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Modigliani Gate Post

Navn Klasse Dato

James Carroll Beckwith, Modigliani Gate Post (1910), Smithsonian American Art Museum. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
James Carroll Beckwith originaluniqueart.com/no/artists/james-carroll-beckwith_no/
Kunstnerens levetid
1852 – 1917
Malt
1910
Opprinnelig størrelse
35 x 26 cm
Arrangert på
Smithsonian American Art Museum originaluniqueart.com/no/museums/smithsonian-american-art-museum-washington-d-c_no/

I sammenheng med

Modigliani Gate Post — James Carroll Beckwith

Hvor stort er det?

Originalen måler 35 × 26 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 65 ved død.

Malt da kunstneren var 58. Kunstneren ble 65 år gammel. 22 av de 45 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til James Carroll Beckwith (1852–1917) ▲ dette verket, 1910 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1883 Hovedvirksomhetsår: 1883–1911 Senere verk: fra 1911

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #161912

    Katalogisert palett

    • #161912
    • #A27E3D
    • #4B4120
    • #80A29E

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Phthalo Green
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av James Carroll Beckwith i løpet av de siste tolv månedene — totalt 4 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 78.9%1500 besøk
    2. 2 United States of America 10.5%200 besøk
    3. 3 Dominican Republic 5.3%100 besøk
    4. 4 Hong Kong 5.3%100 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av James Carroll Beckwith

    1. 1 Portrait of Minnie Clark 11.1%300 besøk
    2. 2 The Letter, 1910 7.4%200 besøk
    3. 3 Woman with Guitar 7.4%200 besøk
    4. 4 Palazzo Barberini, Rome 7.4%200 besøk
    5. 5 L' Empereur, 1912 3.7%100 besøk
    6. 6 One of the Figures at the Parterre d'Eau, 1913 3.7%100 besøk
    7. 7 Arcade of the Grand Trianon, Versailles, 1913 3.7%100 besøk
    8. 8 Syrinx, Par Maziere, 1689 Bassin d'Apollon, 1913 3.7%100 besøk
    9. 9 Carrefour at the End of the Tapis Vert, Versailles, 1913 3.7%100 besøk
    10. 10 Untitled, 1910 3.7%100 besøk
    11. 11 Parterre du Nord, Fontaine des Sirenes, 1913 3.7%100 besøk
    12. 12 Palazzo Barberini, Rome, 1910 3.7%100 besøk
    13. 13 Corner of the Terrace, Versailles, 1911 3.7%100 besøk
    14. 14 Sylvan Toilette, 1898 3.7%100 besøk
    15. 15 Mother and Child, 1910 3.7%100 besøk
    16. 16 William Walton, 1886 3.7%100 besøk
    17. 17 Lost in Thought, 1908 3.7%100 besøk
    18. 18 Diand 3.7%100 besøk
    19. 19 Portrait of Tito, 1878 3.7%100 besøk
    20. — Modigliani Gate Post, 1910 dette maleriet 0.0%0 besøk

    Sammen utgjør disse verkene 88.8% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 87 verk av denne kunstneren, hvorav 22 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    James Carroll Beckwith

    Født i Hannibal, USA

    James Carroll Beckwith (1852-1917): A Life Etched in Realism

    James Carroll Beckwith, born September 23rd, 1852, in Hannibal, Missouri—a town steeped in literary history thanks to Twain’s Huckleberry Finn—was an American landscape, portrait and genre painter whose naturalist style cemented his place as a respected figure in late nineteenth and early twentieth-century American art. His journey began amidst considerable hardship; the Great Fire of Chicago in 1871 tragically destroyed much of his initial artistic endeavors, forcing him eastward toward New York City and ultimately propelling him across the Atlantic to Paris—a pivotal relocation that irrevocably shaped his artistic trajectory.

    Parisian Refinement and Artistic Foundations

    Beckwith’s formative years were spent in Paris (1873-1878), where he immersed himself in the rigorous training offered by Adolphe Yvon for drawing and Carolus Duran for painting. Duran, a celebrated portraitist of his time, recognized Beckwith's talent and entrusted him with assisting on a monumental mural project for the Palais du Luxembourg—a commission that exposed Beckwith to large-scale composition and demanded mastery of monumental art techniques. This experience wasn’t merely about acquiring skills; it fostered an understanding of artistic history and established a foundational aesthetic sensibility. Crucially, he befriended John Singer Sargent during this period, sharing studio space and engaging in spirited discussions about artistic philosophies—a relationship that would prove influential throughout their careers. Beckwith absorbed the prevailing Impressionist currents while maintaining a distinctly American perspective, skillfully blending European influences with his own innate sensibilities.

