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Edouard Blau

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Jean Frédéric Bazille, Edouard Blau (1869). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Jean Frédéric Bazille originaluniqueart.com/no/artists/jean-frederic-bazille_no/
Kunstnerens levetid
1841 – 1870
Malt
1869
Opprinnelig størrelse
70 x 53 cm

I sammenheng med

Edouard Blau — Jean Frédéric Bazille

Hvor stort er det?

Originalen måler 70 × 53 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1840
  2. 1850
  3. 1860
  4. 1870

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 29 ved død.

Malt da kunstneren var 28. Kunstneren ble 29 år gammel. 36 av de 52 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Jean Frédéric Bazille (1841–1870) ▲ dette verket, 1869 hvert daterte maleri, tiår for tiår

Sammenlign med

  • Bader, 1869 originaluniqueart.com/no/art/jean-frederic-bazille-bader-8XY3LT-no/
  • Familieforening, 1867 originaluniqueart.com/no/art/jean-frederic-bazille-familieforening-8XY3LL-no/
  • La Toilette, 1870 originaluniqueart.com/no/art/jean-frederic-bazille-la-toilette-8YDEHW-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/jean-frederic-bazille-edouard-blau-D38MFT-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Walnut #7e573b

    Katalogisert palett

    • #7E573B
    • #10120D
    • #2B221C
    • #B48A70

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Walnut
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Jean Frédéric Bazille i løpet av de siste tolv månedene — totalt 40 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 34.1%
    2. 2 United States of America 6.3%
    3. 3 France 5.4%
    4. 4 Bulgaria 3.9%
    5. 5 Spain 3.9%
    6. 6 Hong Kong 3.9%
    7. 7 India 3.9%
    8. 8 Singapore 3.9%
    9. 9 Japan 2.9%
    10. 10 Pakistan 2.9%
    11. · 30 andre land 28.9%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Jean Frédéric Bazille

    1. 1 Bader, 1869 39.9%
    2. 2 Familieforening, 1867 26.7%
    3. 3 The Pink Dress, 1864 3.1%
    4. 4 La Toilette, 1870 2.3%
    5. 5 The Fisherman with a Net, 1868 1.6%
    6. 6 Still Life with Fish, 1866 1.6%
    7. 7 Portrait of Auguste Renoir, 1867 1.6%
    8. 8 The Scoter, 1864 1.6%
    9. 9 Self Portrait with Palette, 1865 1.2%
    10. 10 The Heron, 1867 1.2%
    11. 11 Landscape on the Shore of Lez, 1870 1.2%
    12. 12 The Fortune Teller, 1869 1.2%
    13. 13 Negress with Peonies, 1870 1.2%
    14. 14 The Artist's Studio, Rue de la Condamine, 1870 1.2%
    15. 15 Young Woman with Peonies, 1870 0.8%
    16. 16 Flowers, 1868 0.8%
    17. 17 Landscape at Chailly, 1865 0.8%
    18. 18 Le petit jardinier, ca Museum of Fine Arts,, 1867 0.8%
    19. 19 The Studio on the Rue La Condamine, 1870 0.8%
    20. — Edouard Blau, 1869 dette maleriet 0.0%

    Sammen utgjør disse verkene 89.6% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 70 verk av denne kunstneren, hvorav 43 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Jean Frédéric Bazille

    Født i Montpellier, Frankrike

    The Brief Radiance of Jean Frédéric Bazille

    Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

    Forging a Path Amongst Giants

    Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn't merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like The Pink Dress (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. Bazille's work often depicted scenes of Parisian life, infused with an intimate understanding of his friends and their shared experiences.

    A Style Defined by Light and Friendship

    Bazille's artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with plein air painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like Family Reunion (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about what he saw, but how he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Eugène Delacroix, whose vibrant use of color resonated with his own artistic sensibilities, yet he moved beyond academic conventions to embrace a more modern sensibility. Bazille’s palette often featured rich, warm tones, reflecting the southern French landscapes that held such significance for him.

