Papirformat

Veiledning for studentkunst

Sleepers

Navn Klasse Dato

Horace Pippin, Sleepers (1943). Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Horace Pippin originaluniqueart.com/no/artists/horace-pippin/
Kunstnerens levetid
1888 – 1946
Malt
1943
Opprinnelig størrelse
23 x 31 cm

I sammenheng med

Sleepers — Horace Pippin

Dimensjoner

Originalen måler 23 × 31 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 58 ved død.

Malt da kunstneren var 55. Kunstneren ble 58 år gammel. 2 av de 4 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Horace Pippin (1888–1946) ▲ dette verket, 1943 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/horace-pippin-sleepers-D2VSHA-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #1c1f19

    Lagret palett

    • #1C1F19
    • #6F6758
    • #4F4C43
    • #988970

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Phthalo Green
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    De 2 mest viste verkene av Horace Pippin

    1. 1 School Studies, 1944 100.0%
    2. — Sleepers, 1943 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 4 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Horace Pippin

    Født i West Chester, United States of America

    Horace Pippin: A Voice Forged in War and Color

    Horace Pippin (February 22, 1888 – July 6, 1946) remains a profoundly resonant figure in American art history—a testament to resilience, self-taught artistry, and the power of visual storytelling. Born in West Chester, Pennsylvania, into a family grappling with the legacy of slavery, Pippin’s journey from a young boy sketching racehorses to a celebrated painter is one of remarkable determination and artistic evolution. His work transcends mere representation; it embodies the spirit of his time, reflecting both the horrors of World War I and the burgeoning struggle for racial equality in America.

    Pippin's early life was marked by hardship and limited formal education. Growing up in Goshen, New York, he largely taught himself to draw, fueled by a natural talent and an insatiable curiosity about the world around him. His family’s history—rooted in slavery and domestic service—shaped his perspective and informed the themes that would later dominate his art. Despite lacking traditional training, Pippin developed a distinctive style characterized by bold outlines, vibrant colors, and a remarkable ability to capture emotion and movement. This unique approach stemmed from an intuitive understanding of composition and color theory, honed through countless hours of observation and practice.

    The Crucible of War: Painting the Reality of Combat

    Horace Pippin’s artistic trajectory took a dramatic turn during World War I when he enlisted with the 369th Infantry Regiment—the Harlem Hellfighters—an all-Black unit that served with distinction in France. His experiences on the front lines, including being shot and severely wounded in his right shoulder, profoundly impacted his art. The injury, initially debilitating, became a catalyst for creativity; Pippin adapted to painting primarily with his left hand, developing an innovative technique of guiding the brush with his wrist—a testament to his unwavering spirit.

    His war paintings are not romanticized depictions of heroism but stark and unflinching portrayals of combat. Works like “The End of the War: Starting Home” (1930-33) capture the chaos, exhaustion, and psychological toll of trench warfare with a raw honesty rarely seen in contemporary art. These pieces, imbued with a deep sense of empathy and understanding, stand as powerful indictments of war’s brutality and a poignant reflection on the experiences of Black soldiers fighting for their country.

    Beyond the Battlefield: Exploring American Life

    Following his return to America, Pippin continued to explore a diverse range of subjects in his art. While his wartime paintings remain central to his legacy, he also produced compelling depictions of African American family life, historical events, and biblical scenes. His work frequently addressed themes of social justice, particularly the lingering effects of slavery and racial segregation in the United States. “Giving Thanks” (1942), for example, offers a tender portrait of a Black family gathered around a table, celebrating a bountiful harvest—a powerful symbol of resilience and hope amidst adversity.

    Pippin’s artistic vision extended beyond mere representation; he sought to capture the essence of his subjects – their emotions, their struggles, and their humanity. His use of color was particularly striking, employing bold hues and dynamic compositions to create visually arresting images that resonated deeply with viewers. He skillfully blended elements of folk art—characterized by simple forms and expressive brushwork—with a more sophisticated understanding of artistic technique.

    Legacy and Recognition

    Despite facing significant challenges as a self-taught Black artist in a predominantly white art world, Horace Pippin achieved considerable recognition during his lifetime. He was the first African American to be the subject of a full-length monograph, “Horace Pippin, A Negro Painter in America” (1947), by Selden Rodman—a landmark achievement that brought attention to his work and challenged prevailing racial biases within the art community. The New York Times famously hailed him as "the most important Negro painter" in American history.

    Today, Pippin’s paintings are celebrated for their emotional depth, artistic innovation, and historical significance. His legacy continues to inspire artists and art enthusiasts alike, serving as a reminder of the transformative power of creativity and the importance of amplifying marginalized voices. His work can be found in prestigious collections such as the New Hope Museum of Art and is documented extensively online through platforms like wahooart.com, offering viewers a window into the life and artistry of this remarkable American painter.

    Pippin’s story stands as an enduring testament to the human spirit—a celebration of resilience, creativity, and the unwavering pursuit of artistic expression in the face of adversity. His paintings remain powerful symbols of hope, justice, and the beauty found within the complexities of the American experience.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Sleepers

    originaluniqueart.com/no/art/download/horace-pippin-sleepers-D2VSHA-en/

    Kildehenvisning for dette kunstverket

    MLA
    Pippin, Horace. Sleepers. 1943, https://originaluniqueart.com/no/art/horace-pippin-sleepers-D2VSHA-en/
    APA
    Pippin, Horace (1943). Sleepers [Painting]. https://originaluniqueart.com/no/art/horace-pippin-sleepers-D2VSHA-en/
    Chicago
    Horace Pippin. Sleepers. 1943. https://originaluniqueart.com/no/art/horace-pippin-sleepers-D2VSHA-en/
    Harvard
    Pippin, Horace (1943) Sleepers. Available at: https://originaluniqueart.com/no/art/horace-pippin-sleepers-D2VSHA-en/

    Se nærmere etter

    Sleepers — Horace Pippin

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Se tilbake på The Trial of John Brown (1942), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Horace Pippin var omtrent 55 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken fargeharmoni utviser "Sleepers" av Horace Pippin?

    Fargene i "Sleepers" av Horace Pippin viser en Strong Color Unity harmoni. Harmoni beskriver hvordan fargene forholder seg til hverandre.

    Hvordan er fargekomposisjonen i "Sleepers" av Horace Pippin bygget opp?

    Fargekomposisjonen i "Sleepers" av Horace Pippin kombinerer en Gentle kontrast med en Strong Color Unity harmoni.

    Er fargene i "Sleepers" av Horace Pippin livlige eller dempede?

    "Sleepers" av Horace Pippin er gjengitt med en Muted metning og en Monochromatic intensitet.