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Kunstverkmappe: Corfu

Bestill Corfu som en håndmalt oljeutgave

Edward Lear, Corfu (1863). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Corfu kunstverk-faktaark

Kunstner
Edward Lear originaluniqueart.com/no/artists/edward-lear_no/
Kunstnerens levetid
1812 – 1888
Malt
1863
Medium
Watercolor
Opprinnelig størrelse
25 x 35 cm
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Periode
19th Century
Artistic style
Impressionism or post-impressionism
Notable elements or techniques
Loose brushstrokes, warm earth tones
Subject or theme
Tranquil coastal landscape with buildings

I sammenheng med

Corfu — Edward Lear

Hvor stort er det?

Originalen måler 25 × 35 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 76 ved død.

Malt da kunstneren var 51. Kunstneren ble 76 år gammel. 31 av de 51 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Edward Lear (1812–1888) ▲ dette verket, 1863 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1852 Hovedvirksomhetsår: 1852–1867 Senere verk: fra 1867

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

  • Cogoleto, Italy originaluniqueart.com/no/art/edward-lear-cogoleto-italy-8LHSGU-en/
  • Crescenza originaluniqueart.com/no/art/edward-lear-crescenza-8LHSH7-en/
  • Blue And Yellow Macaw originaluniqueart.com/no/art/edward-lear-blue-and-yellow-macaw-8LHSG7-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/edward-lear-corfu-AQS7CY-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Walnut #844f1a

    Katalogisert palett

    • #844F1A
    • #BE842D
    • #4E2509
    • #DCD2BB

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfarge
    Walnut
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Edward Lear i løpet av de siste tolv månedene — totalt 15 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 56.9%9900 besøk
    2. 2 United States of America 18.4%3200 besøk
    3. 3 Hong Kong 4.0%700 besøk
    4. 4 Singapore 4.0%700 besøk
    5. 5 Storbritannia 2.9%500 besøk
    6. 6 Romania 2.9%500 besøk
    7. 7 Italy 2.3%400 besøk
    8. 8 Sri Lanka 2.3%400 besøk
    9. 9 France 1.7%300 besøk
    10. 10 Australia 1.1%200 besøk
    11. · 5 andre land 3.5%600 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Edward Lear

    1. 1 Road near Galle, Ceylon, 1879 3.2%600 besøk
    2. 2 Sheikh Abadeh On The Nile 2.7%500 besøk
    3. 3 The Temple of Apollo at Bassae, 1855 2.2%400 besøk
    4. 4 Attrani Near Amalfi, Italy 2.2%400 besøk
    5. 5 Cattaro, Yugoslavia, 1866 1.6%300 besøk
    6. 6 Bethlehem, 1861 1.6%300 besøk
    7. 7 Montene ved Termopyle, 1852 1.6%300 besøk
    8. 8 Study Of Palm Trees 1.6%300 besøk
    9. 9 The Pyramids of Ghizeh, 1873 1.6%300 besøk
    10. 10 The nile at kaasr-es-saiyyad 1.6%300 besøk
    11. 11 Esneh On The Nile, Near Luxor, Egypt 2 1.6%300 besøk
    12. 12 Certosa Di Pesio Con Le Missioni Della Consolata 1.6%300 besøk
    13. 13 View Over The Lake, Kandy, Ceylon 1.6%300 besøk
    14. 14 Damascus 3 1.6%300 besøk
    15. 15 Quarries of Syracuse, 1847 1.1%200 besøk
    16. 16 View of Florence from Villa San Firenze, 1862 1.1%200 besøk
    17. 17 Launce and His Dog 1.1%200 besøk
    18. 18 Ceylon Scenery 1.1%200 besøk
    19. 19 Blue And Yellow Macaw 1.1%200 besøk
    20. 43 Corfu, 1863 dette maleriet 0.5%100 besøk

    Sammen utgjør disse verkene 32.3% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 417 verk av denne kunstneren, hvorav 123 ble sett på minst én gang. Dette maleriet rangerer som nummer 43, med 0.5% av denne oppmerksomheten (100 besøk). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Corfu — Edward Lear

    Identification of Corfu by Edward Lear

    The artwork titled Corfu is a landscape scene created by the artist Edward Lear. This specific piece dates to 1863. The composition focuses on a coastal environment, capturing a moment of quietude within a natural setting.

    Edward Lear rendered this landscape through a series of deliberate visual choices. The scene is dominated by a palette of earth tones and warm colors. In the foreground, several trees with gnarled, twisted trunks and branches are positioned, their forms defined by loose brushstrokes. Beyond these botanical elements, a body of water extends toward the horizon, reflecting the colors of the sky and the surrounding terrain. On the opposite shore, a collection of buildings, resembling a small village or a group of houses, sits nestled among additional trees.

    The background of the work features rolling hills situated under a pale blue sky containing soft clouds. The horizon line lacks a sharp definition, instead blending into the colors of the landscape to create a sense of continuity between the earth and the sky. The painting captures the interaction between man-made structures and the natural environment in a tranquil coastal setting.

    Composition and Visual Elements

    The composition is organized into distinct planes that establish a sense of depth. In the foreground, several trees with twisted trunks and gnarled branches occupy the immediate space. These botanical forms are rendered with loose brushstrokes that define their shapes without relying on fine detail. Beyond these trees, a body of water extends across the middle ground, reflecting the colors of the sky and the surrounding landscape. On the opposite shore, a collection of buildings, resembling a small village, is nestled among a cluster of trees.