    A Life Interrupted: Legacy and Remembrance

    The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

    Family Background and Early Influences

    Born into a prominent Protestant family in Montpellier, Bazille’s upbringing was markedly different from many of his artistic peers. His parents, Gaston Bazille (a respected agronomist and senator) and Camille Vialars (descended from a wealthy Toulouse family), instilled in him a strong sense of responsibility and a deep appreciation for the arts. This privileged background provided him with financial stability, allowing him to pursue both medicine and painting without the constant worry of poverty that plagued many artists of the time. The family’s connection to the cultural life of Montpellier – including its museum and artistic society – undoubtedly shaped his early exposure to art and influenced his aesthetic sensibilities. His ancestry included goldsmiths and merchants, reflecting a history of entrepreneurialism and craftsmanship that may have subtly informed his approach to painting.

    Key Works and Artistic Development

    Bazille’s oeuvre, though limited in size due to his tragically short life, showcases a remarkable evolution in style. Early works like The Pink Dress demonstrate his nascent talent for capturing fleeting moments and experimenting with color and light – hallmarks of the Impressionist movement. However, it was in Family Reunion (1867-1868) that he truly established his unique voice, blending figure painting with landscape to create a harmonious composition imbued with warmth and intimacy. This work exemplifies his ability to capture not just the visual appearance of a scene but also its emotional atmosphere. Other notable paintings include Studio in Rue de Furstenberg (c. 1867), which offers a glimpse into the social life of Parisian artists, and Bathers (Summer Scene) (c. 1869), showcasing his interest in depicting figures within natural settings. Throughout his career, Bazille consistently sought to integrate modern compositional strategies – such as unusual cropping and dynamic perspectives – with traditional painting techniques.

    A Tragic End and Lasting Impact

    Bazille’s promising artistic career was abruptly cut short by the Franco-Prussian War. Driven by a sense of patriotic duty, he enlisted in the army just months before the conflict erupted and perished in action on November 28, 1870. His untimely death robbed the art world of a talented and visionary artist, but his legacy has endured through the recognition of his paintings and the inspiration he provided to later generations of Impressionists. Today, Bazille is increasingly appreciated as a key figure in the development of modern painting, celebrated for his innovative approach to composition, his masterful use of color, and his profound understanding of light and atmosphere. His story serves as a poignant reminder of the fragility of artistic genius and the enduring power of friendship and dedication.

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    QR-kode som lenker til nedlastingssiden for Edouard Blau

    originaluniqueart.com/no/art/download/jean-frederic-bazille-edouard-blau-D38MFT-en/

    Kildehenvisning for dette kunstverket

    MLA
    Bazille, Jean Frédéric. Edouard Blau. 1869, https://originaluniqueart.com/no/art/jean-frederic-bazille-edouard-blau-D38MFT-en/
    APA
    Bazille, Jean Frédéric (1869). Edouard Blau [Painting]. https://originaluniqueart.com/no/art/jean-frederic-bazille-edouard-blau-D38MFT-en/
    Chicago
    Jean Frédéric Bazille. Edouard Blau. 1869. https://originaluniqueart.com/no/art/jean-frederic-bazille-edouard-blau-D38MFT-en/
    Harvard
    Bazille, Jean Frédéric (1869) Edouard Blau. Available at: https://originaluniqueart.com/no/art/jean-frederic-bazille-edouard-blau-D38MFT-en/

    Se nærmere på

    Edouard Blau — Jean Frédéric Bazille

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Bader (1869), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Jean Frédéric Bazille var omtrent 28 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor harmonisk er fargebruken i "Edouard Blau" av Jean Frédéric Bazille?

    Fargeharmonien i "Edouard Blau" er beskrevet som Balanced Harmony.

    Hvor kan jeg kjøpe et digitalt bilde av "Edouard Blau" av Jean Frédéric Bazille?

    "Edouard Blau" er tilgjengelig som nedlasting av et digitalt bilde i høy oppløsning, og kan kjøpes direkte på siden for Digitalt kunstverk.

    Hvilken fargepalett brukes i "Edouard Blau" av Jean Frédéric Bazille?

    "Edouard Blau" av Jean Frédéric Bazille bruker en Earthy fargepalett. Paletten oppsummerer verkets overordnede fargekarakter.