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Dr Flora Murray (1869–1923)

Navn Klasse Dato

Francis Dodd, Dr Flora Murray (1869–1923) (1921), Royal Free Hospital. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Francis Dodd originaluniqueart.com/no/artists/francis-dodd_no/
Kunstnerens levetid
1874 – 1949
Malt
1921
Opprinnelig størrelse
59 x 44 cm
Arrangert på
Royal Free Hospital originaluniqueart.com/no/museums/royal-free-hospital-london/

I sammenheng med

Dr Flora Murray (1869–1923) — Francis Dodd

Hvor stort er det?

Originalen måler 59 × 44 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 75 ved død.

Malt da kunstneren var 47. Kunstneren ble 75 år gammel. 16 av de 36 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Francis Dodd (1874–1949) ▲ dette verket, 1921 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1916 Hovedvirksomhetsår: 1916–1935 Senere verk: fra 1935

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #c0a292

    Katalogisert palett

    • #C0A292
    • #2D2C2A
    • #4D433D
    • #776E5E

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Francis Dodd i løpet av de siste tolv månedene — totalt 3 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 82.4%
    2. 2 United States of America 11.8%
    3. 3 Spain 5.9%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 19 mest viste verkene av Francis Dodd

    1. 1 An Elderly Woman, 1895 10.0%
    2. 2 Signora Lotto, 1906 10.0%
    3. 3 John Russell Scott (1879–1949), 1920 5.0%
    4. 4 An Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley, 1921 5.0%
    5. 5 Arthur Lionel Smith (1850–1924), Utstillingseksempler (1868), Fellow og Tutor i Moderne Historie (1882–1916), Dekan (1907–1916),rektor (1916–1924), 1913 5.0%
    6. 6 Edward Taylor Scott (1883–1932), 1920 5.0%
    7. 7 Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949), 1946 5.0%
    8. 8 Colonel Sir William John Kent, CBE, TD, DL, JR, 1945 5.0%
    9. 9 Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security, 1941 5.0%
    10. 10 The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930) 5.0%
    11. 11 Louisa Garrett Anderson (1873–1943), 1921 5.0%
    12. 12 Sir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932), 1934 5.0%
    13. 13 Lord Birdwood, Master (1931–1938) 5.0%
    14. 14 Sarah Venables, 1901 5.0%
    15. 15 Portrait of a Past Rhodes Trustee, 1943 5.0%
    16. 16 Rt Hon. George Viscount Cave, DCL, GCMG 5.0%
    17. 17 Walter Alexander Raleigh (1861–1922) 5.0%
    18. 18 Ely, 1926 5.0%
    19. — Dr Flora Murray (1869–1923), 1921 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 43 verk av denne kunstneren, hvorav 18 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Francis Dodd

    Født i Holyhead, USA

    The Life and Legacy of Francis Dodd

    Francis Edgar Dodd was a distinguished British portrait painter, landscape artist, and printmaker whose work captured the profound essence of his subjects through remarkable accuracy and depth. Born in Holyhead, Wales, as the son of a Wesleyan minister, Dodd’s artistic journey began with formal training at the Glasgow School of Art. It was during his time in Glasgow that he demonstrated exceptional promise, winning the Haldane Scholarship in 1893. This prestigious achievement allowed him to traverse the cultural landscapes of France, Italy, and Spain, experiences that undoubtedly enriched his visual vocabulary and technical mastery.

    Upon returning to England in 1895, Dodd settled initially in Manchester, where he cultivated significant friendships within the artistic community, before eventually moving to Blackheath in London in 1904. His career was marked by a versatile command over various media, ranging from evocative, atmospheric watercolors of urban scenes like High Street, Greenwich to meticulously detailed oil portraits. His ability to convey not just a likeness, but a palpable sense of character—whether through the stern gaze of a professional in John Russell Scott or the serene contemplation found in Marianne Frances Bernard—established him as a master of his craft.

    Artistic Achievements and Historical Significance

    The historical importance of Francis Dodd extends beyond the canvas into the very fabric of British institutional art. During the tumultuous years of World War I, Dodd was appointed an official war artist in 1916 by the head of the War Propaganda Bureau. Serving on the Western Front, he produced more than thirty portraits of senior military figures, documenting the human element of the conflict with a disciplined hand. This period of service solidified his reputation as an artist capable of capturing gravity and authority under the most pressing historical circumstances.

    His professional accolades were numerous and reflected his standing among the elite of the British art world:

    Elected Associate of the Royal Academy of Arts in 1927.

    Achieved full Membership of the Royal Academy of Arts in 1935.

    Served as a trusted trustee of the Tate Gallery, holding the position for six years starting in 1929.

    Dodd’s legacy is preserved through his contributions to significant collections, including the Imperial War Museum and the Tate, ensuring that his precise brushwork and ability to capture the light and texture of his era continue to resonate with viewers today. His work remains a vital window into the social conventions and psychological depths of the early twentieth century.

