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Saint Longinus

Navn Klasse Dato

Gian Lorenzo Bernini, Saint Longinus (1631), Peterskirken. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Gian Lorenzo Bernini originaluniqueart.com/no/artists/gian-lorenzo-bernini_no/
Kunstnerens levetid
1598 – 1680
Malt
1631
Medium
Marble Carved by removing stone and never adding any, so a single mistake cannot be undone.
Bevegelse
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Periode
Early Modern
Arrangert på
Peterskirken originaluniqueart.com/no/museums/peterskirken-vatikanstaten_no/
Artistic style
Bernini’s Baroque Style
Influences
Classical Sculpture
Notable elements or techniques
Dynamic pose; Dramatic drapery folds
Subject or theme
Religious Iconography; Crucifixion Symbolism

I sammenheng med

Saint Longinus — Gian Lorenzo Bernini

Når ble dette malt?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670
  10. 1680

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 82 ved død.

Malt da kunstneren var 33. Kunstneren ble 82 år gammel. 58 av de 148 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Gian Lorenzo Bernini (1598–1680) ▲ dette verket, 1631 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1624 Hovedvirksomhetsår: 1624–1655 Senere verk: fra 1655

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/gian-lorenzo-bernini-saint-longinus-8Y335K-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #a58c84

    Katalogisert palett

    • #A58C84
    • #6F5651
    • #3E2D2A
    • #D9CBC5

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Gian Lorenzo Bernini i løpet av de siste tolv månedene — totalt 22 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 45.0%5400 visits
    2. 2 United States of America 10.0%1200 visits
    3. 3 Hong Kong 5.8%700 visits
    4. 4 Spain 5.0%600 visits
    5. 5 France 5.0%600 visits
    6. 6 Italy 5.0%600 visits
    7. 7 Germany 4.2%500 visits
    8. 8 Brazil 3.3%400 visits
    9. 9 Singapore 2.5%300 visits
    10. 10 Venezuela 2.5%300 visits
    11. · 12 andre land 11.7%1400 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Gian Lorenzo Bernini

    1. 1 The Martyrdom of St Lawrence, 1614 6.6%1300 visits
    2. 2 Apollo and Daphne, 1622 5.1%1000 visits
    3. 3 Raptus Proserpinae (bakre syn), 1621 5.1%1000 visits
    4. 4 The Louvre, East Façade (study for the First Project), 1664 4.5%900 visits
    5. 5 Bust of Cardinal Armand de Richelieu, 1640 4.0%800 visits
    6. 6 Daniel and the Lion, 1650 3.0%600 visits
    7. 7 Self-Portrait, 1635 3.0%600 visits
    8. 8 David (detail), 1623 3.0%600 visits
    9. 9 Bust of Cardinal Scipione Borghese 2.5%500 visits
    10. 10 The Goat Amalthea with the Infant Jupiter and a Faun, 1615 2.0%400 visits
    11. 11 Aeneas, Anchises, and Ascanius, 1618 2.0%400 visits
    12. 12 Neptune and Triton, 1620 2.0%400 visits
    13. 13 Fontana del Tritone, 1624 2.0%400 visits
    14. 14 Bust of Thomas Baker, 1638 2.0%400 visits
    15. 15 Model for the lion on the Four rivers Fountain 1.5%300 visits
    16. 16 Bust of Louis XIV, 1665 1.5%300 visits
    17. 17 Angel with the Superscription, 1667 1.5%300 visits
    18. 18 Self-Portrait as a Young Man, 1623 1.5%300 visits
    19. 19 The Rape of Proserpina, 1621 1.5%300 visits
    20. — Saint Longinus, 1631 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 54.3% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 166 verk av denne kunstneren, hvorav 86 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Saint Longinus — Gian Lorenzo Bernini

    A Moment Frozen in Marble: The Divine Drama of Saint Longinus

    Within the hallowed, sun-drenched expanse of St. Peter's Basilica, a singular figure emerges from the shadows to command the soul of every pilgrim and art lover who wanders through its nave. Gian Lorenzo Bernini’s Saint Longinus is not merely a sculpture; it is a breathtaking theatrical event captured in eternal stone. Completed in 1631, this masterpiece serves as a cornerstone of the Baroque era, embodying the movement's profound desire to dissolve the boundary between the earthly and the divine. As you gaze upon the luminous marble, you are not observing a static object, but rather witnessing a pivotal heartbeat in Christian history—the precise moment of spiritual awakening for the Roman soldier who pierced the side of Christ.

