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Evangelist Luke

Navn Klasse Dato

Donatello, Evangelist Luke (1428). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Donatello originaluniqueart.com/no/artists/donatello_no/
Kunstnerens levetid
1386 – 1466
Malt
1428
Opprinnelig størrelse
215 x 215 cm
Periode
Renaissance
Artistic style
Realism, Naturalism
Influences
Classical sculpture
Notable elements or techniques
Relief carving, Classical influence
Subject or theme
Biblical figure, Evangelist

I sammenheng med

Evangelist Luke — Donatello

Hvor stort er det?

Originalen måler 215 × 215 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde. Det er for stort til å vises i riktig skala på denne siden.

Når ble dette malt?

  1. 1380
  2. 1390
  3. 1400
  4. 1410
  5. 1420
  6. 1430
  7. 1440
  8. 1450
  9. 1460

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 80 ved død.

Malt da kunstneren var 42. Kunstneren ble 80 år gammel. 38 av de 107 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Donatello (1386–1466) ▲ dette verket, 1428 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1423 Hovedvirksomhetsår: 1423–1447 Senere verk: fra 1447

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/donatello-evangelist-luke-8EWEWE-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #a29c86

    Katalogisert palett

    • #A29C86
    • #282722
    • #626358
    • #D4CEBC

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Donatello i løpet av de siste tolv månedene — totalt 15 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 59.0%
    2. 2 Hong Kong 11.4%
    3. 3 United States of America 8.6%
    4. 4 Italy 6.7%
    5. 5 Brazil 3.8%
    6. 6 Germany 1.9%
    7. 7 Austria 1.0%
    8. 8 Switzerland 1.0%
    9. 9 Colombia 1.0%
    10. 10 Czechia 1.0%
    11. · 5 andre land 4.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Donatello

    1. 1 David, 1430 7.0%
    2. 2 Annunciation, 1435 3.2%
    3. 3 Musician Angels, 1447 3.2%
    4. 4 St George, 1416 3.2%
    5. 5 Herod's Banquet, 1427 2.5%
    6. 6 Pulpit, 1438 2.5%
    7. 7 Evangelist Luke, 1428 dette maleriet 2.5%
    8. 8 Equestrian Statue of Gattamelata (detail), 1447 2.5%
    9. 9 Pietà, 1447 2.5%
    10. 10 St George (detail), 1416 2.5%
    11. 11 Pazzi Madonna 2.5%
    12. 12 David 2.5%
    13. 13 Prophet Jeremiah, 1423 2.5%
    14. 14 Equestrian Statue of Gattamelata, 1447 1.9%
    15. 15 Pulpit (on the left), 1465 1.9%
    16. 16 South pulpit, 1460 1.9%
    17. 17 Cantoria (9), 1439 1.9%
    18. 18 Entombment, 1447 1.9%
    19. 19 Madonna and Child between St Francis and St Anthony, 1448 1.9%
    20. 20 Equestrian Statue of Gattamelata, 1447 1.9%

    Sammen utgjør disse verkene 52.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 143 verk av denne kunstneren, hvorav 76 ble sett på minst én gang. Dette maleriet rangerer som nummer 7 av dem, med 2.5% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Evangelist Luke — Donatello

    Evangelist Luke: A Renaissance Masterpiece by Donatello

    The "Evangelist Luke" is a remarkable painting created by the renowned artist Donatello in 1428. This stunning work of art, crafted from stucco and measuring 215 x 215 cm, exemplifies Donatello's exceptional skill and artistic vision within the Early Italian Renaissance.

    Composition and Subject Matter

    The painting depicts the story of Evangelist Luke, one of the four evangelists in the New Testament. The composition is carefully balanced, featuring the main figure seated at a desk, deeply engaged in writing or reading a book. Two other figures are present – one on his left and another on his right – contributing to a sense of narrative depth. A significant element is the angelic figure positioned above the man's head, adding a touch of divinity to the scene. The use of stucco as a medium provides a unique texture and depth, while intricate designs and patterns adorn the figures and their surroundings, showcasing meticulous detail.