    A Prominent Voice in American Art

    Returning to the United States in 1878, Beckwith quickly established himself as a leading voice within the burgeoning American art scene. He secured a professorship at the Art Students League of New York—a position he held intermittently for nearly two decades—where he instilled his meticulous draftsmanship and realist approach into generations of aspiring artists. Beyond teaching, Beckwith’s artistic output was remarkably diverse. While landscapes remained an important element of his oeuvre, he achieved particular renown as a portrait painter, capturing the essence of his subjects with remarkable sensitivity and psychological insight. His portraits weren't simply likenesses; they were explorations of character—revealing inner lives alongside outward appearances. Notable commissions included depictions of William Merritt Chase, Mark Twain, Theodore Roosevelt, and Thomas Allibone Janvier – each piece demonstrating Beckwith’s ability to convey emotion and nuance. He also undertook significant mural projects, notably at the World Columbian Exposition in Chicago in 1893—a testament to his ambition and artistic vision.

    Recognition and Legacy

    Throughout his life, James Carroll Beckwith garnered considerable acclaim for his artistic accomplishments. Awards bestowed upon him included honorable mentions at the Paris Exposition of 1889 and gold medals at both the Atlanta Exposition in 1895 and the Exposition Universelle in Paris in 1899—recognitions that underscored the esteem with which he was held by fellow artists and critics alike. His paintings—such as “Woman with Guitar,” “Sylvan Toilette,” “A Wistful Look”, "Bassin de Neptune Versailles", “L'Empereur” and “Cathédrale Notre-Dame du Puy”—stand as enduring symbols of American art at the turn of the century, reflecting a harmonious blend of European artistic traditions and uniquely American aesthetic sensibilities. Beckwith’s meticulous draftsmanship, combined with his profound understanding of color and light—traits honed during his Parisian studies—contributed to his distinctive style and cemented his legacy as one of America's most accomplished landscape and portrait painters. His work continues to inspire admiration for its technical precision and emotional depth.

    James Carroll Beckwith’s enduring contribution to American art resides not only in the beauty of his paintings but also in his unwavering dedication to artistic excellence—a testament to a life profoundly shaped by both circumstance and conviction

    Museum

    Smithsonian American Art Museum

    Utstilt i Washington, D.C., USA

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is more than simply a repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

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    QR-kode som lenker til nedlastingssiden for Modigliani Gate Post

    originaluniqueart.com/no/art/download/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/

    Kildehenvisning for dette kunstverket

    MLA
    Beckwith, James Carroll. Modigliani Gate Post. 1910, Smithsonian American Art Museum. https://originaluniqueart.com/no/art/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/
    APA
    Beckwith, James Carroll (1910). Modigliani Gate Post [Painting]. Smithsonian American Art Museum. https://originaluniqueart.com/no/art/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/
    Chicago
    James Carroll Beckwith. Modigliani Gate Post. 1910. Smithsonian American Art Museum. https://originaluniqueart.com/no/art/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/
    Harvard
    Beckwith, James Carroll (1910) Modigliani Gate Post. Smithsonian American Art Museum. Available at: https://originaluniqueart.com/no/art/james-carroll-beckwith-modigliani-gate-post-AS7RNH-en/

    Se nærmere på

    Modigliani Gate Post — James Carroll Beckwith

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Self Portrait (1898), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. James Carroll Beckwith var omtrent 58 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem er opphavspersonen til "Modigliani Gate Post", og hvilket år ble det laget?

    James Carroll Beckwith skapte "Modigliani Gate Post" i 1910.

    Når ble "Modigliani Gate Post" laget?

    "Modigliani Gate Post" dateres til 1910. Denne datoen plasserer verket innenfor James Carroll Beckwith sin karriere og sin epoke.

    Kan jeg se "Modigliani Gate Post" av James Carroll Beckwith under ulike lysforhold?

    Røntgenvisningen av "Modigliani Gate Post" av James Carroll Beckwith finnes på verkets Røntgenstråling-side: en interaktiv undersøkelse av bildet gjennom elleve optiske lag.