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St John the Evangelist

Navn Klasse Dato

Donatello, St John the Evangelist (1410), Museo dell'Opera del Duomo. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Donatello originaluniqueart.com/no/artists/donatello_no/
Kunstnerens levetid
1386 – 1466
Malt
1410
Bevegelse
Renaissance Humanism The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages.
Arrangert på
Museo dell'Opera del Duomo originaluniqueart.com/no/museums/museo-dell-opera-del-duomo-firenze_no/
Artistic style
Classical
Influences
Classical sculpture
Notable elements or techniques
Perspective; Anatomical realism
Subject or theme
Religious iconography

I sammenheng med

St John the Evangelist — Donatello

Når ble dette malt?

  1. 1380
  2. 1390
  3. 1400
  4. 1410
  5. 1420
  6. 1430
  7. 1440
  8. 1450
  9. 1460

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 80 ved død.

Malt da kunstneren var 24. Kunstneren ble 80 år gammel. 5 av de 107 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Donatello (1386–1466) ▲ dette verket, 1410 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1423 Hovedvirksomhetsår: 1423–1447 Senere verk: fra 1447

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/donatello-st-john-the-evangelist-7YMS2G-en/

Farger

Målt ut fra bilde

    Dominerende farge

    White #f9f8f8

    Katalogisert palett

    • #F9F8F8
    • #46382E
    • #907866
    • #CAB8A9

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    White
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Donatello i løpet av de siste tolv månedene — totalt 15 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 59.0%
    2. 2 Hong Kong 11.4%
    3. 3 United States of America 8.6%
    4. 4 Italy 6.7%
    5. 5 Brazil 3.8%
    6. 6 Germany 1.9%
    7. 7 Austria 1.0%
    8. 8 Switzerland 1.0%
    9. 9 Colombia 1.0%
    10. 10 Czechia 1.0%
    11. · 5 andre land 4.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Donatello

    1. 1 David, 1430 7.1%
    2. 2 Annunciation, 1435 3.2%
    3. 3 St George, 1416 3.2%
    4. 4 Herod's Banquet, 1427 2.6%
    5. 5 Pulpit, 1438 2.6%
    6. 6 Evangelist Luke, 1428 2.6%
    7. 7 Equestrian Statue of Gattamelata (detail), 1447 2.6%
    8. 8 Musician Angels, 1447 2.6%
    9. 9 Pietà, 1447 2.6%
    10. 10 St George (detail), 1416 2.6%
    11. 11 Pazzi Madonna 2.6%
    12. 12 David 2.6%
    13. 13 Prophet Jeremiah, 1423 2.6%
    14. 14 Equestrian Statue of Gattamelata, 1447 1.9%
    15. 15 Pulpit (on the left), 1465 1.9%
    16. 16 South pulpit, 1460 1.9%
    17. 17 Cantoria (9), 1439 1.9%
    18. 18 Entombment, 1447 1.9%
    19. 19 Madonna and Child between St Francis and St Anthony, 1448 1.9%
    20. 29 St John the Evangelist, 1410 dette maleriet 1.3%

    Sammen utgjør disse verkene 52.2% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 143 verk av denne kunstneren, hvorav 76 ble sett på minst én gang. Dette maleriet rangerer som nummer 29 av dem, med 1.3% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    St John the Evangelist — Donatello

    Donatello’s St John the Evangelist: A Portrait of Doubt Amidst Renaissance Majesty

    Donatello’s *St John the Evangelist*, sculpted between 1409 and 1411, stands as a cornerstone of Florentine Renaissance art—a testament to humanist ideals blended with masterful technical skill. Initially destined for Santa Maria del Fiore’s Duomo façade, its subsequent relocation to the Museo dell’Opera del Duomo cemented its place in artistic history and continues to captivate viewers today.

    Subject Matter: The statue depicts St John the Evangelist, one of Jesus' twelve apostles, embodying wisdom and contemplation. Donatello deliberately chose an elderly figure—a departure from prevailing artistic conventions—to convey a profound sense of inner turmoil and questioning faith.

    Style & Technique: Donatello’s style is characterized by its groundbreaking naturalism, achieved through meticulous anatomical observation and expressive drapery. He employed the technique of contrapposto, positioning John's weight on one leg while subtly shifting his torso to create a dynamic pose that belies the statue’s stillness. The sculptor skillfully utilized marble—a material prized for its luminosity and ability to capture detail—to render textures with astonishing accuracy.

