951-D433CW-en/

    Se nærmere på

    Number 23, 1951 — Jackson Pollock

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 3 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: black pourings, surrealism, figures. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Nummer 1, 1949 (1950), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Number 23, 1951 — Jackson Pollock

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary technique employed by Jackson Pollock in ‘Number 23, 1951’?

      • A Precise brushstrokes and detailed rendering
      • B Dripping and pouring paint onto a canvas
      • C Layering of oil paints with meticulous blending
    2. 2. The painting ‘Number 23, 1951’ is considered part of which artistic movement?

      • A Renaissance Realism
      • B Abstract Expressionism
      • C Impressionism
    3. 3. What material was primarily used for the canvas in ‘Number 23, 1951’?

      • A Linen
      • B Unprimed Canvas
      • C Silk
    4. 4. The painting contains recognizable figures. What is the primary interpretation of these figures?

      • A Literal depictions of people
      • B Fragmented and distorted subconscious imagery
      • C Symbolic representations of historical events
    5. 5. What is the approximate size of ‘Number 23, 1951’?

      • A 100 x 80 cm
      • B 148.6 x 119.4 cm
      • C 200 x 150 cm

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1A · 2A · 3A · 4A · 5A

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hvilken underliggende nyanse preger "Number 23, 1951" av Jackson Pollock?

    Den dominerende fargen i "Number 23, 1951" av Jackson Pollock er Ochre to Sepia. Denne fargen utgjør den underliggende tonen i paletten.

    Er "Number 23, 1951" et av Jackson Pollock sine mest populære verk?

    Popularitetsnivået som er registrert for "Number 23, 1951" av Jackson Pollock, er Iconic.

    Hvilken teknikk og stil karakteriserer "Number 23, 1951" av Jackson Pollock?

    "Number 23, 1951" av Jackson Pollock kombinerer Acrylic On Canvas-teknikken med Abstract Expressionism-stilen. Teknikk og stilretning beskriver verkets utførelse og estetiske uttrykk.