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Olive Terraces

Navn Klasse Dato

Barbara Rae, Olive Terraces (1990), The Scottish Government. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Barbara Rae originaluniqueart.com/no/artists/barbara-rae/
Kunstnerens levetid
1943 –
Malt
1990
Opprinnelig størrelse
85 x 114 cm
Arrangert på
The Scottish Government originaluniqueart.com/no/museums/the-scottish-government-edinburgh/

I sammenheng med

Olive Terraces — Barbara Rae

Dimensjoner

Originalen måler 85 × 114 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 47. 1 av de 5 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1990 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/barbara-rae-olive-terraces-AQZRGM-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Bronze #aa8817

    Lagret palett

    • #AA8817
    • #282626
    • #AEA473
    • #6C4F26

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Dark Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Bronze
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Barbara Rae i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av Barbara Rae

    1. 1 Almonds, Ojén 100.0%
    2. — Olive Terraces, 1990 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 7 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Barbara Rae

    Født i Falkirk, United Kingdom

    A Symphony of Color and Landscape

    Barbara Rae, born in the rugged landscapes of Falkirk in 1943, stands as a luminous figure in contemporary British art. Her creative identity is deeply rooted in the textures and rhythms of the natural world, an appreciation fostered during her formative years in the Scottish Highlands. Before she ever picked up a brush to redefine the landscape, Rae worked as a grouse-beater, an experience that provided her with an intimate, visceral connection to the geography of Scotland. This early immersion in the wild, untamed beauty of the north would later become the heartbeat of her work, allowing her to translate the raw essence of terrain into a sophisticated language of abstract expressionism and meticulous observation.

    Her formal artistic evolution began at the Edinburgh College of Art between 1961 and 1965, where she mastered the foundational techniques that would later serve as the scaffolding for her experimental explorations. Seeking to expand her visual vocabulary beyond the borders of Scotland, Rae embarked on transformative journeys through France and Spain. These travels were far more than mere sightseeing; they were profound aesthetic encounters that introduced her to a broader spectrum of light and palette. The vibrant, sun-drenched hues of the Mediterranean and the diverse textures of European landscapes became integral components of her oeuvre, infusing her compositions with a dynamic energy that bridges the gap between the familiar Scottish scenery and a more universal, abstract sense of place.

    The Evolution of Vision and Technique

    As Rae’s career progressed, her work transitioned into a masterful fusion of color field painting and layered abstraction. She developed a unique ability to capture the ephemeral qualities of light and atmosphere, often using bold, saturated colors to evoke the emotional weight of a landscape rather than its literal form. Her paintings are characterized by a sense of movement and depth, where layers of pigment seem to breathe with the vitality of the earth itself. This is evident in works such as Christmas – Ronda, where she utilizes vibrant textures and dynamic color to create an evocative, abstract expressionist vision of the Spanish landscape.

    Her technical prowess extends into the realm of printmaking, a medium that allows her to further explore the interplay of shape and space. Whether capturing the serene, sunset-drenched moments of Lammermuir – Winter or the ethereal, shifting tones found in Winter Light, Lammermoor, Rae’s work remains a testament to her ability to find the extraordinary within the elemental. Her compositions often rely on a delicate balance of heavy, textured applications and translucent washes, creating a rhythmic complexity that mirrors the geological layers of the landscapes she depicts.

    Legacy and Artistic Contribution

    Beyond her personal creative output, Barbara Rae has left an indelible mark on the landscape of British art education and institutional recognition. Her tenure as a lecturer at prestigious institutions, including the Glasgow School of Art from 1975 to 1996, allowed her to shape the perspectives of a new generation of artists, passing on her commitment to both technical rigor and experimental freedom. This dedication to the craft was mirrored by her rising status within the professional art community, marked by her ascent through the ranks of the Royal Scottish Academy, moving from an associate membership in 1980 to full recognition.