    Historical Context: Created during Florence’s artistic zenith, St John reflects the humanist spirit of the era, prioritizing human emotion and intellect alongside classical ideals. It emerged from a broader movement toward portraying figures as psychologically complex individuals rather than idealized representations.

    Symbolism: The statue's symbolism extends beyond its depiction of St John—a revered saint known for his Gospels and Epistles. Donatello’s deliberate choice to portray an aged apostle speaks to the contemplation of mortality and the questioning of divine providence, themes central to Renaissance spirituality.

    Emotional Impact: Viewing St John evokes a powerful response – one of quiet reverence mingled with palpable unease. The sculptor's masterful rendering of John’s gaze—searching, troubled, yet imbued with an unwavering conviction—captures the essence of human experience confronting existential dilemmas. It is this profound psychological depth that elevates St John beyond mere sculptural representation, transforming it into a timeless meditation on faith and doubt.

    The statue’s placement alongside Nanni di Banco’s St Luke, and Bernardo Ciuffagni’s St Mark, within Santa Maria del Fiore’s Duomo underscores Donatello's role in shaping the aesthetic vision of Renaissance Florence. The sculpture’s enduring legacy testifies to Donatello’s unparalleled ability to fuse classical ideals with humanist sensibilities—a feat that continues to inspire artists and collectors alike.

    Donatello’s St John remains a poignant reminder of humanity's capacity for introspection and the beauty found in confronting profound questions about existence. Its meticulous craftsmanship and emotive portrayal solidify its position as one of the most celebrated artworks of the Renaissance—a masterpiece that transcends time and speaks to the universal human condition.

    Kunstner og museum

    Kunstner

    Donatello

    Født i Firenze, Italia

    Early Life and Artistic Beginnings

    Donato di Niccolò di Betto Bardi, universally known as Donatello, was born in Florence around 1386 – a time of burgeoning artistic innovation within the city. His early life remains somewhat shrouded in mystery, but we know he received his initial training not in a formal academy, but through apprenticeships with skilled artisans. He began his career under Maestro Lorenzo Ghiberti, a master goldsmith and sculptor whose workshop was at the heart of Florentine art production during this period. This experience exposed Donatello to the techniques of bronze casting and relief carving, laying the foundation for his future achievements. Crucially, he also studied the classical sculptures that were beginning to be rediscovered and admired in Florence – a rediscovery that profoundly shaped his artistic vision. The influence of these ancient forms, combined with the evolving spirit of the Renaissance, would propel Donatello to become one of the most significant sculptors of his time.

    Key Works and Revolutionary Techniques

    Donatello’s legacy rests upon a remarkable body of work, each piece demonstrating a unique evolution in his style and technique. Perhaps his most celebrated achievement is undoubtedly David, created around 1440 for the Medici family. This sculpture was groundbreaking not only for its monumental scale but also for its unprecedented realism – it was the first freestanding nude male statue to be produced since antiquity. Unlike earlier depictions of David, which often emphasized his heroic status and divine favor, Donatello presented a young, vulnerable figure, imbued with a palpable sense of human emotion. The contrapposto stance—a subtle shift in weight that creates an asymmetrical balance—added to the sculpture’s dynamism and lifelike quality. Other notable works include St. Louis of Toulouse, a magnificent bronze depicting Saint Louis, and his powerful relief carving The Sacrifice of Isaac. Donatello's innovative use of perspective and his ability to capture human expression were revolutionary for his time, setting new standards for sculptural realism.

    Artistic Style and Influences

    Donatello’s artistic style underwent several distinct phases throughout his career. Initially, he drew heavily from the conventions of Gothic sculpture, characterized by stylized forms and a focus on symbolic representation. However, as he matured, he increasingly embraced classical ideals, incorporating elements of ancient Greek and Roman art into his work. This shift is particularly evident in David, which demonstrates a sophisticated understanding of anatomy and proportion—a hallmark of classical sculpture. Furthermore, Donatello’s style was deeply influenced by the humanist philosophy that dominated Renaissance thought. He sought to represent the human form with accuracy and emotional depth, reflecting the belief that humans were capable of great beauty and virtue. His work served as a powerful affirmation of human potential, aligning perfectly with the core tenets of the Renaissance spirit.