    Bernini, the undisputed virtuoso of the Roman Baroque, possessed an almost supernatural ability to manipulate cold, hard marble as if it were soft flesh or flowing fabric. In Saint Longinus, his technical prowess is on full display through a masterful use of chiaroscuro. By deeply carving the folds of the saint's drapery and sculpting the rugged musculature of his form, Bernini creates a complex interplay of light and shadow. This technique breathes life into the stone, allowing light to dance across the surfaces and highlight the intense, searching expression on Longinus' face. For the collector or designer, this work represents the pinnacle of sculptural achievement, where the material itself seems to pulse with an inner vitality.

    Symbolism and the Language of Motion

    The composition of the sculpture is a masterclass in dynamic energy. Unlike the balanced, serene figures of the Renaissance, Bernini’s Saint Longinus is caught in a state of profound motion. One arm is raised toward the heavens in a gesture of desperate supplantation, while the other hand firmly grips the lance—the very instrument of Christ's passion. This physical tension serves as a powerful metaphor for the internal struggle between doubt and faith. The lance itself acts as a symbolic bridge, connecting the brutal reality of the crucifixion to the miraculous conversion of the soldier. Every line of the figure’s posture directs the viewer's eye upward, guiding the spirit toward a sense of transcendence.

    For those seeking to bring the grandeur of the Baroque into a curated space, understanding this emotional depth is essential. The sculpture does not just depict a person; it depicts an emotion—a mixture of anguish, reverence, and sudden, overwhelming revelation. The way the light catches the polished marble surfaces evokes a sense of celestial presence, making the piece an ideal inspiration for high-end interior environments that aim to evoke awe, contemplation, and historical weight. To possess a reproduction of such a work is to invite a conversation about the enduring power of faith and the transformative nature of art into one's personal or professional sanctuary.

    Kunstner og museum

    Kunstner

    Gian Lorenzo Bernini

    Født i Naples, Italia

    A Roman Genius: The Life and Legacy of Gian Lorenzo Bernini

    Gian Lorenzo Bernini, a name synonymous with the Baroque era, was more than just a sculptor; he was an architect, painter, stage designer, and a true uomo universale – a Renaissance man who profoundly shaped the artistic landscape of 17th-century Rome. Born in Naples in 1598, his journey to becoming one of history’s most celebrated artists began within a family steeped in sculpting tradition, ultimately leading him to dominate the visual arts and redefine how art could engage the senses and evoke profound emotion. His father, Pietro Bernini, instilled in young Gian Lorenzo not only technical skills but also an early appreciation for the classical heritage that would become the bedrock of his artistic vision.

    Sculpting Emotion: The Birth of Baroque Drama

    Bernini’s genius truly blossomed under the patronage of Cardinal Maffeo Barberini, who later ascended to the papacy as Urban VIII. This relationship proved pivotal, providing Bernini with unprecedented opportunities and shaping not only his career but also the very aesthetic sensibilities of Rome itself. He didn't simply carve stone; he breathed life into marble, capturing fleeting moments of intense psychological depth and dramatic narrative with an unparalleled skill that defined the Baroque style. Unlike the idealized forms of the Renaissance, Bernini embraced movement, theatricality, and raw human emotion. His sculptures weren’t static representations but dynamic scenes designed to elicit a visceral response from the viewer. Key elements of his distinctive style included a masterful ability to convey complex emotions through subtle shifts in facial expression and body language; an astonishing technical proficiency that allowed him to render textures – flowing hair, delicate fabrics, smooth skin – with breathtaking realism; and above all, a commitment to dramatic narrative, depicting moments of intense action or spiritual climax. The Ecstasy of Saint Teresa, housed within the Cornaro Chapel, stands as perhaps his most iconic achievement—a swirling composition of marble, bronze, and light that captures a mystical experience with an almost overwhelming emotional force. Works like Apollo and Daphne and David showcase this same dynamic energy, transforming stone into moments of transformation and poised tension.