    The significance of Rae’s work lies in its ability to transcend simple representation. She does not merely paint a place; she paints the feeling of being within it. Through her mastery of color and form, she has created a body of work that serves as a bridge between the tangible geography of Scotland and Spain and the intangible realms of memory and emotion. Her legacy is one of profound visual storytelling, where every brushstroke contributes to a larger, symphonic exploration of the natural world's enduring beauty.

    Museum

    The Scottish Government

    Utstilt på Edinburgh, United Kingdom

    About The Scottish Government

    Explore the heart of Scotland’s governance and heritage at The Scottish Government in Edinburgh. This unique institution offers a fascinating insight into the nation's past, present, and future through compelling exhibits and displays.

    Specializations & Collections

    Political History:

    Delve into the evolution of Scottish politics, from pre-Union governance to the modern devolved parliament.

    Devolution & Governance:

    Understand the process and impact of devolution on Scotland’s political landscape.

    Scottish Law & Legislation:

    Discover key aspects of Scotland's legal system and legislative processes.

    National Heritage:

    Explore exhibits showcasing Scotland’s rich cultural heritage and national identity.

    History

    The story of governance in Scotland stretches back centuries. Prior to the 1707 Treaty of Union, the Kingdom of Scotland was governed by a Privy Council and Parliament. The signing of the treaty led to the integration of the Scottish Parliament into the Parliament of Great Britain. In 1999, following a referendum on devolution, the Scottish Executive (now the Scottish Government) was formed, marking a new era of self-governance for Scotland.

    Notable Aspects & Uniqueness

    Unique Perspective:

    Offers an insider’s view into the workings of the Scottish government and its impact on daily life.

    Historical Significance:

    Located in Edinburgh, a city steeped in history, the museum provides context to Scotland's political journey.

    Educational Value:

    Provides valuable insights for students, researchers, and anyone interested in Scottish politics and culture.

    Architecture & Location

    The Scottish Government is headquartered at St Andrew's House in Edinburgh. While the building itself isn’t traditionally a museum space, exhibits are integrated within its governmental setting, offering a unique experience for visitors. Its central location on the Royal Mile makes it easily accessible and part of Edinburgh’s historic core.

    Visitor Information

    The Scottish Government offers a compelling and informative experience for those seeking to understand Scotland's political history and contemporary governance. It is a must-visit destination for anyone interested in the nation’s past, present, and future.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Olive Terraces

    originaluniqueart.com/no/art/download/barbara-rae-olive-terraces-AQZRGM-en/

    Kildehenvisning for dette kunstverket

    MLA
    Rae, Barbara. Olive Terraces. 1990, The Scottish Government. https://originaluniqueart.com/no/art/barbara-rae-olive-terraces-AQZRGM-en/
    APA
    Rae, Barbara (1990). Olive Terraces [Painting]. The Scottish Government. https://originaluniqueart.com/no/art/barbara-rae-olive-terraces-AQZRGM-en/
    Chicago
    Barbara Rae. Olive Terraces. 1990. The Scottish Government. https://originaluniqueart.com/no/art/barbara-rae-olive-terraces-AQZRGM-en/
    Harvard
    Rae, Barbara (1990) Olive Terraces. The Scottish Government. Available at: https://originaluniqueart.com/no/art/barbara-rae-olive-terraces-AQZRGM-en/

    Se nærmere etter

    Olive Terraces — Barbara Rae

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Christmas – Ronda (1991), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Barbara Rae var omtrent 47 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan "Olive Terraces" av Barbara Rae, som er en del av samlingen til The Scottish Government, reproduseres lovlig?

    Originalen av "Olive Terraces" befinner seg hos The Scottish Government, og verket er fortsatt beskyttet av opphavsrett.

    Er "Olive Terraces" av Barbara Rae et lyst eller mørkt kunstverk?

    Når det gjelder oppfattet lysstyrke, er "Olive Terraces" av Barbara Rae balanced.

    Kan jeg undersøke "Olive Terraces" mer detaljert?

    Røntgen-siden til "Olive Terraces" av Barbara Rae er en interaktiv visning som lar deg bla gjennom elleve optiske lag av kunstverkets bilde, inkludert en visning i røntgenstil.