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The Uprising (L

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Honoré Daumier, The Uprising (L (1848). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Honoré Daumier originaluniqueart.com/no/artists/honore-daumier_no/
Kunstnerens levetid
1808 – 1879
Malt
1848

I sammenheng med

The Uprising (L — Honoré Daumier

Når ble dette malt?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 71 ved død.

Malt da kunstneren var 40. Kunstneren ble 71 år gammel. 36 av de 97 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Honoré Daumier (1808–1879) ▲ dette verket, 1848 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1834 Hovedvirksomhetsår: 1834–1860 Senere verk: fra 1860

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/honore-daumier-the-uprising-l-D3XUDT-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #282621

    Katalogisert palett

    • #282621
    • #B59363
    • #806240
    • #4A3E2D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Phthalo Green
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Honoré Daumier i løpet av de siste tolv månedene — totalt 18 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 53.5%
    2. 2 Germany 7.1%
    3. 3 Singapore 7.1%
    4. 4 France 6.6%
    5. 5 United States of America 4.9%
    6. 6 Brazil 4.4%
    7. 7 Italy 4.0%
    8. 8 Hong Kong 3.5%
    9. 9 Argentina 2.2%
    10. 10 Norway 1.3%
    11. · 8 andre land 5.4%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Honoré Daumier

    1. 1 Vi vil Barabbas (Ecce Homo), 1852 10.6%
    2. 2 The Hauler of a Boat 7.1%
    3. 3 The Republic, 1848 3.9%
    4. 4 The Uprising (L, 1848 dette maleriet 2.6%
    5. 5 Deux hommes assis à une table, ou les Fumeurs, huile sur panneau Two men sitting with a table, or the Smokers, oils on panel 2.3%
    6. 6 The Uprising, 1860 1.9%
    7. 7 Scene from a Comedy, 1858 1.6%
    8. 8 The Third-class Carriage, 1860 1.6%
    9. 9 Une cause célèbre, crayon et aquarelle A famous cause, pencil and watercolour 1.6%
    10. 10 L'amateur d'estampes, huile sur toile The amateur of prints, oils on fabric 1.6%
    11. 11 Trykk Samleren, 1865 1.6%
    12. 12 Les Gens de Justice: Vous m, 1845 1.6%
    13. 13 The Third-class Carriage, 1865 1.3%
    14. 14 Burden, 1850 1.3%
    15. 15 Don Quixote and Sancho Panza, 1866 1.3%
    16. 16 Intermission at the Comédie Française, 1858 1.3%
    17. 17 Ratapoil, 1850 1.3%
    18. 18 Guizot or the Bore, 1832 1.3%
    19. 19 Emigrants ou fugitifs, huile sur panneau Fugitive emigrants or, oil on panel 1.3%
    20. 20 Le peintre à la mise au tombeau, huile sur panneau E painter with the setting with the tomb, oils on panel 1.3%

    Sammen utgjør disse verkene 48.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 292 verk av denne kunstneren, hvorav 125 ble sett på minst én gang. Dette maleriet rangerer som nummer 4 av dem, med 2.6% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    The Uprising (L — Honoré Daumier

    For Duncan Phillips, the jewel of his unit of works by Honoré Daumier was The Uprising. When this long forgotten painting appeared on the market, Phillips seized the opportunity to acquire it. His admiration led him to speak of the work in superlatives, and on more than one occasion he referred to it as the “greatest picture in the Collection.” The Uprising was probably inspired by the revolution of 1848, which saw the overthrow of Luois-Philippe’s monarchy. In The Uprising Daumier expressed the fervor of revolution through his manipulation of compositional and pictorial elements. Daumier compressed the crowd by introducing the vertical wall to the right and the dark shadows on the left , massing the figures and thereby heightening the explosive quality of the scene and transforming it, according to Phillips, into a “symbol of all pent up human indignation.”

    Kunstner og museum

    Kunstner

    Honoré Daumier

    Født i Marseille, Frankrike

    A Life Etched in Satire: The World of Honoré Daumier

    Honoré-Victorin Daumier’s life unfolded against the backdrop of a rapidly changing France, a nation grappling with revolution and social upheaval. Born in Marseille in 1808, his early years were shaped by a lineage steeped in artistic tradition—his father, a poet and glazier, and his grandfather, a sculptor—instilling within him an appreciation for both visual and literary expression. However, Daumier’s path diverged from the expected, driven not by a desire for poetic acclaim but by a profound empathy for the plight of ordinary people and a burning need to expose societal injustices. His father's relocation to Paris in 1814 exposed young Honoré to the vibrant artistic atmosphere of the capital, a crucible where classical influences mingled with nascent Romantic ideals. Despite initial plans for a legal career, Daumier’s heart belonged to art, an inclination nurtured through apprenticeships under Alexandre Lenoir, absorbing the techniques and sensibilities of the old masters, particularly Rubens and Titian. His training at the Académie Suisse provided a formal foundation, but it was his innate sensitivity—a keen awareness of human suffering and political corruption—that truly defined his artistic vision.

