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Entombment

Navn Klasse Dato

Giorgio Vasari, Entombment (1532), Casa Vasari. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Giorgio Vasari originaluniqueart.com/no/artists/giorgio-vasari_no/
Kunstnerens levetid
1511 – 1574
Malt
1532
Opprinnelig størrelse
144 x 113 cm
Arrangert på
Casa Vasari originaluniqueart.com/no/museums/casa-vasari-arezzo/

I sammenheng med

Entombment — Giorgio Vasari

Hvor stort er det?

Originalen måler 144 × 113 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 63 ved død.

Malt da kunstneren var 21. Kunstneren ble 63 år gammel. 0 av de 60 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Giorgio Vasari (1511–1574) ▲ dette verket, 1532 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1546 Hovedvirksomhetsår: 1546–1567 Senere verk: fra 1567

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/giorgio-vasari-entombment-8Y3KRB-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Black #100a0f

    Katalogisert palett

    • #100A0F
    • #704126
    • #3A241D
    • #B37C45

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Black
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Giorgio Vasari i løpet av de siste tolv månedene — totalt 14 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 58.2%
    2. 2 Hong Kong 8.9%
    3. 3 Singapore 7.6%
    4. 4 Brazil 6.3%
    5. 5 United States of America 5.1%
    6. 6 Spain 2.5%
    7. 7 Italy 2.5%
    8. 8 Armenia 1.3%
    9. 9 Switzerland 1.3%
    10. 10 Germany 1.3%
    11. · 4 andre land 5.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Giorgio Vasari

    1. 1 Domedagens Dommedag, 1572 7.5%
    2. 2 The Last Judgment (detail), 1572 7.5%
    3. 3 Perseus and Andromeda, 1570 6.5%
    4. 4 Annunciation, 1570 5.6%
    5. 5 Allegory of the Immaculate Conception, 1541 5.6%
    6. 6 Marriage at Cana, 1566 5.6%
    7. 7 Annunciation, 1564 4.7%
    8. 8 The 1530 Siege of Florence, 1558 3.7%
    9. 9 Domedagens Dommedag, 1572 2.8%
    10. 10 Childhood of Jupiter, 1556 2.8%
    11. 11 Façade, 1560 2.8%
    12. 12 Studiet av maleren, 1563 2.8%
    13. 13 Abraham and the Three Angels 2.8%
    14. 14 Lorenzo il Magnifico among philosophers and scholars, 1558 1.9%
    15. 15 Three river gods 1.9%
    16. 16 Triumphant entrance of Leone X in Florence, 1563 1.9%
    17. 17 Martyrdom of St Stephen, 1560 1.9%
    18. 18 The Adoration of the Magi, 1567 1.9%
    19. 19 Justice, 1542 1.9%
    20. — Entombment, 1532 dette maleriet 0.0%

    Sammen utgjør disse verkene 72.1% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 72 verk av denne kunstneren, hvorav 41 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Giorgio Vasari

    Født i Arezzo, Italia

    A Life Woven into the Renaissance Fabric

    Giorgio Vasari, born in Arezzo, Tuscany, on July 30, 1511, was more than simply a painter; he was a quintessential embodiment of the Italian Renaissance spirit. His life unfolded as a vibrant tapestry woven with threads of artistic creation, architectural innovation, insightful historical writing, and an unwavering dedication to celebrating the masters who came before him. From his earliest training under Guglielmo da Marsiglia, a skilled artisan in stained glass, young Giorgio’s path was steered towards visual artistry. However, it was his move to Florence at sixteen that truly ignited his potential. Immersing himself within the dynamic circle of Andrea del Sarto and absorbing the influences of Rosso Fiorentino and Jacopo Pontormo, Vasari began a journey that would see him become one of the most influential figures of his era. His formative years were also deeply marked by the patronage and friendship of the powerful Medici family, a relationship that would shape both his career and his perspective on art’s role in society.

    The Artist's Hand and Eye

    Vasari’s artistic style is often categorized as Mannerist, reflecting the prevailing aesthetic trends of the mid-16th century. His paintings are characterized by elongated figures, dynamic compositions, and a sophisticated use of color—qualities highly admired during his lifetime. While perhaps not achieving the same level of enduring fame as some of the artists he chronicled, Vasari’s skill was undeniable. Notable works such as The Studio of the Painter, a fresco housed in Casa Vasari in Arezzo, offer a fascinating glimpse into the artistic practices of the time. The sheer scale and ambition of his frescoes for the Palazzo Vecchio in Florence, undertaken between 1555 and 1572, demonstrate his mastery of large-scale decorative schemes. His final monumental undertaking, The Last Judgement, adorning the cupola of Florence Cathedral—completed after his death by Federico Zuccari—stands as a testament to his unwavering commitment to grand artistic visions. Beyond painting, Vasari’s architectural contributions were equally significant. He designed the elegant loggia of the Palazzo degli Uffizi, transforming it into a public piazza and creating a vital link within Florence's urban landscape. Perhaps most famously, he conceived and oversaw the construction of the Vasari Corridor, a secret passageway connecting the Uffizi Gallery with the Palazzo Pitti—a feat of engineering and architectural ingenuity that continues to captivate visitors today.