    Beyond Sculpture: Architecture and Urban Visions

    Bernini’s artistic vision extended far beyond the confines of sculpture; he was a remarkably versatile artist who made significant contributions to architecture and urban planning, fundamentally reshaping the cityscape of Rome. His architectural designs were never conceived in isolation; they were always integrated with his sculptural work, creating unified artistic experiences that blurred the boundaries between disciplines. The monumental Baldacchino above the high altar of St. Peter’s Basilica is a testament to this holistic approach—a soaring bronze canopy that dominates the space and draws the eye upwards in awe. He also played a pivotal role in redesigning several Roman piazzas, transforming them into vibrant public spaces. The Fountain of the Four Rivers in Piazza Navona, with its allegorical figures representing major rivers from different continents, is a prime example of his ability to create dynamic and engaging urban environments. His work on St. Peter’s Basilica, including the expansive colonnade that embraces visitors as they approach, dramatically altered the basilica's appearance and created a grand ceremonial space befitting the heart of Christendom.

    A Lasting Influence: Bernini’s Historical Significance

    Gian Lorenzo Bernini profoundly impacted the course of Western art. His innovative approach to sculpture established the Baroque style as a dominant force in European art for over a century, influencing generations of artists with his dramatic compositions and technical virtuosity. He wasn't merely an imitator of classical forms; he synthesized them with a new sense of dynamism and emotional intensity, creating something entirely original. His integration of sculpture, architecture, and painting into unified artistic experiences set a new standard for artistic expression, demonstrating the power of art to engage all the senses and evoke profound emotions. As Howard Hibbard eloquently noted, Bernini’s impact was so significant that he stands as “the greatest sculptor of the 17th century.” His works continue to inspire awe and admiration, solidifying his place as one of history's most important artists—a true uomo universale whose legacy continues to resonate today.

    Family & Further Achievements

    Pietro Bernini: Gian Lorenzo’s father, a sculptor who provided early training and guidance.

    Cardinal Scipione Borghese: An early patron whose commissions allowed Bernini to develop his signature style.

    Pope Urban VIII: Bernini's most significant patron, providing extensive opportunities for architectural and sculptural projects in Rome.

    Architectural Projects: Beyond St. Peter’s Basilica, Bernini designed churches like Sant’Andrea al Quirinale and contributed to the design of Palazzo Barberini.

    Theatrical Designs: He was also a playwright and stage designer, creating elaborate sets and machinery for theatrical productions.

    Museum

    Peterskirken

    Utstilt i Vatikanstaten, Italia

    A Monumental Testament: St. Peter’s Basilica

    Stepping into St. Peter’s Basilica is not merely entering a building; it's embarking on an immersive experience, a profound dialogue between history, spirituality, and the unparalleled artistry of humankind. Rising majestically above Vatican City, this colossal structure—a testament to centuries of papal ambition and devotion—draws millions each year seeking connection with its sacred roots and marveling at its breathtaking scale. The Basilica’s story isn't confined to a single era; it’s a layered narrative beginning long before the iconic dome we see today, rooted in the fourth century CE when Constantine commissioned the first basilica over Saint Peter’s tomb – a site already venerated as the burial place of Jesus Christ’s apostle. Today, it remains one of the largest churches globally, a beacon of artistic achievement and architectural innovation that continues to inspire awe and reverence with its sheer scale and breathtaking beauty. It's a space where echoes of ancient Rome mingle seamlessly with the fervent prayers of countless pilgrims, creating an atmosphere unlike any other.