    Personal Life and Working Methods

    Donatello was known for his passionate temperament and sometimes abrasive personality – traits that often complicated his professional life. While he enjoyed considerable acclaim during his lifetime, he struggled with the business aspects of being an artist, frequently accepting more commissions than he could realistically fulfill. This led to delays in completing projects and occasionally resulted in him handing them over to other sculptors for finishing. Despite these challenges, Donatello remained a prolific and influential figure, constantly pushing the boundaries of artistic expression. He was deeply committed to his craft, spending countless hours meticulously shaping stone and bronze, striving to capture the essence of human form and emotion. His dedication to his art is evident in every detail of his sculptures—a testament to his genius and unwavering passion.

    Legacy and Historical Significance

    Donatello’s impact on the course of Western art is immeasurable. He revitalized interest in classical sculpture, demonstrating its enduring relevance and inspiring generations of artists to emulate his techniques. His innovations in realism, anatomy, and perspective profoundly influenced subsequent sculptors, including Michelangelo Buonarroti. Donatello's work served as a bridge between the medieval and Renaissance worlds, embodying the spirit of humanism and artistic innovation that defined this transformative era. He remains one of the most celebrated figures in art history—a true pioneer who forever changed the way we perceive and appreciate sculpture.

    Museum

    Museo dell'Opera del Duomo

    Utstilt i Firenze, Italia

    A Sanctuary of Florentine Creation: Exploring the Museo dell'Opera del Duomo

    Bare like a hidden jewel nestled within Florence’s heart, directly opposite the awe-inspiring Duomo, lies the Museo dell’Opera del Duomo – more than just a museum, it’s a profound journey through centuries of artistic devotion and masterful craftsmanship. This remarkable institution safeguards not merely masterpieces, but the very genesis of Renaissance art, offering an unparalleled glimpse into the creative processes that shaped Western civilization's visual landscape. Established in 1891, the Museo dell’Opera del Duomo stands as a testament to Florence’s enduring legacy of artistic innovation and spiritual expression.

    The museum’s narrative unfolds through its extraordinary collection, primarily centered around sculptures – original panels destined for the Baptistery doors, a breathtaking achievement by Lorenzo Ghiberti. These gilded bronze reliefs are not mere decorations; they are monumental depictions of biblical narratives, imbued with an astonishing dynamism and emotional depth that even Michelangelo himself recognized as revolutionary. Imagine stepping directly into the studios where these giants worked, observing their techniques, understanding the intricate symbolism woven into every curve and contour – it’s a truly humbling experience. Equally captivating is Donatello's “Zuccone,” a hauntingly expressive sculpture embodying human vulnerability and contemplation; a poignant reminder of the artist’s profound ability to capture the essence of humanity.

    Michelangelo’s Unfinished Vision: A Window into Artistic Process

    Perhaps the most profoundly moving element within the Museo dell'Opera del Duomo is Michelangelo’s “The Deposition,” an unfinished marble pietà. This work transcends its status as a sculpture; it’s an intimate, rare window directly into the artist’s creative process. The visible chisel marks, the nascent forms emerging from the stone – they speak volumes about Michelangelo’s relentless dedication, his unwavering pursuit of perfection, and his willingness to share his struggles with the viewer. Unlike polished, finished works, this piece invites a deep connection, fostering an understanding not just of the final product but of the very act of creation itself. It's a powerful reminder that artistic genius is often born from imperfection and the courageous embrace of the unfinished – a testament to Michelangelo’s humanity.

    A Tapestry of Artistic Skill: Beyond Sculpture

    While sculpture rightfully commands attention, the Museo dell’Opera del Duomo extends far beyond three-dimensional art. A rich selection of paintings spanning from late medieval to Early Renaissance styles offers a vibrant and complementary experience. These works reflect the diverse artistic sensibilities of their time, showcasing the evolution of Florentine painting techniques and stylistic approaches. Furthermore, illuminated manuscripts reveal the meticulous craftsmanship of scribes and bookmakers – an unwavering dedication to detail that permeated Florentine culture. The museum’s textiles – vestments used in religious ceremonies – exemplify the opulent artistry of the era, while metalwork, church plate, delicate micromosaics, and ornate reliquaries testify to Florence's mastery of diverse artistic mediums. Collectively, these objects paint a comprehensive picture of Florentine artistic production during this transformative period—celebrating the breadth of skill and creativity that flourished within the city’s walls.

