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St. Elijah

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carlo monaldi (1691-1760), St. Elijah (1731), Palácio Nacional de Mafra. Fri for opphavsrett.

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Kunstner
carlo monaldi (1691-1760) originaluniqueart.com/no/artists/carlo-monaldi-1691-1760/
Kunstnerens levetid
1691 – 1760
Malt
1731
Arrangert på
Palácio Nacional de Mafra originaluniqueart.com/no/museums/palacio-nacional-de-mafra-mafra_no/

I sammenheng med

St. Elijah — carlo monaldi (1691-1760)

Når ble dette malt?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Skyggelagt: livsløpet til carlo monaldi (1691-1760) (1691–1760) ▲ dette verket, 1731

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #a39688

    Lagret palett

    • #A39688
    • #7D6D5E
    • #C9C5BE
    • #47392F
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Rosy Brown
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    carlo monaldi (1691-1760)

    Født i Rome, Italy

    The Sculptor of Roman Baroque Grandeur

    Carlo Monaldi stands as a luminous figure within the vibrant tapestry of Italian Baroque sculpture, embodying the dramatic fervor and intellectual depth of eighteenth-century Rome. While historical records suggest his origins may trace back to approximately 1683, his presence in the Roman art scene was undeniably profound. Monaldi’s life was deeply intertwined with the prestigious institutions of his era, most notably the Academy of Saint Luke, where he demonstrated early brilliance by securing numerous prestigious awards throughout the first decade of the 1700s. His journey from a promising young talent to an established master reflects the rigorous academic tradition of Rome, a city that served as both his cradle and his greatest inspiration.

    The evolution of Monaldi’s style reveals a profound dialogue between classical restraint and the theatrical exuberance of the Baroque movement. Though he was likely shaped by the influential Roman school of Camillo Rusconi, Monaldi possessed a unique ability to infuse marble with a sense of living breath. His early works, such as the statue of Umiltà for Santa Maria Maddalena, already whispered of the grace found in Correggio and the delicate plasticity of Camillo Mariani. As his career matured, he mastered the art of capturing movement and emotional intensity, utilizing the medium of marble to create textures that seemed to shift under the play of light and shadow.

    Mastery of Form and Spiritual Expression

    Monaldi’s technical prowess was most evident in his ability to translate complex theological narratives into tangible, emotive forms. His sculptures were never merely static figures; they were vessels of spiritual contemplation. In works such as his depictions of Saint Isaiah and Saint Sebastian, one observes a meticulous attention to anatomical precision paired with an extraordinary capacity for gesture. He understood that the true power of sculpture lies in the tension between the hardness of the stone and the perceived softness of the flesh, a feat he achieved through masterful carving techniques that allowed for subtle tonal variations.

    The artist’s repertoire was characterized by a profound dedication to religious subjects, which allowed him to explore the heights of human passion and divine ecstasy. His ability to imbue saints with a palpable sense of vitality made his work highly sought after for prominent Roman churches and ecclesiastical commissions. Through his hands, the cold marble of the Baroque era became a medium for storytelling, where every fold of drapery and every strained muscle served to elevate the viewer's spirit toward the divine.

    Legacy within the Roman Tradition

    Beyond his individual creative achievements, Carlo Monaldi played a vital role in the continuity of the Roman sculptural tradition. His involvement with the Academy of Portugal and his recognized standing among his peers ensured that his influence extended to subsequent generations of artists. He was not merely a creator of objects but a participant in the grand cultural dialogue of the 18th century, bridging the gap between the late Baroque's dramatic intensity and the emerging refinements of the following era.

    Today, Monaldi’s legacy is preserved in the silent, powerful presence of his surviving works, which continue to command respect for their technical excellence and emotional resonance. His contribution to the Roman school remains a testament to an age where art was the ultimate expression of faith, intellect, and human endurance. To study Monaldi is to encounter the very heart of the Baroque—a period where stone was transformed into soul.

    Museum

    Palácio Nacional de Mafra

    Utstilt på Mafra, Portugal

    A Royal Vision Forged in Gold: Exploring the Palace of Mafra

    Rising from the plains north of Lisbon, the Palace of Mafra is not merely a building but a breathtaking embodiment of Portuguese ambition and artistic achievement. Conceived in 1717 by King John V, fueled by the immense wealth flowing from Brazil’s gold and diamond mines, it began as a vow – a Franciscan monastery promised upon the birth of an heir. It swiftly evolved into something far more expansive: a sprawling testament to royal power and Baroque splendor, seamlessly interwoven with Neoclassical influences. The sheer scale is almost incomprehensible; over 1,200 rooms unfold across 40,000 square meters, connected by a labyrinthine network of 156 stairways, all framed by an astonishing façade stretching 220 meters in length. It’s a space that whispers tales of the 45,000 individuals who labored for thirteen years to bring this vision to life—a human endeavor marked by both artistry and sacrifice. The very stones seem imbued with the echoes of their dedication, reflecting a profound ambition to create a symbol of Portugal's burgeoning power and spiritual devotion.