    The Basilica’s transformation into the Basilica’s current form is largely attributed to the visionary leadership of Pope Julius II and the unparalleled genius of Michelangelo Buonarroti. Recognizing the limitations of the original Greek cross plan – a deliberate echo of Jerusalem's Holy Sepulchre – Julius II dramatically expanded the design, incorporating a Latin cross configuration that maximizes visual impact and symbolizes Christ’s sacrifice. This bold decision, initially met with resistance from papal advisors, proved instrumental in creating the vast, soaring interior we now recognize. Michelangelo’s masterpiece, the dome itself, stands as a symbol of human ingenuity and spiritual aspiration; its intricate details and dizzying height defied conventional engineering at the time, elevating artistic ambition to unprecedented heights. The space is designed not just for visual impact but to evoke a sense of profound humility and connection with the divine – a deliberate intention woven into every stone and sculpted surface.

    Architectural Wonders: A Symphony of Form and Light

    The Basilica’s design is a symphony of architectural elements, each contributing to its overwhelming grandeur. Perhaps most striking is Gian Lorenzo Bernini's colossal colonnade, an undulating embrace that draws visitors inward toward the altar. This sweeping curve creates an illusion of infinite space, blurring the boundaries between the exterior and interior, and inviting contemplation – a masterful use of perspective designed to humble the viewer before the divine. Bernini’s masterful use of light and shadow further enhances this effect, creating a dynamic interplay of form and atmosphere that shifts with the changing sunlight throughout the day. Beyond the colonnade, Michelangelo's dome dominates the Roman skyline – a testament to his engineering prowess and artistic vision. The sheer scale of the dome is matched by its intricate detail, with sculptures adorning every level, each telling a story from scripture. The use of coffers and projecting elements creates a mesmerizing visual rhythm that guides the eye upwards towards the heavens.

    The Basilica’s interior is equally impressive, featuring soaring arches, elaborate mosaics depicting biblical scenes, and stunning marble floors. The vastness of the nave is punctuated by towering columns, many of which are adorned with intricate carvings and gilded details. Look closely, and you'll discover hidden symbols and references to Christian theology woven into every element of the design – a testament to the Basilica’s role as both a sacred space and a profound work of art. The sheer volume of marble—sourced from quarries across Italy and beyond—creates an atmosphere of opulent serenity, while the carefully orchestrated lighting enhances the colors and textures of the mosaics and sculptures.

    Treasures Within: Masterpieces of Faith and Art

    Within the Basilica’s walls reside an extraordinary collection of artworks spanning centuries and reflecting the evolving tastes of papal patronage. Fra Angelico's “Ordination of St. Stephen,” housed in the Cappella Nuova, is a prime example of Early Renaissance artistry. Painted with luminous pigments – particularly ultramarine blue, painstakingly extracted from lapis lazuli – the fresco embodies Angelico’s profound understanding of biblical iconography and his ability to convey spiritual contemplation through delicate brushstrokes. The figures seem to glow from within, their expressions conveying a quiet devotion that resonates deeply with the viewer. Alongside this iconic piece, visitors can marvel at Michelangelo's “Moses,” a sculpture capturing the raw emotion of divine command, and Bernini’s Baldachin over the Papal Altar – a monumental sculptural ensemble designed to dominate the nave and proclaim papal majesty.

    Don’t miss Michelangelo’s “Pietà,” sculpted during his formative years, a poignant depiction of Mary cradling the lifeless body of Christ. This masterpiece transcends mere anatomical accuracy to achieve unparalleled emotional depth. The statue's masterful execution demonstrates Michelangelo’s mastery of marble carving and embodies the humanist ideals prevalent in Renaissance Florence; the smoothness of Mary’s face contrasts beautifully with the detailed rendering of Christ’s wounds, creating a powerful visual narrative of grief and sacrifice. It is a work that continues to evoke tears and inspire reflection on themes of loss, compassion, and redemption. The “Pietà” stands as a testament to Michelangelo's early genius and his ability to imbue stone with profound human emotion.