    A Historian Forging a Legacy

    However, it is arguably as an art historian that Giorgio Vasari secured his most lasting legacy. His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated. This groundbreaking text wasn’t merely a collection of biographies; it established a narrative framework for the development of Italian Renaissance art, tracing its evolution from the early masters like Cimabue and Giotto to his contemporaries Michelangelo and Raphael. Vasari's work introduced the very concept of the “Renaissance” – a rebirth of classical ideals—and laid the foundation for modern art history as a discipline. While acknowledging that Vasari’s accounts are not without their biases and inaccuracies, particularly concerning artists predating his own time, the impact of Lives remains profound. It provided a crucial historical context for artistic creation, elevating the status of artists from skilled craftsmen to intellectual figures worthy of scholarly attention.

    Influences and Enduring Significance

    Vasari’s artistic development was profoundly shaped by his exposure to the works of Renaissance masters. His visit to Rome in 1529, where he studied the art of Raphael and other High Renaissance artists, proved pivotal. He absorbed their principles of composition, anatomical accuracy, and idealized beauty, incorporating them into his own style. Michelangelo, whom Vasari greatly admired, exerted a particularly strong influence on both his painting and architecture. The grandeur and dynamism characteristic of Michelangelo’s work are evident in many of Vasari’s projects. Beyond specific artists, the broader intellectual currents of the Renaissance—humanism, classical learning, and a renewed interest in empirical observation—also informed Vasari's approach to art and history. Giorgio Vasari died on June 27, 1574, in Florence, leaving behind a multifaceted legacy that continues to resonate today. He was not only a talented artist and architect but also a pioneering historian whose writings shaped our understanding of one of the most transformative periods in Western art history. His work remains essential for anyone seeking to explore the rich cultural heritage of the Italian Renaissance.

    Major Achievements

    The Lives of the Most Eminent Painters, Sculptors, and Architects (1550): This seminal work established Vasari as a leading art historian and profoundly shaped our understanding of the Renaissance.

    Frescoes in Palazzo Vecchio: His monumental frescoes in the Palazzo Vecchio, including The Studio of the Painter, showcased his mastery of large-scale decorative schemes and demonstrated his ability to integrate narrative and symbolism.

    Design of the Uffizi Gallery Loggia: Vasari’s design for the loggia of the Uffizi Gallery transformed the space into a vibrant public piazza, enhancing Florence's urban landscape.

    Construction of the Vasari Corridor: His role in designing and overseeing the construction of the secret Vasari Corridor—a remarkable feat of engineering—demonstrates his architectural ingenuity and strategic thinking.

    Key Influences

    Early Training:** Initially trained by Guglielmo de Marcillat, a master glassmaker in Arezzo. Later mentored by Andrea del Sarto and influenced by Rosso Fiorentino and Jacopo Pontormo in Florence.

    Michelangelo:** Vasari held Michelangelo in the highest esteem, deeply admiring his artistic genius and incorporating elements of his style into his own work.

    Renaissance Humanism:** The humanist ideals of the Renaissance—emphasizing classical learning, empirical observation, and the study of human nature—shaped Vasari’s approach to art and history.

    Museum

    Casa Vasari

    Utstilt i Arezzo, Italy

    A Florentine Jewel of Renaissance Harmony

    Nestled in the heart of Arezzo, Tuscany, the

    Casa Vasari

    stands as a profound testament to the enduring legacy of Giorgio Vasari and his pivotal role in shaping our understanding of the Italian Renaissance. More than just a historic residence, it is a meticulously crafted microcosm of the era's artistic ideals—a place where architecture, painting, and sculpture converge to create an experience both profoundly beautiful and deeply revealing. Originally conceived as a workshop for Vasari’s brother, Pietro, the Casa evolved into a private sanctuary and, crucially, a living laboratory for Vasari’s revolutionary approach to art history and biography. To walk through its doors is to step into a world where the boundaries between life and art are intentionally blurred.