    The background is composed of rolling hills situated under a pale blue sky containing soft clouds. The horizon line is not sharply defined; instead, it blends into the colors of the landscape, creating a continuity between the earth and the sky. The color palette is dominated by warm earth tones, which establish the overall tone of the scene. These colors are applied in a way that emphasizes the light and atmosphere of the coastal environment.

    Artistic Style and Technique

    The painting is rendered in a style reminiscent of impressionism or post-impressionism. The artist employs a palette dominated by warm earth tones, which establishes a serene atmosphere across the landscape. In the foreground, the trees feature twisted, gnarled trunks and branches. These botanical forms are executed with loose brushstrokes that prioritize the suggestion of shape over precise anatomical detail. This approach allows the textures of the wood and the surrounding foliage to merge into a cohesive visual field.

    The brushwork extends to the water and the sky, where the application of paint creates a sense of continuity. The water reflects the colors of the sky and the landscape, using soft transitions to suggest depth. On the opposite shore, the buildings are integrated into the greenery through similar painterly movements. The horizon line lacks a sharp definition, blending the colors of the earth and the pale blue sky. Through this specific use of color and brushwork, the work captures a moment of quietude in the natural environment.

    Related Works by Edward Lear

    The artist's exploration of Mediterranean landscapes includes several pieces focused on the same geographic region. One such work is Figure On A Balcony Overlooking The Citadel, Corfu, which depicts a figure seated on a balcony with architectural details like pillars and vines. Another piece inspired by his time in the area is View From The Orange Gardens Of Viro-Corfu, a scene that captures a view from within an orange grove.

    Beyond his depictions of Corfu, Lear produced various other landscape studies. These include Diano, South Of France, and A Distant View of Nice from the Hills, about 1864. These works reflect his practice of documenting topographical views and the specific light of the regions he visited during his travels.

    Kunstner og museum

    Kunstner

    Edward Lear

    Født i Highgate, Storbritannia

    A Life Painted in Nonsense and Light

    Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a veritable whirlwind of siblings – Lear’s early life was profoundly shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that are profoundly reflected in his art and writing.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a truly exceptional eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to meticulously document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots were not merely a job; they fostered a deep and enduring connection with the natural world – a connection that would become a cornerstone of his later landscape paintings. The demanding nature of this work, however, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not only offering a restorative environment but also providing an abundance of breathtaking vistas that would inform his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

    The Poet of Nonsense: A World Unbound

    While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. A Book of Nonsense, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks, in particular, are renowned for their rhythmic precision and unexpected twists. The Owl and the Pussy-Cat, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and whimsical characters continue to delight readers of all ages.

    Influences and Artistic Development

    Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.

    Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.

    Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.

    Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

    A Legacy of Innovation and Enduring Charm

    Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

    Edward Lear studieveiledning: fortsett å utforske

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Corfu

    originaluniqueart.com/no/art/download/edward-lear-corfu-AQS7CY-en/

    Slik siterer du dette kunstverket: Corfu

    MLA
    Lear, Edward. Corfu. 1863, https://originaluniqueart.com/no/art/edward-lear-corfu-AQS7CY-en/
    APA
    Lear, Edward (1863). Corfu [Painting]. https://originaluniqueart.com/no/art/edward-lear-corfu-AQS7CY-en/
    Chicago
    Edward Lear. Corfu. 1863. https://originaluniqueart.com/no/art/edward-lear-corfu-AQS7CY-en/
    Harvard
    Lear, Edward (1863) Corfu. Available at: https://originaluniqueart.com/no/art/edward-lear-corfu-AQS7CY-en/

    Kunstquiz

    Corfu — Edward Lear

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary subject matter of the painting 'Corfu'?

      • A A bustling city street
      • B A tranquil landscape scene
      • C A portrait of a famous poet
    2. 2. In which year was the artwork 'Corfu' created?

      • A 1846
      • B 1863
      • C 1888
    3. 3. What is the size of the painting?

      • A 25 x 35 cm
      • B 35 x 45 cm
      • C 50 x 60 cm
    4. 4. According to the description, what is visible on the opposite shore of the water?

      • A A large mountain range
      • B Buildings resembling a small village
      • C A dense forest of pine trees
    5. 5. What artistic style is the painting described as being reminiscent of?

      • A Cubism
      • B Surrealism
      • C Impressionism

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2B · 3A · 4B · 5C

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    For kunststudenter og forskere

    Corfu — Edward Lear

    Næranalyse av kunst om Corfu, for studenter og forskere

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: trees, water, buildings. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Cogoleto, Italy, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Når ble "Corfu" skapt, og hvilken kunstretning tilhører den?

    "Corfu" av Edward Lear er datert 1863 og tilhører Impressionism.

    Hva er årsaken til opphavsrettssituasjonen for "Corfu" av Edward Lear?

    "Corfu" av Edward Lear er fritt tilgjengelig – opphavsretten har utløpt. Opphavsretten løper fra kunstnerens dødsår, som var i 1888.

    Hvor gammel var Edward Lear da "Corfu" ble skapt?

    Da "Corfu" ble skapt i 1863, var Edward Lear – født i 1812 – 51 år gammel.

    Hvilken stemning og følelse uttrykker "Corfu" av Edward Lear?

    "Corfu" av Edward Lear formidler en Tranquil følelse innenfor en overordnet Serene stemning.

    Er "Corfu" av Edward Lear et portrett, landskap eller en kvadratisk komposisjon?

    "Corfu" av Edward Lear har et Landscape-format. Formatet beskriver komposisjonens proporsjoner.

    Alle spørsmål og svar om Corfu