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Nigel, a Zulu

Navn Klasse Dato

Howard Somerville, Nigel, a Zulu (1930), Grundy Art Gallery. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Howard Somerville originaluniqueart.com/no/artists/howard-somerville/
Kunstnerens levetid
1873 – 1952
Malt
1930
Opprinnelig størrelse
91 x 76 cm
Bevegelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Arrangert på
Grundy Art Gallery originaluniqueart.com/no/museums/grundy-art-gallery-blackpool/

I sammenheng med

Nigel, a Zulu — Howard Somerville

Dimensjoner

Originalen måler 91 × 76 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 79 ved død.

Malt da kunstneren var 57. Kunstneren ble 79 år gammel. 7 av de 9 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Howard Somerville (1873–1952) ▲ dette verket, 1930 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1912 Hovedvirksomhetsår: 1912–1925 Senere verk: fra 1925

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/howard-somerville-nigel-a-zulu-AQV7GR-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #585233

    Lagret palett

    • #585233
    • #363225
    • #BFAC80
    • #727847

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Espresso
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Howard Somerville i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 4 mest viste verkene av Howard Somerville

    1. 1 Alderman Charles Hardman, Mayor of Oldham (1919–1920) 93.3%
    2. 2 Joyce and a Mantilla Shawl, 1912 3.3%
    3. 3 The Chinese Fan 3.3%
    4. — Nigel, a Zulu, 1930 dette maleriet 0.0%

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 29 verk av denne kunstneren, hvorav 3 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Howard Somerville

    A Life Etched in Light: The World of Howard Somerville

    Howard Somerville, born in 1873 and passing in 1952, remains a compelling figure within the landscape of early 20th-century British art. Though perhaps not a household name today, his delicate portraits, evocative landscapes, and masterful etchings offer a poignant glimpse into a world transitioning between Victorian sensibilities and the burgeoning modern era. Somerville’s artistic journey was deeply rooted in his Scottish heritage, specifically the city of Dundee, where he spent much of his life and developed a distinctive style that blended meticulous realism with an atmospheric sensitivity. He often worked under the pseudonym Adamson, adding a layer of intrigue to his already nuanced body of work. While biographical details remain somewhat sparse, the art itself speaks volumes about a man attuned to the subtleties of light, character, and place.

    From Dundee Roots: Early Training and Influences

    Somerville’s artistic education began within the vibrant cultural milieu of Dundee. The city, a major center for jute production and shipbuilding, possessed a unique energy – a blend of industrial grit and artistic aspiration. He received formal training at the Dundee School of Art, an institution known for its emphasis on practical skills and traditional techniques. This foundation in drawing and painting proved crucial to his later development. Early influences likely included the Scottish Colourists, though Somerville’s palette tended towards more muted tones than their bold vibrancy. The Pre-Raphaelites also cast a long shadow over British art during this period, and traces of their meticulous detail and romantic subject matter can be detected in Somerville's early portraits. However, he wasn’t merely an imitator; he began to forge his own path, focusing on capturing the essence of his subjects rather than adhering strictly to academic conventions. His work demonstrates a keen observation of human form and a growing fascination with the interplay of light and shadow – qualities that would become hallmarks of his mature style.

    Portraits and Landscapes: A Dual Pursuit

    Somerville’s artistic output was remarkably diverse, encompassing both portraiture and landscape painting. His portraits are characterized by their psychological depth and sensitivity to character. He wasn't interested in grand displays of wealth or status; instead, he sought to capture the inner lives of his sitters – their hopes, anxieties, and quiet dignity. These weren’t idealized representations but rather intimate studies of individual personalities. Simultaneously, Somerville developed a profound connection with the Scottish landscape. His landscapes are not dramatic vistas but rather subtle evocations of mood and atmosphere. He frequently depicted scenes around Dundee and Angus, capturing the rolling hills, winding rivers, and weathered coastline with remarkable precision. The use of soft lighting and delicate brushwork creates a sense of tranquility and nostalgia, inviting viewers to immerse themselves in the beauty of the natural world.