    The building itself is an extraordinary achievement of Renaissance design, reflecting a period when structure was as much about mathematical grace as it was about physical shelter. Constructed between 1537 and 1549, the Casa Vasari is not simply built; it is

    composed

    . Vasari meticulously planned every detail, striving for a harmonious balance between classical restraint and exuberant ornamentation. The façade, a masterful example of Tuscan Renaissance architecture, is dominated by a series of arched windows framed by engaged columns—a deliberate echo of Roman grandeur. Notice the subtle shifts in scale and proportion; Vasari employed precise mathematical ratios to achieve a sense of visual equilibrium, reflecting his deep engagement with humanist principles. The use of terracotta brick lends the building an earthy warmth that contrasts beautifully with the delicate, sophisticated details found above.

    A Sanctuary for Art and Scholarship

    Within the Casa’s walls resides a remarkable collection of paintings that are not merely displayed but are integrated into the very architectural fabric of the house. These works, primarily by Vasari himself alongside those by his brother Pietro and other artists associated with the family, create an immersive environment where every room tells a story. One cannot mention the Casa without speaking of the

    Sala di Giocondina

    (Room of Giocondina), named after a small, exquisite portrait believed to be by Leonardo da Vinci. The room’s proportions were carefully calculated to enhance the impact of the painting, demonstrating Vasari's belief that art should exist within a carefully orchestrated environment rather than in isolation.

    The collection is further enriched by breathtaking frescoes depicting scenes from the lives of Florentine artists—a deliberate act of self-promotion and a foundational element of Vasari’s groundbreaking

    Lives

    . These murals offer invaluable insights into the vibrant Florentine artistic community of the 16th century, turning the walls themselves into a historical narrative. Beyond its visual splendor, the Casa Vasari holds a unique significance as the birthplace of art historical writing. It served as Vasari's primary research space, filled with sketches, notes, and models that document his meticulous process of investigation. It was within these very rooms that he painstakingly pieced together the stories of Michelangelo, Leonardo da Vinci, and Raphael, shaping their reputations and solidifying their place in the canon of Western art.

    A Living Museum of Continuous Discovery

    The Casa Vasari is far from a static monument; it remains a dynamic space dedicated to preserving and interpreting its rich heritage. Throughout the year, the museum hosts a variety of exhibitions that explore different facets of Vasari's work, Renaissance art, and the history of the building itself. These events often incorporate cutting-edge technology, such as virtual reality reconstructions, allowing modern visitors to experience the Casa as it might have appeared during Vasari’s lifetime, bridging the gap between the sixteenth century and the present day.

    For the art lover, the collector, or the interior designer seeking inspiration, the museum offers a masterclass in aesthetic cohesion. Ongoing conservation efforts are crucial to maintaining the integrity of both the architecture and the artworks, with recent restoration work revealing hidden details that have strengthened the building's structural and visual foundations. The Casa Vasari offers a profoundly intimate encounter with one of the most influential figures in art history, providing a rare opportunity to walk in the footsteps of a master craftsman and witness firsthand the birth of modern art criticism.

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    QR-kode som lenker til nedlastingssiden for Entombment

    originaluniqueart.com/no/art/download/giorgio-vasari-entombment-8Y3KRB-en/

    Kildehenvisning for dette kunstverket

    MLA
    Vasari, Giorgio. Entombment. 1532, Casa Vasari. https://originaluniqueart.com/no/art/giorgio-vasari-entombment-8Y3KRB-en/
    APA
    Vasari, Giorgio (1532). Entombment [Painting]. Casa Vasari. https://originaluniqueart.com/no/art/giorgio-vasari-entombment-8Y3KRB-en/
    Chicago
    Giorgio Vasari. Entombment. 1532. Casa Vasari. https://originaluniqueart.com/no/art/giorgio-vasari-entombment-8Y3KRB-en/
    Harvard
    Vasari, Giorgio (1532) Entombment. Casa Vasari. Available at: https://originaluniqueart.com/no/art/giorgio-vasari-entombment-8Y3KRB-en/

    Se nærmere på

    Entombment — Giorgio Vasari

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: birth and death. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Domedagens Dommedag (1572), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Giorgio Vasari var omtrent 21 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor kommer de besøkende til "Entombment" av Giorgio Vasari fra?

    En Besøksstatistikk-side eksisterer for "Entombment". Den viser månedlige besøkstall for kunstverket og kunstnerens øvrige verk, fordelt på land og språk.

    Hva forestiller "Entombment" av Giorgio Vasari?

    Motivene i "Entombment" er birth and death.

    Hvor gammel var Giorgio Vasari da "Entombment" ble skapt?

    Giorgio Vasari laget "Entombment" i en alder av 21. Kunstneren ble født i 1511, og verket er datert 1532.