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Across to the Mount

Navn Klasse Dato

Kurt Jackson, Across to the Mount (1999), Penlee House Gallery - Museum. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Kurt Jackson originaluniqueart.com/no/artists/kurt-jackson/
Kunstnerens levetid
1961 –
Malt
1999
Opprinnelig størrelse
15 x 35 cm
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Arrangert på
Penlee House Gallery - Museum originaluniqueart.com/no/museums/penlee-house-gallery-museum-penzance/

I sammenheng med

Across to the Mount — Kurt Jackson

Dimensjoner

Originalen måler 15 × 35 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 38. 2 av de 6 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1999 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/kurt-jackson-across-to-the-mount-AR2D9W-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Gray #768571

    Lagret palett

    • #768571
    • #2B638A
    • #93B7C5
    • #4C5046

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Gray
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Kurt Jackson i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 80.0%
    2. 2 Storbritannia 20.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 5 mest viste verkene av Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33.3%
    2. 2 Several Winter Evenings Delabole 16.7%
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16.7%
    4. 4 Catch the Light 16.7%
    5. 5 Across to the Mount, 1999 dette maleriet 16.7%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 5 ble sett på minst én gang. Dette maleriet rangerer som nummer 5 av dem, med 16.7% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museum

    Penlee House Gallery - Museum

    Utstilt på Penzance, United Kingdom

    A Sanctuary of Cornish Light and Victorian Artistry

    Nestled within the tranquil, verdant embrace of Penlee Park in Penzance,

    Penlee House Gallery & Museum

    stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World and II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.

    The heart of the museum beats most vibrantly through its incomparable collection of the

    Newlyn School

    . This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective found in

    The Rain It Raineth Every Day

    by Norman Garstin, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’

    School is Out

    . These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.

    A Tapestry of Maritime Heritage and Local Craft

    Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio.

    The collection is further enriched by works that capture the very spirit of the Penwith peninsula, including:

    Victorian Masterpieces:

    Evocative paintings by members of the Newlyn School, such as

    Among the Missing

    by Walter Langley and

    On Paul Hill

    by Stanhope Forbes.

    Regional Craftsmanship:

    An extensive array of Cornish ceramics that showcase centuries of local tradition.

    Historical Narratives:

    Social exhibits revealing the lives and traditions of local communities, alongside archaeological treasures from the Land's End area.

    It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light, making it an essential pilgrimage for anyone seeking to understand the profound artistic and historical legacy of West Cornwall.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Across to the Mount

    originaluniqueart.com/no/art/download/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Kildehenvisning for dette kunstverket

    MLA
    Jackson, Kurt. Across to the Mount. 1999, Penlee House Gallery - Museum. https://originaluniqueart.com/no/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    APA
    Jackson, Kurt (1999). Across to the Mount [Painting]. Penlee House Gallery - Museum. https://originaluniqueart.com/no/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Chicago
    Kurt Jackson. Across to the Mount. 1999. Penlee House Gallery - Museum. https://originaluniqueart.com/no/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Harvard
    Jackson, Kurt (1999) Across to the Mount. Penlee House Gallery - Museum. Available at: https://originaluniqueart.com/no/art/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Se nærmere etter

    Across to the Mount — Kurt Jackson

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: coastal landscape, rocky shoreline, ocean views. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Several Winter Evenings Delabole, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan kan jeg se "Across to the Mount" av Kurt Jackson som en lysbildefremvisning?

    "Across to the Mount" av Kurt Jackson kan vises som et lysbildefremvisning på verkets Lysbildefremvisning-side.

    Hvor gammel var Kurt Jackson da "Across to the Mount" ble skapt?

    Kurt Jackson var 38 år gammel da Across to the Mount ble skapt i 1999. Alderen er beregnet ut fra kunstnerens fødselsår, 1961.

    Kan jeg se "Across to the Mount" av Kurt Jackson på min egen vegg før jeg kjøper?

    "Across to the Mount" har en forhåndsvisning med utvidet virkelighet: AR-forhåndsvisning-siden til kunstverket viser det i ditt eget rom på en kompatibel enhet.