    The Sharpened Pen: Caricature and Social Commentary

    Daumier’s career ignited with explosive force in the wake of the 1830 Revolution, a watershed moment that unleashed a torrent of social and political change. He quickly established himself as a master lithographer, initially working anonymously for various publications before gaining recognition through his provocative work with Le Charivari, a fiercely independent comic journal founded by Charles Philipon. It was within this radical publication that Daumier’s genius truly blossomed. His caricatures weren't mere humorous illustrations; they were biting critiques of the bourgeoisie, the legal system, and the political establishment—a relentless assault on hypocrisy and corruption. He fearlessly lampooned King Louis-Philippe, a figure he viewed as detached from the realities of his people, earning himself a six-month imprisonment in 1832 for a particularly stinging caricature. This act of defiance, far from silencing him, solidified his commitment to using art as a weapon against oppression. His lithographs became visual manifestos, capturing the spirit of dissent and offering a stark portrayal of the social ills plaguing France. The sheer volume of his output during this period is staggering—thousands of images that served as both popular entertainment and potent political statements. Daumier’s work was not simply satirical; it possessed a raw emotional honesty, reflecting the hardships faced by the working class and the inequalities inherent in French society.

    Beyond Caricature: Painting and Sculptural Visions

    While Daumier is most celebrated for his lithographs, to reduce him solely to caricature would be a profound oversight. He was also a dedicated painter and sculptor, though recognition for these works came later in his life. His paintings, often depicting scenes of everyday Parisian life—the cramped third-class carriages, the weary laundresses, the pompous lawyers—are imbued with a remarkable sense of realism and empathy. Unlike idealized depictions of nobility or heroism, Daumier’s subjects were ordinary people, struggling to survive in a world dominated by wealth and privilege. He masterfully employed loose brushwork and dramatic lighting to convey emotion and atmosphere, foreshadowing some of the techniques later embraced by the Impressionists—a subtle shift towards capturing fleeting moments and subjective impressions. His sculptural work, largely created in clay during his lifetime (many pieces remaining unbaked), reveals a similar commitment to capturing the human form with honesty and emotional depth. These sculptures, rediscovered after his death, demonstrate a remarkable talent for modeling and an ability to convey psychological complexity through physical gesture—a testament to his profound understanding of the human condition.

    A Lasting Legacy: Influence and Historical Significance

    Honoré Daumier’s impact on art history is undeniable. He bridged the gap between Romanticism and Realism, laying the groundwork for future generations of artists who sought to depict the world as it truly was—warts and all. His unflinching social commentary influenced artists like Gustave Courbet and Édouard Manet, both of whom embraced a more direct approach to portraying social realities. Daumier’s innovative use of lithography revolutionized printmaking, transforming it from a primarily decorative medium into a powerful tool for political expression and social critique. His work continues to resonate today, reminding us of the enduring power of art to challenge authority, expose injustice, and bear witness to the human condition. The Musée d'Orsay in Paris houses a significant collection of his paintings and sculptures, offering visitors a poignant glimpse into the world he so vividly portrayed. Furthermore, his lithographs are widely accessible through collections like those found on AllPaintingsStore, ensuring that his satirical genius continues to provoke thought and inspire dialogue across generations. Daumier wasn’t merely an artist; he was a chronicler of his time—a visual poet who used his talent to give voice to the voiceless and hold power accountable. His legacy endures as a testament to the enduring relevance of art as a force for social change, a reminder that even a single image can spark revolution.

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    QR-kode som lenker til nedlastingssiden for The Uprising (L

    originaluniqueart.com/no/art/download/honore-daumier-the-uprising-l-D3XUDT-en/

    Kildehenvisning for dette kunstverket

    MLA
    Daumier, Honoré. The Uprising (L. 1848, https://originaluniqueart.com/no/art/honore-daumier-the-uprising-l-D3XUDT-en/
    APA
    Daumier, Honoré (1848). The Uprising (L [Painting]. https://originaluniqueart.com/no/art/honore-daumier-the-uprising-l-D3XUDT-en/
    Chicago
    Honoré Daumier. The Uprising (L. 1848. https://originaluniqueart.com/no/art/honore-daumier-the-uprising-l-D3XUDT-en/
    Harvard
    Daumier, Honoré (1848) The Uprising (L. Available at: https://originaluniqueart.com/no/art/honore-daumier-the-uprising-l-D3XUDT-en/

    Se nærmere på

    The Uprising (L — Honoré Daumier

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Vi vil Barabbas (Ecce Homo) (1852), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Honoré Daumier var omtrent 40 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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    Spørsmål og svar

    Hvor kan jeg se en forhåndsvisning av "The Uprising (L"?

    En forhåndsvisning av "The Uprising (L" av Honoré Daumier er tilgjengelig på kunstverkets Se kunstverket i et rom-side.

    Er bildet av "The Uprising (L" av Honoré Daumier i det frie domene?

    Når det gjelder opphavsrett, er "The Uprising (L" fritt tilgjengelig – opphavsretten har utløpt.

    Hvor intense er fargene i "The Uprising (L" av Honoré Daumier?

    Fargene i "The Uprising (L" av Honoré Daumier har en Monochromatic intensitet.