    A Symphony of Stone, Art, and Sound

    Stepping inside is akin to entering another world – a realm where opulence and spirituality converge in a truly remarkable way. At the heart of the complex lies the basilica, a magnificent example of Baroque architecture that immediately commands attention. The Italian sculptures adorning its interior seem to breathe life into the stone, depicting biblical scenes with an astonishing level of realism and emotional depth. But it’s not just visual grandeur; sound permeates every corner. Six historical pipe organs fill the space with resonant tones, masterpieces in their own right – each a testament to the skill of master craftsmen from Flanders. These aren't mere instruments; they are integral components of the palace’s sonic landscape, capable of producing intricate melodies that once heralded royal occasions and religious ceremonies. Above them, two carillons—collections of 98 bells—offer another layer to the palace’s auditory experience, their delicate chimes echoing through the vastness of the church, creating an atmosphere both majestic and profoundly moving. The entire space is designed to inspire awe and reverence, a deliberate attempt to embody the grandeur of the Portuguese monarchy.

    From Royal Residence to UNESCO Treasure

    For generations, the Palace served as a royal residence, witnessing pivotal moments in Portuguese history. It was within these walls that Prince D. João VI resided, and later, it became the final home of King Manuel II before his exile in 1910. The palace’s story is one of shifting fortunes, having also briefly functioned as military barracks during periods of political upheaval – a testament to its adaptability and enduring importance. However, its enduring significance has been consistently recognized. Declared a National Monument in 1910, Mafra continued to captivate and inspire generations of visitors. In 2019, this recognition reached an international level when the Palace—along with its basilica, convent, gardens, and surrounding hunting park (Tapada)—was inscribed as a UNESCO World Heritage Site. This designation acknowledges not only the architectural brilliance of the complex but also its profound cultural and historical importance to Portugal and the world – a symbol of a nation’s artistic legacy and ambition.

    A Sanctuary of Knowledge and Leisure

    Beyond its royal and religious functions, the Palace offers glimpses into other facets of 18th-century life. The original Franciscan convent, tucked away within the complex, provides a poignant reminder of the project's humble beginnings – a space where monks once lived and prayed. But perhaps the most captivating area is the Grand Library, a haven for literary enthusiasts and scholars alike. Housing approximately 30,000 rare books, it’s a sanctuary of knowledge, its walls lined with volumes that represent centuries of human thought and creativity. The library itself is an architectural marvel, showcasing meticulously crafted woodwork and providing a serene atmosphere conducive to contemplation – a space designed for quiet study and the pursuit of wisdom. The surrounding gardens offer a tranquil escape, showcasing meticulously manicured landscapes and elegant fountains—a testament to the royal family’s appreciation for beauty and leisure.

    Highlights & Unique Features

    Basilica with six historical organs:

    These magnificent instruments are not just musical masterpieces but also integral components of the palace's sonic landscape.

    Grand Library (30,000 books):

    A sanctuary of knowledge housing a vast collection of rare and valuable texts.

    Convent:

    Offers a glimpse into monastic life during the 18th century.

    Gardens:

    Meticulously landscaped with elegant fountains – a testament to royal leisure and appreciation for beauty.

    Tapada National Hunting Park:

    A vast protected area surrounding the palace, offering opportunities for connection with Portugal’s diverse flora and fauna.

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    QR-kode som lenker til nedlastingssiden for St. Elijah

    originaluniqueart.com/no/art/download/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/

    Kildehenvisning for dette kunstverket

    MLA
    (1691-1760), carlo monaldi. St. Elijah. 1731, Palácio Nacional de Mafra. https://originaluniqueart.com/no/art/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/
    APA
    (1691-1760), carlo monaldi (1731). St. Elijah [Painting]. Palácio Nacional de Mafra. https://originaluniqueart.com/no/art/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/
    Chicago
    carlo monaldi (1691-1760). St. Elijah. 1731. Palácio Nacional de Mafra. https://originaluniqueart.com/no/art/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/
    Harvard
    (1691-1760), carlo monaldi (1731) St. Elijah. Palácio Nacional de Mafra. Available at: https://originaluniqueart.com/no/art/carlo-monaldi-1691-1760-st-elijah-D8GDF3-en/

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    St. Elijah — carlo monaldi (1691-1760)

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Statue of Saint Isaiah (detail) (1732), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. carlo monaldi (1691-1760) var omtrent 40 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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