    The Art of Etching: A Masterful Technique

    Beyond painting, Howard Somerville excelled as an etcher – a medium that allowed him to explore line, texture, and tonal values with exceptional finesse. He became particularly renowned for his etching work, producing numerous plates depicting scenes from Dundee and the surrounding countryside. The process of etching, involving the careful application of acid to a metal plate, demanded both technical skill and artistic vision. Somerville’s etchings are notable for their exquisite detail, atmospheric depth, and subtle use of light and shadow. They offer a unique perspective on his subjects, revealing a level of nuance that is often difficult to achieve in painting. His mastery of this technique solidified his reputation as one of the leading etchers of his time, and his prints were widely collected by art enthusiasts. The etchings are particularly valued for their ability to capture the spirit of place.

    Legacy and Historical Significance

    While Howard Somerville’s work may not be as widely recognized as that of some of his contemporaries, his contribution to early 20th-century British art is significant. He represents a bridge between the Victorian tradition and the emerging modern aesthetic – blending meticulous realism with an atmospheric sensitivity that anticipates later developments in landscape painting. His portraits offer valuable insights into the social and cultural life of Scotland during this period, while his landscapes capture the beauty and tranquility of the natural world. Somerville’s etchings remain particularly admired for their technical brilliance and artistic depth. He stands as a testament to the enduring power of observation, skill, and a deep connection to one's surroundings. His work continues to resonate with viewers today, offering a poignant glimpse into a bygone era and reminding us of the beauty that can be found in the everyday moments of life.

    Somerville’s pseudonym, Adamson, adds an element of mystery to his artistic career.

    His etchings are considered some of the finest examples of the medium from the early 20th century.

    He successfully balanced portraiture and landscape painting throughout his life.

    Museum

    Grundy Art Gallery

    Utstilt på Blackpool, United Kingdom

    A Lancashire Gem: Discovering the Grundy Art Gallery

    The Grundy Art Gallery, nestled in Blackpool’s vibrant Victorian seaside town, stands as a testament to Lancashire's enduring appreciation for artistic heritage. Established in 1911 by visionary brothers John and Sir Cuthbert Grundy—artists themselves—the gallery began its journey with an extraordinary bequest of over twenty paintings and subsequent generous donations, cementing its position as one of the region’s foremost art institutions.

    Coordinates:

    (53°49′13″N 3°03′09″W)

    (https://geohack.toolforge.org/ge

    Historic Roots:

    Commissioned in 1908, the Edwardian building embodies the elegance and ambition of its time—a deliberate reflection of the Grundy brothers’ artistic vision.

    A Diverse Collection:

    The gallery's holdings span Victorian oils and watercolors alongside modern British paintings, oriental ivories, ceramics, photographs, and souvenirs of Blackpool, showcasing a remarkable breadth of artistic expression.

    Amongst its celebrated artists are luminaries like Anna Airy, Craigie Aitchison, Samuel John ‘Lamorna’ Birch, Stephen Bone, Reginald Grange Brundrit, Jeffrey Camp, Thomas Sidney Cooper, Charles Ernest Cundall, Frederick William Elwell, Richard Ernst Eurich, Stanhope Alexander Forbes, Patrick Hughes, Augustus Edwin John, Laura Knight, Moffat Peter Lindner, John Linnell, Charles S. Ricketts, David Roberts, Charles Spencelayh, Henry Scott Tuke, and Lucy Kemp Welsh—names that resonate deeply within British art history.

    Notable Artists:

    Augustus John’s evocative portraits capture the spirit of his era, Paul Nash's surreal landscapes delve into the subconscious realm, and Eric Ravilious’s watercolor paintings evoke a nostalgic longing for England’s rural past.