    Donatello’s Artistic Style & Technique

    Donatello's style is characterized by his commitment to realism and naturalism. His paintings often portray everyday scenes and figures with a sense of humanity and emotion. The "Evangelist Luke" embodies this approach, creating an atmosphere of serenity and contemplation. The stucco technique itself contributes significantly to the artwork’s impact; the material allows for subtle variations in texture and depth, enhancing the three-dimensionality of the figures. Donatello's mastery lies not only in his ability to render realistic forms but also in conveying a profound sense of inner life through facial expressions and posture.

    Historical Context & Symbolism

    Created during the Early Italian Renaissance, this work reflects the period’s renewed interest in classical art and humanism. The depiction of Luke as a scholar engaged in writing symbolizes the importance of knowledge and faith within Christian theology. The halo above his head signifies his sanctity, while the presence of the angel reinforces his divine connection. The architectural setting, with its columns and table, evokes a sense of order and intellectual pursuit. This piece was part of a larger decorative scheme for the Old Sacristy of San Lorenzo in Florence, demonstrating Donatello's significant contribution to Renaissance architecture and sculpture.

    Emotional Impact & Legacy

    The "Evangelist Luke" invites viewers into a moment of quiet reflection. The serene expression on Luke’s face, combined with the soft lighting and balanced composition, creates a sense of peace and contemplation. Donatello's ability to imbue his figures with such profound emotion elevates this work beyond mere representation; it becomes a powerful meditation on faith, knowledge, and the human spirit. As one of Donatello's most celebrated works, "Evangelist Luke" continues to inspire awe and admiration centuries after its creation, solidifying its place as a cornerstone of Renaissance art.

    Kunstner og museum

    Kunstner

    Donatello

    Født i Firenze, Italia

    Early Life and Artistic Beginnings

    Donato di Niccolò di Betto Bardi, universally known as Donatello, was born in Florence around 1386 – a time of burgeoning artistic innovation within the city. His early life remains somewhat shrouded in mystery, but we know he received his initial training not in a formal academy, but through apprenticeships with skilled artisans. He began his career under Maestro Lorenzo Ghiberti, a master goldsmith and sculptor whose workshop was at the heart of Florentine art production during this period. This experience exposed Donatello to the techniques of bronze casting and relief carving, laying the foundation for his future achievements. Crucially, he also studied the classical sculptures that were beginning to be rediscovered and admired in Florence – a rediscovery that profoundly shaped his artistic vision. The influence of these ancient forms, combined with the evolving spirit of the Renaissance, would propel Donatello to become one of the most significant sculptors of his time.

    Key Works and Revolutionary Techniques

    Donatello’s legacy rests upon a remarkable body of work, each piece demonstrating a unique evolution in his style and technique. Perhaps his most celebrated achievement is undoubtedly David, created around 1440 for the Medici family. This sculpture was groundbreaking not only for its monumental scale but also for its unprecedented realism – it was the first freestanding nude male statue to be produced since antiquity. Unlike earlier depictions of David, which often emphasized his heroic status and divine favor, Donatello presented a young, vulnerable figure, imbued with a palpable sense of human emotion. The contrapposto stance—a subtle shift in weight that creates an asymmetrical balance—added to the sculpture’s dynamism and lifelike quality. Other notable works include St. Louis of Toulouse, a magnificent bronze depicting Saint Louis, and his powerful relief carving The Sacrifice of Isaac. Donatello's innovative use of perspective and his ability to capture human expression were revolutionary for his time, setting new standards for sculptural realism.