    Museum

    Royal Free Hospital

    Utstilt i London, United Kingdom

    A Sanctuary of Healing & History: Exploring the Royal Free Hospital Museum

    Within the bustling heart of London, tucked away in the historic corridors of Hampstead, lies a destination where the clinical precision of science meets the profound beauty of human expression. The Royal Free Hospital Museum is far more than a mere repository for medical artifacts; it is a living narrative that unfolds across two centuries of British innovation and social evolution. Stepping into its halls feels like entering a carefully curated sanctuary, where the echoes of pioneering surgeons and compassionate nurses resonate alongside the delicate strokes of fine art. It is a place where the boundaries between the anatomical and the aesthetic blur, offering visitors an unparalleled glimpse into the enduring spirit of caregiving and the transformative power of discovery.

    The museum’s collection is a breathtaking study in contrasts, presenting a remarkable juxtaposition of scientific rigor and aesthetic sensibility. One cannot wander through these galleries without being struck by the meticulous detail of Victorian-era anatomical models—intricate,

    hauntingly beautiful

    representations of the human form that reflect the era's burgeoning surgical understanding. Yet, amidst this clinical precision, there is an unexpected infusion of light and color provided by the watercolor paintings of

    Henry Tonks

    . A surgeon who famously embraced the Impressionist movement, Tonks brought a unique sensitivity to his work, using vibrant palettes to illuminate subjects with a grace that transcends mere documentation. This dialogue between the structural reality of the body and the ethereal quality of light is further deepened by

    Lucien Simon's

    monumental mural,

    Strata

    . Through its depiction of geological time, the piece serves as a profound metaphor for the museum’s own exploration of permanence, history, and the steady march of human progress.

    Architectural Metamorphosis and Historical Legacy

    The very architecture of the museum tells a story of metamorphosis, mirroring the evolution of medical practice itself. The institution’s journey began in the repurposed barracks of Gray’s Inn Road, a humble foundation that speaks to a time when healthcare was rooted in practical, immediate needs. As the decades passed, this transitioned into the triumphant era of the modern tower block, inaugurated in 1974, symbolizing a monumental shift toward sophisticated research and global education. To walk through these spaces is to trace a lineage of transformation, observing how the physical environment has adapted to house the growing complexities of medical technology and the expanding horizons of human knowledge.

    Beyond its permanent treasures, the museum captivates through forensic narratives and exhibitions that delve into the darker, more mysterious chapters of London’s past. Visitors are often drawn to the compelling intersection of science and crime found in displays examining the

    Jack the Ripper

    investigations, where the art of pathological analysis is shown as a vital tool in solving one of history's most infamous enigmas. Similarly, the museum honors the human element of heroism through exhibits dedicated to figures like

    Edith Cavell

    , whose courage during the Great War remains a beacon of humanitarian ethics. For the art lover, the collector, or the designer, the Royal Free Hospital Museum offers more than just historical facts; it provides an evocative atmosphere where the legacy of the past inspires a deeper appreciation for the intricate, beautiful, and often mysterious tapestry of life itself.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Dr Flora Murray (1869–1923)

    originaluniqueart.com/no/art/download/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/

    Kildehenvisning for dette kunstverket

    MLA
    Dodd, Francis. Dr Flora Murray (1869–1923). 1921, Royal Free Hospital. https://originaluniqueart.com/no/art/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/
    APA
    Dodd, Francis (1921). Dr Flora Murray (1869–1923) [Painting]. Royal Free Hospital. https://originaluniqueart.com/no/art/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/
    Chicago
    Francis Dodd. Dr Flora Murray (1869–1923). 1921. Royal Free Hospital. https://originaluniqueart.com/no/art/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/
    Harvard
    Dodd, Francis (1921) Dr Flora Murray (1869–1923). Royal Free Hospital. Available at: https://originaluniqueart.com/no/art/francis-dodd-dr-flora-murray-1869-1923-AQSCN7-en/

    Se nærmere på

    Dr Flora Murray (1869–1923) — Francis Dodd

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på John Russell Scott (1879–1949) (1920), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Francis Dodd var omtrent 47 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor lys er "Dr Flora Murray (1869–1923)" totalt sett?

    Når det gjelder oppfattet lysstyrke, er "Dr Flora Murray (1869–1923)" av Francis Dodd deep_shadow.

    Er det mulig å laste ned "Dr Flora Murray (1869–1923)"?

    Bildet av "Dr Flora Murray (1869–1923)" av Francis Dodd kan lastes ned fra verkets Last ned digitalt bilde-side: nedlasting av et digitalt bilde i høy oppløsning.

    Hvor kan jeg finne statistikk om "Dr Flora Murray (1869–1923)" av Francis Dodd?

    Siden Besøksstatistikk for "Dr Flora Murray (1869–1923)" av Francis Dodd presenterer offentlig besøksstatistikk: månedlige besøk for dette kunstverket, en sammenligning med kunstnerens mest viste verk, og hvor de besøkende kommer fra.