    The Grundy Art Gallery distinguishes itself through its commitment to bridging artistic eras—a deliberate strategy that presents visitors with a holistic understanding of artistic evolution. Furthermore, it actively engages the local community and attracts discerning audiences from across the UK and beyond, fostering dialogue between art and society.

    Contemporary Engagement:

    Regularly hosting groundbreaking exhibitions featuring both established and emerging artists, the gallery ensures that its legacy extends into the 21st century.

    A cornerstone of Lancashire’s cultural landscape, the Grundy Art Gallery continues to inspire curiosity and appreciation for art. Its enduring appeal lies in its ability to transport viewers back to a bygone era while simultaneously illuminating the dynamism of contemporary artistic endeavors.

    Collection Highlights

    Augustus John:

    Explore John’s masterful portraits—studies in character and emotion—that exemplify his distinctive style.

    Paul Nash:

    Immerse yourself in Nash's mesmerizing landscapes, imbued with a palpable sense of mystery and melancholy; these works invite contemplation on the relationship between humanity and nature.

    Eric Ravilious:

    Admire Ravilious’s iconic watercolors—characterized by crisp lines, vibrant hues, and an idealized depiction of rural England—a visual celebration of timeless beauty.

    Don't miss ‘The Laughing Parson,’ a masterpiece by Charles Spencelayh—one of two works by Spencelayh residing within the Grundy Collection—a poignant reminder of Blackpool’s artistic past.

    Architecture & History

    Edwardian Elegance:

    The gallery's Edwardian building stands as a stately monument to Victorian grandeur, reflecting the philanthropic vision of its founders and serving as a beacon for Lancashire’s cultural heritage.

    What Makes It Unique

    Unlike many institutions focused solely on preserving historical art forms, the Grundy Art Gallery actively champions artistic innovation—a commitment underscored by its membership in the Contemporary Art Society and its preference for acquiring sculptures, prints, video installations, and other contemporary mediums.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Nigel, a Zulu

    originaluniqueart.com/no/art/download/howard-somerville-nigel-a-zulu-AQV7GR-en/

    Kildehenvisning for dette kunstverket

    MLA
    Somerville, Howard. Nigel, a Zulu. 1930, Grundy Art Gallery. https://originaluniqueart.com/no/art/howard-somerville-nigel-a-zulu-AQV7GR-en/
    APA
    Somerville, Howard (1930). Nigel, a Zulu [Painting]. Grundy Art Gallery. https://originaluniqueart.com/no/art/howard-somerville-nigel-a-zulu-AQV7GR-en/
    Chicago
    Howard Somerville. Nigel, a Zulu. 1930. Grundy Art Gallery. https://originaluniqueart.com/no/art/howard-somerville-nigel-a-zulu-AQV7GR-en/
    Harvard
    Somerville, Howard (1930) Nigel, a Zulu. Grundy Art Gallery. Available at: https://originaluniqueart.com/no/art/howard-somerville-nigel-a-zulu-AQV7GR-en/

    Se nærmere etter

    Nigel, a Zulu — Howard Somerville

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: zulu portrait, african art, classical painting. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på The Artist and Model (1912), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor gammel var Howard Somerville da "Nigel, a Zulu" ble skapt i 1930?

    Howard Somerville var 57 år gammel da Nigel, a Zulu ble skapt i 1930. Alderen er beregnet ut fra kunstnerens fødselsår, 1873.

    Hvor mye lys ser fargene i "Nigel, a Zulu" ut til å reflektere?

    "Nigel, a Zulu" av Howard Somerville har en luminans på Dark. Luminans beskriver hvor mye lys fargene ser ut til å reflektere.

    Kan jeg se "Nigel, a Zulu" av Howard Somerville på min egen vegg før jeg kjøper?

    "Nigel, a Zulu" har en forhåndsvisning med utvidet virkelighet: AR-forhåndsvisning-siden til kunstverket viser det i ditt eget rom på en kompatibel enhet.