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a day on the river

Navn Klasse Dato

Frederick Morgan, a day on the river. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Frederick Morgan originaluniqueart.com/no/artists/frederick-morgan/
Kunstnerens levetid
1847 – 1927
Bevegelse
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

I sammenheng med

a day on the river — Frederick Morgan

Når kan dette ha blitt malt?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 80 ved død.

Skyggelagt: livsløpet til Frederick Morgan (1847–1927) hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

  • A Jovial Fisherman originaluniqueart.com/no/art/frederick-morgan-a-jovial-fisherman-8LHUSW-en/
  • Hold Tight originaluniqueart.com/no/art/frederick-morgan-hold-tight-8LHUTA-en/
  • The Flower Gatherer originaluniqueart.com/no/art/frederick-morgan-the-flower-gatherer-8LHUTT-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/frederick-morgan-a-day-on-the-river-9GEKWZ-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Walnut #8f5b30

    Katalogisert palett

    • #8F5B30
    • #613418
    • #F4D974
    • #C7934A

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfarge
    Walnut
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Frederick Morgan i løpet av de siste tolv månedene — totalt 10 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 61.5%1600 visits
    2. 2 United States of America 7.7%200 visits
    3. 3 Armenia 3.8%100 visits
    4. 4 Canada 3.8%100 visits
    5. 5 Colombia 3.8%100 visits
    6. 6 Storbritannia 3.8%100 visits
    7. 7 Mexico 3.8%100 visits
    8. 8 New Zealand 3.8%100 visits
    9. 9 Portugal 3.8%100 visits
    10. 10 Singapore 3.8%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Frederick Morgan

    1. 1 a flood 8.3%300 visits
    2. 2 Charity 8.3%300 visits
    3. 3 bob apple 8.3%300 visits
    4. 4 his first birthday 8.3%300 visits
    5. 5 Yuletide 5.6%200 visits
    6. 6 Sunny Hours, 1902 5.6%200 visits
    7. 7 a day on the river dette maleriet 5.6%200 visits
    8. 8 Picking wild flowers 5.6%200 visits
    9. 9 sweethearts 5.6%200 visits
    10. 10 Love Me, Love My Dog 2.8%100 visits
    11. 11 The Flower Gatherer 2.8%100 visits
    12. 12 Gentle Reminder 2.8%100 visits
    13. 13 Dainty Fares, 1905 2.8%100 visits
    14. 14 the apple gatherers 2.8%100 visits
    15. 15 See Saw, 1898 2.8%100 visits
    16. 16 Gleaners, 1880 2.8%100 visits
    17. 17 Ring of Roses 2.8%100 visits
    18. 18 The Toy Parade 2.8%100 visits
    19. 19 nevermind 2.8%100 visits
    20. 20 Garden of Eden, 1891 2.8%100 visits

    Sammen utgjør disse verkene 92.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 77 verk av denne kunstneren, hvorav 23 ble sett på minst én gang. This painting ranks 7 of them, with 5.6% of that attention (200 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Frederick Morgan

    Frederick Morgan: Painter of Childhood’s Gentle Echoes

    Frederick Morgan (1847 – 3 April 1927) wasn't merely a painter; he was a weaver of idyllic scenes, a chronicler of childhood innocence captured with an almost heartbreaking tenderness. Born in London amidst the bustle of Victorian England, his artistic journey began not through formal training but through the tutelage of his father, John Morgan – a genre artist himself – who instilled within him a profound appreciation for observing and depicting everyday life. This formative influence shaped Morgan’s distinctive style: a delicate balance between realism and romanticism, where the mundane transformed into moments of quiet beauty.

    Morgan's early years were marked by a shift from his father’s guidance to a period of self-discovery. Following a brief stint in various London trades after his father’s advice, he returned to art, honing his skills through portrait commissions that unexpectedly provided invaluable experience. These portraits demanded meticulous attention to detail and an understanding of human expression – skills that would later inform his genre paintings. It was during this time that Morgan developed a keen eye for capturing the nuances of emotion and the subtle gestures that defined character, elements he skillfully translated into his celebrated depictions of children.