    A Living Tradition: Exhibitions and Papal Significance

    St. Peter’s Basilica continues to resonate not only as a historical monument but also as a vibrant center of Catholic faith and tradition. It hosts countless papal ceremonies – including Christmas Mass and Easter Vigil – events attended by millions of pilgrims from across the globe, creating an atmosphere of solemnity and devotion. The sheer scale of these gatherings underscores the Basilica’s enduring significance as a spiritual hub. Regularly hosting exhibitions exploring themes of faith, art history, and papal patronage, St. Peter's Basilica provides a unique opportunity to engage with cultural heritage on a grand scale. Consider visiting during Lent or Advent to experience the profound liturgical traditions that define this sacred space. The Basilica’s ongoing commitment to preserving its artistic treasures and sharing its story ensures that it will remain a source of inspiration and wonder for generations to come.

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    QR-kode som lenker til nedlastingssiden for Saint Longinus

    originaluniqueart.com/no/art/download/gian-lorenzo-bernini-saint-longinus-8Y335K-en/

    Kildehenvisning for dette kunstverket

    MLA
    Bernini, Gian Lorenzo. Saint Longinus. 1631, Peterskirken. https://originaluniqueart.com/no/art/gian-lorenzo-bernini-saint-longinus-8Y335K-en/
    APA
    Bernini, Gian Lorenzo (1631). Saint Longinus [Painting]. Peterskirken. https://originaluniqueart.com/no/art/gian-lorenzo-bernini-saint-longinus-8Y335K-en/
    Chicago
    Gian Lorenzo Bernini. Saint Longinus. 1631. Peterskirken. https://originaluniqueart.com/no/art/gian-lorenzo-bernini-saint-longinus-8Y335K-en/
    Harvard
    Bernini, Gian Lorenzo (1631) Saint Longinus. Peterskirken. Available at: https://originaluniqueart.com/no/art/gian-lorenzo-bernini-saint-longinus-8Y335K-en/

    Se nærmere på

    Saint Longinus — Gian Lorenzo Bernini

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: saint, sculpture, bernini. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på David (detail) (1623), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Saint Longinus — Gian Lorenzo Bernini

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. Saint Longinus is a sculpture created by which renowned Baroque artist?

      • A Michelangelo Buonarroti
      • B Gian Lorenzo Bernini
      • C Raphael Sanzio
    2. 2. The statue depicts Saint Longinus holding what symbolic object?

      • A A chalice
      • B A crown
      • C A spear
    3. 3. Saint Longinus’ pose in the sculpture is characterized by:

      • A Static and symmetrical
      • B Dynamic and expressive
      • C Minimalist and abstract
    4. 4. What architectural setting houses Saint Longinus?

      • A The Louvre Museum
      • B St. Peter's Basilica
      • C Florence Cathedral
    5. 5. The sculpture utilizes light and shadow to emphasize:

      • A The colors of the drapery
      • B The intricate patterns of the archway
      • C The muscular form and facial expression

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2C · 3B · 4B · 5C

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Har "Saint Longinus" sterke lys-mørke-kontraster?

    "Saint Longinus" av Gian Lorenzo Bernini viser en Statement kontrast mellom de lyse og mørke partiene.

    Hvorfor er den opphavsrettslige statusen til "Saint Longinus" slik den er?

    "Saint Longinus" av Gian Lorenzo Bernini er fritt tilgjengelig – opphavsretten har utløpt. Opphavsretten løper fra kunstnerens dødsår, som var i 1680.

    Er det mulig å laste ned "Saint Longinus"?

    Bildet av "Saint Longinus" av Gian Lorenzo Bernini kan lastes ned fra verkets Last ned digitalt bilde-side: nedlasting av et digitalt bilde i høy oppløsning.