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Rowing Pitmen

Navn Klasse Dato

Harry Wilson, Rowing Pitmen, Woodhorn Museum - Northumberland Archives. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Harry Wilson originaluniqueart.com/no/artists/harry-wilson_no/
Kunstnerens levetid
1867 – 1939
Opprinnelig størrelse
28 x 38 cm
Arrangert på
Woodhorn Museum - Northumberland Archives originaluniqueart.com/no/museums/woodhorn-museum-northumberland-archives-ashington/

I sammenheng med

Rowing Pitmen — Harry Wilson

Dimensjoner

Originalen måler 28 × 38 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 72 ved død.

Skyggelagt: livsløpet til Harry Wilson (1867–1939) hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

  • War at Sea, 1943 originaluniqueart.com/no/art/harry-wilson-war-at-sea-AQSNCX-en/
  • Committee Meeting, 1937 originaluniqueart.com/no/art/harry-wilson-committee-meeting-AQSND5-en/
  • Seascape originaluniqueart.com/no/art/harry-wilson-seascape-AQSND7-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/harry-wilson-rowing-pitmen-AQSNDD-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Gray #99986e

    Lagret palett

    • #99986E
    • #4A4C31
    • #CBD8C5
    • #4B8371

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Gray
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Harry Wilson i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av Harry Wilson

    1. 1 Ashington Colliery, Northumberland, 1936, 1936 50.0%
    2. 2 Seascape 25.0%
    3. 3 Rowing Pitmen dette maleriet 25.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 11 verk av denne kunstneren, hvorav 3 ble sett på minst én gang. Dette maleriet rangerer som nummer 3 av dem, med 25.0% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Harry Wilson

    Født i Oregon, United States of America

    A Literary Voice of the American West

    Harry Wilson was not a visual artist, but rather a celebrated American novelist and dramatist whose pen captured the vibrant, often humorous essence of Western life. Born in Oregon, Illinois, his journey into the heart of American storytelling began in the humble setting of his father's newspaper office. As a child, he learned the meticulous craft of setting type, a foundational experience that instilled in him a deep respect for the written word and the mechanics of publishing. This early immersion in the world of print would later serve as the bedrock for a career defined by wit, character development, and an uncanny ability to mirror the spirit of individualism found in the American frontier.

    His professional path was marked by a diverse array of roles that shaped his unique perspective. Before finding widespread literary fame, Wilson worked as a stenographer for the Union Pacific Railroad and served as an editor for the humorous magazine Puck. These experiences, particularly his time gathering stories from pioneers, allowed him to weave authentic textures of Western history into his narratives. His writing often explored the intersection of tradition and modernity, capturing the shifting social landscapes of the early twentieth century with a sharp, observant eye.

    Literary Achievements and Cultural Impact

    Wilson achieved significant renown through works that resonated deeply with the public consciousness. He possessed a remarkable talent for creating characters that felt both iconic and profoundly human. Among his most enduring contributions to American literature are:

    Ruggles of Red Gap: A seminal work that explored themes of class and character growth within a Western backdrop.

    Bunker Bean: A novel noted for its cultural significance, as it helped popularize the term flapper to describe the flamboyant young women of the era.

    Merton of the Movies: Another notable piece that showcased his ability to engage with the evolving landscape of American entertainment.

    The influence of his storytelling extended far beyond the printed page, as many of his novels and plays were adapted for the burgeoning medium of Hollywood film. This transition from literature to cinema ensured that his themes of individualism and humor reached a global audience, cementing his place in the cultural fabric of the time. His ability to blend satire with sincere character studies allowed him to navigate the complexities of the American identity during a period of rapid social change.

    Legacy and Final Years

    Throughout his active years, which spanned from the late nineteenth century into the mid-twentieth century, Wilson remained a significant figure in the American literary landscape. His collaborations with other notable figures, such as the illustrator Rose O'Neill, added a visual dimension to the reach of his stories. Though his popularity faced challenges during the Great Depression, the enduring legacy of his most famous characters continues to invite readers to rediscover the charm and wit of his era.

    In his later years, Wilson settled in Carmel, California, a place that would become his final home. His life, which began in the small-town atmosphere of Illinois and traveled through the bustling editorial offices of New York, concluded in the serene landscape of the California coast. He left behind a body of work that remains a testament to the enduring power of humor and the timeless allure of the American West.