    Artistic Style and Influences

    Donatello’s artistic style underwent several distinct phases throughout his career. Initially, he drew heavily from the conventions of Gothic sculpture, characterized by stylized forms and a focus on symbolic representation. However, as he matured, he increasingly embraced classical ideals, incorporating elements of ancient Greek and Roman art into his work. This shift is particularly evident in David, which demonstrates a sophisticated understanding of anatomy and proportion—a hallmark of classical sculpture. Furthermore, Donatello’s style was deeply influenced by the humanist philosophy that dominated Renaissance thought. He sought to represent the human form with accuracy and emotional depth, reflecting the belief that humans were capable of great beauty and virtue. His work served as a powerful affirmation of human potential, aligning perfectly with the core tenets of the Renaissance spirit.

    Personal Life and Working Methods

    Donatello was known for his passionate temperament and sometimes abrasive personality – traits that often complicated his professional life. While he enjoyed considerable acclaim during his lifetime, he struggled with the business aspects of being an artist, frequently accepting more commissions than he could realistically fulfill. This led to delays in completing projects and occasionally resulted in him handing them over to other sculptors for finishing. Despite these challenges, Donatello remained a prolific and influential figure, constantly pushing the boundaries of artistic expression. He was deeply committed to his craft, spending countless hours meticulously shaping stone and bronze, striving to capture the essence of human form and emotion. His dedication to his art is evident in every detail of his sculptures—a testament to his genius and unwavering passion.

    Legacy and Historical Significance

    Donatello’s impact on the course of Western art is immeasurable. He revitalized interest in classical sculpture, demonstrating its enduring relevance and inspiring generations of artists to emulate his techniques. His innovations in realism, anatomy, and perspective profoundly influenced subsequent sculptors, including Michelangelo Buonarroti. Donatello's work served as a bridge between the medieval and Renaissance worlds, embodying the spirit of humanism and artistic innovation that defined this transformative era. He remains one of the most celebrated figures in art history—a true pioneer who forever changed the way we perceive and appreciate sculpture.

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    QR-kode som lenker til nedlastingssiden for Evangelist Luke

    originaluniqueart.com/no/art/download/donatello-evangelist-luke-8EWEWE-en/

    Kildehenvisning for dette kunstverket

    MLA
    Donatello. Evangelist Luke. 1428, https://originaluniqueart.com/no/art/donatello-evangelist-luke-8EWEWE-en/
    APA
    Donatello (1428). Evangelist Luke [Painting]. https://originaluniqueart.com/no/art/donatello-evangelist-luke-8EWEWE-en/
    Chicago
    Donatello. Evangelist Luke. 1428. https://originaluniqueart.com/no/art/donatello-evangelist-luke-8EWEWE-en/
    Harvard
    Donatello (1428) Evangelist Luke. Available at: https://originaluniqueart.com/no/art/donatello-evangelist-luke-8EWEWE-en/

    Se nærmere på

    Evangelist Luke — Donatello

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 2 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: evangelist, luke, renaissance. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Chellini Madonna, recto, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Evangelist Luke — Donatello

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. Who is the artist of the painting 'Evangelist Luke'?

      • A Michelangelo
      • B Donatello
      • C Leonardo da Vinci
    2. 2. In what year was the 'Evangelist Luke' painting created?

      • A 1408
      • B 1428
      • C 1466
    3. 3. What material was primarily used to create the 'Evangelist Luke' artwork?

      • A Oil paint
      • B Stucco
      • C Marble
    4. 4. According to the description, what is a key characteristic of Donatello’s artistic style?

      • A Abstract Expressionism
      • B Realism and Naturalism
      • C Impressionism
    5. 5. What does the presence of an angelic figure above the man's head symbolize in the painting?

      • A Sadness
      • B Divinity
      • C Anger

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2B · 3B · 4B · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hva er dateringen til "Evangelist Luke" av Donatello?

    "Evangelist Luke" av Donatello ble skapt i 1428.

    Hvilke proporsjoner har "Evangelist Luke" av Donatello, og hva er målene?

    Formatet på "Evangelist Luke" er Square, og originalen måler 215 x 215 cm. Begge deler er nyttige når man planlegger en reproduksjon.

    Hvilke andre navn er Donatello kjent under?

    Donatello er også kjent under navnene Donato di Niccolò di Betto Bardi.