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Sir (Edward) Guy Dawber

Navn Klasse Dato

Fred Roe, Sir (Edward) Guy Dawber (1926). Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Fred Roe originaluniqueart.com/no/artists/fred-roe/
Kunstnerens levetid
1864 – 1947
Malt
1926
Opprinnelig størrelse
38 x 28 cm

I sammenheng med

Sir (Edward) Guy Dawber — Fred Roe

Dimensjoner

Originalen måler 38 × 28 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 83 ved død.

Malt da kunstneren var 62. Kunstneren ble 83 år gammel. 12 av de 17 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Fred Roe (1864–1947) ▲ dette verket, 1926 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1908 Hovedvirksomhetsår: 1908–1926 Senere verk: fra 1926

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Driftwood #c08964

    Lagret palett

    • #C08964
    • #966246
    • #AE7753
    • #533531

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Dark Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Driftwood
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Fred Roe i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 7 mest viste verkene av Fred Roe

    1. 1 Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, 1915 25.0%
    2. 2 2nd Battalion 5th Gurkha Rifles at Ahnai Tangi, North West Frontier, India, 14 January 1920, 1920 12.5%
    3. 3 The Boys Come Marching Home, 1916 12.5%
    4. 4 Sir (Edward) Guy Dawber, 1926 dette maleriet 12.5%
    5. 5 A. Gordon Bird, 1930 12.5%
    6. 6 The Return of the Hero (Lord Nelson), 1909 12.5%
    7. 7 May the Eighth 12.5%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 23 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet rangerer som nummer 4 av dem, med 12.5% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Sir (Edward) Guy Dawber — Fred Roe

    The painting Sir (Edward) Guy Dawber by Fred Roe is a stunning example of portraiture, showcasing the artist's skill in capturing the essence of his subject. Created in 1926, this oil on canvas piece measures 38 x 28 cm and is currently housed at the National Portrait Gallery in the United States.

    The Artist and His Style

    Fred Roe was a talented artist known for his ability to convey the character and personality of his subjects through his paintings. In Sir (Edward) Guy Dawber, he employs a range of techniques, including the use of bold brushstrokes and vivid colors, to create a sense of depth and dimensionality. The subject's stern expression and formal attire are perfectly captured, exuding an air of sophistication and elegance. Key Features of the Painting:

    The subject's facial expression, which conveys a sense of seriousness and intensity

    The intricate details of the subject's clothing and accessories, which add to the overall sense of luxury and refinement

    The use of a muted color palette, which creates a sense of calmness and serenity

    Similar Works by Other Artists

    For those interested in exploring more portraits like Sir (Edward) Guy Dawber, Joseph Henry Sharp's Spotted Elk, Chief and George Meredith by William Strang are excellent examples of portraiture. These paintings can be found on AllPaintingsStore.com, which offers a wide range of handmade oil painting reproductions.

    The National Portrait Gallery is home to many notable works, including those by Fred Roe. For art enthusiasts and collectors, AllPaintingsStore.com provides a unique opportunity to own handmade reproductions of famous paintings, including Sir (Edward) Guy Dawber.

    Kunstner og museum

    Kunstner

    Fred Roe

    The Visionary Brush of Fred Roe

    To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

    The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

    From London Studios to the American Frontier

    A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

    This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

    A Legacy of Detail and Discovery

    Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

    As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

    Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.

    Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.

    Cultural Documentation: His role as a visual historian for both the English past and the American frontier.

    Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

    Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.

    Her kan du lese mer

    • Kunstneren Fred Roe originaluniqueart.com/no/artists/fred-roe/
    • Lignende verk Flere verk å sammenligne med originaluniqueart.com/no/art/similar/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Sir (Edward) Guy Dawber

    originaluniqueart.com/no/art/download/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Kildehenvisning for dette kunstverket

    MLA
    Roe, Fred. Sir (Edward) Guy Dawber. 1926, https://originaluniqueart.com/no/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    APA
    Roe, Fred (1926). Sir (Edward) Guy Dawber [Painting]. https://originaluniqueart.com/no/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    Chicago
    Fred Roe. Sir (Edward) Guy Dawber. 1926. https://originaluniqueart.com/no/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    Harvard
    Roe, Fred (1926) Sir (Edward) Guy Dawber. Available at: https://originaluniqueart.com/no/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Se nærmere etter

    Sir (Edward) Guy Dawber — Fred Roe

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på S. O. S (1929), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Fred Roe var omtrent 62 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva forklarer opphavsrettssituasjonen til "Sir (Edward) Guy Dawber" av Fred Roe?

    Opphavsrettslig status for "Sir (Edward) Guy Dawber" - i det frie domene – opphavsretten har utløpt - følger av kunstnerens dødsår i 1947.

    Hvor lys eller mørk oppleves "Sir (Edward) Guy Dawber" av Fred Roe som?

    Den oppfattede lysstyrken til "Sir (Edward) Guy Dawber" av Fred Roe er bright. Den kan tilpasses lysforholdene i det tiltenkte rommet.

    Er "Sir (Edward) Guy Dawber" av Fred Roe i det frie domene?

    Opphavsrettslig status for "Sir (Edward) Guy Dawber" av Fred Roe: verket er i det frie domene – opphavsretten har utløpt. Dette avgjør om reproduksjoner av bildet kan lages fritt.