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Going under Bye

Navn Klasse Dato

Norman Stansfield Cornish, Going under Bye. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Norman Stansfield Cornish originaluniqueart.com/no/artists/norman-stansfield-cornish/
Kunstnerens levetid
1919 – 2014
Opprinnelig størrelse
53 x 74 cm

I sammenheng med

Going under Bye — Norman Stansfield Cornish

Dimensjoner

Originalen måler 53 × 74 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Row above: the year. Row below: the artist's age in that year.

Skyggelagt: livsløpet til Norman Stansfield Cornish (1919–2014)

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

  • Pit Gantry Steps originaluniqueart.com/no/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road originaluniqueart.com/no/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) originaluniqueart.com/no/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #9ba289

    Lagret palett

    • #9BA289
    • #242414
    • #7C7751
    • #52502E
    Navn på hovedfarge
    Rosy Brown
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Norman Stansfield Cornish over the last twelve months — 2 countries in all.

    The ten leading countries

    1. 1 China 75.0%
    2. 2 Argentina 25.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 25.0%
    2. 2 Pit Gantry Steps 25.0%
    3. 3 A Tired Pit Pony 25.0%
    4. 4 Going under Bye this painting 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 14 works by this artist, of which 4 were looked at at least once. This painting ranks 4 of them, with 25.0% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Kunstner og museum

    Kunstner

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

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    QR-kode som lenker til nedlastingssiden for Going under Bye

    originaluniqueart.com/no/art/download/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Kildehenvisning for dette kunstverket

    MLA
    Cornish, Norman Stansfield. Going under Bye. n.d., https://originaluniqueart.com/no/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    APA
    Cornish, Norman Stansfield (n.d.). Going under Bye [Painting]. https://originaluniqueart.com/no/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Chicago
    Norman Stansfield Cornish. Going under Bye. n.d. https://originaluniqueart.com/no/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Harvard
    Cornish, Norman Stansfield (n.d.) Going under Bye. Available at: https://originaluniqueart.com/no/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Se nærmere etter

    Going under Bye — Norman Stansfield Cornish

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Pit Gantry Steps, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan jeg bruke utvidet virkelighet (AR) for å se "Going under Bye" av Norman Stansfield Cornish i rommet mitt?

    "Going under Bye" av Norman Stansfield Cornish kan forhåndsvises på din egen vegg med kunstverkets AR-forhåndsvisning-side, ved bruk av utvidet virkelighet (AR) på en kompatibel enhet.

    Kan jeg bestille en olje-reproduksjon av "Going under Bye"?

    Håndmalte kopier av "Going under Bye" av Norman Stansfield Cornish selges på denne nettsiden: en håndmalt oljereproduksjon på linlerret, bestilles via denne siden.

    Er en høyoppløselig nedlasting av "Going under Bye" tilgjengelig?

    "Going under Bye" er tilgjengelig som nedlasting av et digitalt bilde i høy oppløsning, kjøpt direkte på denne siden.

    Hvilken kunstner kan "Going under Bye" tilskrives?

    Kunstneren bak "Going under Bye" er Norman Stansfield Cornish. Verket er katalogisert under Norman Stansfield Cornish sitt navn.

    Hvilken form og hvilke dimensjoner har "Going under Bye" av Norman Stansfield Cornish?

    Formatet på "Going under Bye" er Landscape, og originalen måler 53 x 74 cm. Begge deler er nyttige når man planlegger en reproduksjon.

    Finnes det en lysbildefremvisning for "Going under Bye" av Norman Stansfield Cornish?

    "Going under Bye" av Norman Stansfield Cornish kan vises som et lysbildefremvisning på verkets Lysbildefremvisning-side.

    Hvor kan jeg kjøpe et trykk av "Going under Bye" av Norman Stansfield Cornish?

    "Going under Bye" er tilgjengelig som et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir. Bestillinger legges på denne siden, i den størrelsen du selv velger.