    Museum

    Woodhorn Museum - Northumberland Archives

    Utstilt på Ashington, United Kingdom

    A Crucible of Creativity: The Soul of Woodhorn

    Nestled within the verdant expanse of the Queen Elizabeth II Country Park in Ashington, United Kingdom,

    Woodhorn Museum - Northumberland Archives

    stands as a profound testament to the transformative power of the human spirit. It is a place where the heavy, industrial grit of the North East meets a luminous, unexpected artistic resilience. Once the site of the formidable Ashington Colliery, this landscape was defined for generations by the rhythmic toil of coal mining and the structural dominance of pit headgear. Today, however, that industrial skeleton serves as a sanctuary for culture, where the echoes of labor have been harmoniously composed into a narrative of creative rebirth. For the art lover or the discerning collector, wood and iron are not merely relics here; they are the very foundation upon which a unique cultural identity has been built.

    The heart of the museum’s allure lies in its extraordinary collection, most notably the legacy of the

    Ashington Group

    . These were not professional aesthetes by trade, but miners who, during the 1930s and 40s, sought to capture the raw essence of their working-world experience through the medium of paint and sculpture. Their work is a masterclass in expressive vitality, characterized by bold, evocative palettes and brushstrokes that mirror the physical intensity of their daily lives. To walk through these galleries is to witness a profound dialogue between hardship and beauty; the canvases burst with the camaraderie and the rugged landscapes of Northumberland, offering an intimate glimpse into a working-class movement that defied social convention. For interior designers seeking pieces that possess true narrative depth and emotional weight, the spirit of this group provides an unparalleled inspiration of authenticity and raw texture.

    Industrial Grandeur and Historical Preservation

    Beyond the canvases, the museum’s architecture and permanent exhibits offer a sensory journey through time. The preservation of original mining structures—the imposing winding houses, the blacksmith shops, and the steam engines—creates a dramatic, atmospheric backdrop that is as much an art installation as it is a historical record. This juxtaposition of heavy machinery and delicate artistry creates a tension that is deeply moving. As one wanders through the reconstructed colliery buildings, the museum’s role as the home of the Northumberland Archives becomes clear. Here, history is not just displayed; it is preserved in the fine details of photographs, oral histories, and documents that chart the social evolution of the region.

    The site remains a living, breathing element of a contemporary cultural landscape through its diverse offerings:

    The Ashington Group Legacy:

    A permanent collection of art that captures the rugged essence of North East mining life.

    Industrial Heritage:

    Original pit headgear, winding houses, and steam engines that serve as monumental sculptural elements.

    Northumberland Archives:

    A vital repository of regional history, including photographs and documents held within the Cutter building.

    Rotating Exhibitions:

    Evolving displays that bridge the gap between environmental history and modern artistic vision.

    Woodhorn continues to evolve through exhibitions that prompt visitors to reconsider the relationship between place and perception. Whether one is drawn by the historical significance of the colliery’s transformation or the striking visual language of its self-taught artists, this destination remains a beacon for those who find beauty in the unexpected, proving that even from the darkest depths of the earth, a brilliant and enduring light can emerge.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Rowing Pitmen

    originaluniqueart.com/no/art/download/harry-wilson-rowing-pitmen-AQSNDD-en/

    Kildehenvisning for dette kunstverket

    MLA
    Wilson, Harry. Rowing Pitmen. n.d., Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/no/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    APA
    Wilson, Harry (n.d.). Rowing Pitmen [Painting]. Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/no/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    Chicago
    Harry Wilson. Rowing Pitmen. n.d. Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/no/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    Harvard
    Wilson, Harry (n.d.) Rowing Pitmen. Woodhorn Museum - Northumberland Archives. Available at: https://originaluniqueart.com/no/art/harry-wilson-rowing-pitmen-AQSNDD-en/

    Se nærmere etter

    Rowing Pitmen — Harry Wilson

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på War at Sea (1943), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan bildet av "Rowing Pitmen" av Harry Wilson gjenskapes fritt?

    Opphavsrettslig status for "Rowing Pitmen" av Harry Wilson: verket er i det frie domene – opphavsretten har utløpt. Dette avgjør om reproduksjoner av bildet kan lages fritt.

    Kan jeg se "Rowing Pitmen" av Harry Wilson på min egen vegg før jeg kjøper?

    Siden for AR-forhåndsvisning av "Rowing Pitmen" av Harry Wilson bruker utvidet virkelighet (AR) for å vise kunstverket i ditt eget rom, på en kompatibel enhet.

    Er "Rowing Pitmen" av Harry Wilson i det frie domene (public domain), og hvorfor?

    "Rowing Pitmen" av Harry Wilson er i det frie domene – opphavsretten har utløpt. Opphavsretten løper fra kunstnerens dødsår, som var i 1939.