    The Shere Years: A Sanctuary of Light and Color

    A pivotal period in Morgan’s career unfolded in the village of Shere, nestled near Guildford in Surrey. This picturesque location became a sanctuary—a place where he could dedicate himself entirely to painting scenes of rural life and, most notably, children at play. The light in Shere was particularly conducive to his artistic vision; it bathed the landscapes in a soft, golden glow that perfectly complemented his palette of muted colors and delicate brushstrokes. He established a studio there, creating a space where he could immerse himself in the rhythms of rural life, observing families, children, and animals with an almost reverent gaze.

    During this period, Morgan’s output flourished, producing some of his most beloved works – The Doll’s Tea Party, Emigrants' Departure, and School Belles among them. These paintings weren’t simply representations of scenes; they were imbued with a palpable sense of warmth, nostalgia, and quiet joy. He captured the fleeting moments of childhood—a shared game, a stolen glance, a simple pleasure—with an extraordinary sensitivity that resonated deeply with audiences. The patronage of Thomas Agnew & Sons further solidified his success, ensuring that his paintings reached a wide audience through widespread reproduction.

    Influences and Artistic Style

    Morgan’s artistic style was profoundly influenced by the prevailing trends of Victorian England, particularly the popularity of genre painting. However, he possessed a unique sensibility that set him apart from his contemporaries. He drew inspiration from artists like Arthur John Elsley, whose own depictions of children shared a similar emphasis on sentimentality and idyllic beauty. Yet, Morgan’s work retained its own distinct character—a subtle melancholy beneath the surface of happiness, a quiet awareness of the transience of childhood.

    His technique was characterized by meticulous detail, soft brushstrokes, and a masterful use of light and shadow. He employed a limited palette of muted colors – browns, greens, blues, and yellows—to create a sense of atmosphere and to evoke the feeling of a bygone era. Notably, Morgan often sought assistance from artists like Arthur John Elsley or Allen Sealey when depicting challenging subjects such as animals or pets, recognizing the importance of accurate representation in capturing the essence of his scenes.

    Legacy and Recognition

    Frederick Morgan’s paintings achieved remarkable popularity during his lifetime, enjoying widespread publication and exhibition. His works are now housed in prestigious collections around the world, including the Walker Art Gallery in Liverpool and the Russell-Cotes Museum in Bournemouth. His legacy as one of the most celebrated genre painters of the Victorian era endures, not only for his technical skill but also for his ability to capture the enduring beauty and innocence of childhood—a timeless theme that continues to resonate with viewers today.

    Morgan’s impact extends beyond his artistic achievements. He represents a significant chapter in the history of British art, demonstrating how artists can find inspiration in everyday life and transform it into works of lasting value. His paintings serve as a poignant reminder of a simpler time—a time when childhood was viewed with such reverence and wonder.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for a day on the river

    originaluniqueart.com/no/art/download/frederick-morgan-a-day-on-the-river-9GEKWZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Morgan, Frederick. a day on the river. n.d., https://originaluniqueart.com/no/art/frederick-morgan-a-day-on-the-river-9GEKWZ-en/
    APA
    Morgan, Frederick (n.d.). a day on the river [Painting]. https://originaluniqueart.com/no/art/frederick-morgan-a-day-on-the-river-9GEKWZ-en/
    Chicago
    Frederick Morgan. a day on the river. n.d. https://originaluniqueart.com/no/art/frederick-morgan-a-day-on-the-river-9GEKWZ-en/
    Harvard
    Morgan, Frederick (n.d.) a day on the river. Available at: https://originaluniqueart.com/no/art/frederick-morgan-a-day-on-the-river-9GEKWZ-en/

    Se nærmere på

    a day on the river — Frederick Morgan

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: family portrait, river scene, victorian era. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på A Jovial Fisherman, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "a day on the river" av Frederick Morgan et lyst eller mørkt kunstverk?

    De registrerte verdiene for "a day on the river" av Frederick Morgan er: bright lysstyrke, Gentle Luminance luminans.

    Hvordan beskrives fargepaletten i "a day on the river" av Frederick Morgan?

    "a day on the river" av Frederick Morgan bruker en Dark fargepalett. Paletten oppsummerer verkets overordnede fargekarakter.

    Hvordan er fargekomposisjonen i "a day on the river" av Frederick Morgan bygget opp?

    I "a day on the river" blir en Statement kontrast parret med en Strong Color Unity harmoni.