    Preservation and Context: An Immersive Experience

    What truly distinguishes the Museo dell'Opera del Duomo is its unwavering commitment to preserving its treasures and contextualizing them for future generations. A remarkably innovative approach has been implemented – replacing original sculptures with meticulously crafted replicas in situ, mirroring their original settings. This ingenious strategy ensures the longevity of these invaluable artworks while simultaneously offering visitors a deeper understanding of their historical and artistic significance. The museum’s architectural design, reflecting the grandeur of the Duomo itself, further enhances this immersive experience—transforming the Museo dell'Opera del Duomo into more than just a repository of art; it’s a place where one can trace the evolution of Renaissance ideals through the hands of its greatest masters and connect with the enduring spirit of Florentine artistic innovation. The recent architectural enhancements have allowed these sculptures to be presented within frameworks mirroring their original settings, providing invaluable contextual understanding of their intended impact on viewers.

    Additional Research & Notable Exhibitions

    The Museo dell’Opera del Duomo regularly hosts special exhibitions that delve deeper into specific aspects of its collection and the broader history of Florentine art. Recent events have explored themes ranging from the techniques of Renaissance sculpture to the influence of Ghiberti on subsequent generations of artists. The museum also offers guided tours led by knowledgeable curators, providing insights into the stories behind each artwork and the historical context in which they were created. For those interested in a deeper dive, the museum’s website provides detailed information about its collection, upcoming exhibitions, and visitor services.

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    QR-kode som lenker til nedlastingssiden for St John the Evangelist

    originaluniqueart.com/no/art/download/donatello-st-john-the-evangelist-7YMS2G-en/

    Kildehenvisning for dette kunstverket

    MLA
    Donatello. St John the Evangelist. 1410, Museo dell'Opera del Duomo. https://originaluniqueart.com/no/art/donatello-st-john-the-evangelist-7YMS2G-en/
    APA
    Donatello (1410). St John the Evangelist [Painting]. Museo dell'Opera del Duomo. https://originaluniqueart.com/no/art/donatello-st-john-the-evangelist-7YMS2G-en/
    Chicago
    Donatello. St John the Evangelist. 1410. Museo dell'Opera del Duomo. https://originaluniqueart.com/no/art/donatello-st-john-the-evangelist-7YMS2G-en/
    Harvard
    Donatello (1410) St John the Evangelist. Museo dell'Opera del Duomo. Available at: https://originaluniqueart.com/no/art/donatello-st-john-the-evangelist-7YMS2G-en/

    Se nærmere på

    St John the Evangelist — Donatello

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: sculpture, marble, religion. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Chellini Madonna, recto, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Renaissance Humanism: The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    St John the Evangelist — Donatello

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary artistic style associated with Donatello’s St John the Evangelist?

      • A Gothic Mannerism
      • B Renaissance Classicism
      • C Baroque Ornamentation
    2. 2. Where was St John the Evangelist originally displayed?

      • A The Louvre Museum
      • B Santa Maria del Fiore Cathedral
      • C British Museum
    3. 3. What material is St John the Evangelist sculpted from?

      • A Bronze
      • B Wood
      • C Marble
    4. 4. Donatello employed a technique known as ______, which allowed him to create an illusion of depth and realism.

      • A Fresco Painting
      • B Linear Perspective
      • C Oil Rendering
    5. 5. What does the sculpture’s gaze convey about St John's character?

      • A Joyful Acceptance
      • B Quiet Contemplation
      • C Fearful Uncertainty

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1A · 2B · 3C · 4B · 5C

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hvor kan jeg kjøpe en håndmalt reproduksjon av "St John the Evangelist" av Donatello?

    Håndmalte kopier av "St John the Evangelist" av Donatello kan kjøpes på denne nettsiden: en håndmalt oljereproduksjon på linlerret, via siden for Håndmalt oljereproduksjon.

    Er "St John the Evangelist" av Donatello et lyst eller mørkt kunstverk?

    Den oppfattede lysstyrken til "St John the Evangelist" av Donatello er brilliant, og den kan tilpasses lysforholdene i det tiltenkte rommet.

    Hvem skapte "St John the Evangelist" og i hvilket år?

    Donatello skapte "St John the Evangelist" i 1410.