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Anton Refregier, First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) (1938). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Anton Refregier originaluniqueart.com/no/artists/anton-refregier/
Kunstnerens levetid
1905 – 1979
Malt
1938
Opprinnelig størrelse
51 x 38 cm

I sammenheng med

First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) — Anton Refregier

Hvor stort er det?

Originalen måler 51 × 38 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 74 ved død.

Malt da kunstneren var 33. Kunstneren ble 74 år gammel. 0 av de 3 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Anton Refregier (1905–1979) ▲ dette verket, 1938 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Khaki #ecd899

    Katalogisert palett

    • #ECD899
    • #94855F
    • #D6BE7B
    • #1A1510

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Khaki
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Anton Refregier i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 90.0%
    2. 2 United States of America 10.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 7 mest viste verkene av Anton Refregier

    1. 1 History of San Francisco mural Beating the Chinese by at Rincon Annex Post Office located near the Embarcadero at 101 Spear Street, San Francisco, California, 2012 36.4%
    2. 2 Untitled (AQRPGT), 2012 18.2%
    3. 3 Untitled (AQRPGM), 2012 18.2%
    4. 4 for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man, 1957 9.1%
    5. 5 Untitled (AQRPGV), 2012 9.1%
    6. 6 Untitled (AQRPGZ), 2012 9.1%
    7. — First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building), 1938 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 17 verk av denne kunstneren, hvorav 6 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Anton Refregier

    A Visionary of Social Realism and San Francisco’s History

    Anton Refregier stands as a monumental figure in the tapestry of American art history, a painter whose brushstrokes captured the very soul and struggle of a nation in transition. Born in Moscow on March 20, 1905, Refregier’s journey was one of profound migration and cultural synthesis. Emigrating to the United States in 1920, he brought with him a perspective shaped by the vastness of his origins and a hunger for the artistic possibilities of his adopted home. His early years were defined by a rigorous pursuit of mastery, beginning with a transformative scholarship to the Rhode Island School of Design in 1921. This formal training provided him with a classical foundation, yet it was his later encounters with the avant-garde that would truly ignite his creative spirit.

    The trajectory of Refregier’s career was marked by an extraordinary ability to blend meticulous craftsmanship with the raw, emotive power of modern movements. In New York City during the mid-1920s, he honed a delicate skill for replicating the works of masters such as François Boucher and Jean-Honoré Fragonard, an endeavor that instilled in him a deep reverence for artistic heritage. However, his 1927 travels to Munich introduced him to the burgeoning influences of Abstract Expressionism under the legendary mentorship of Hans Hofmann. This exposure to more fluid, expressive forms allowed Refregier to expand his stylistic horizons, ensuring that even his most grounded social realist works possessed a dynamic, modern vitality.

    The Pulse of the Great Depression and the WPA

    As the shadows of the Great Depression descended upon America, Refregier’s art found its true purpose. Living within the Mount Airy Artists' Colony in Croton-on-Hudson, he became a witness to the widespread hardships of the era. This period of economic upheaval deeply informed his humanist philosophy; he famously observed that as people grew poorer in possessions, they became poorer in their ability to enjoy life. This empathy for the common man became the heartbeat of his work. Through the auspices of the Works Progress Administration (WPA) Federal Art Project, Refregier found a platform to translate these societal struggles into large-scale narratives that demanded public attention.

    His involvement with the WPA allowed him to move beyond the canvas and onto the walls of the American landscape. His work during this time was characterized by Social Realism, a movement dedicated to portraying everyday life and systemic injustices with unflinching accuracy. He eschewed the comforts of romanticized imagery, choosing instead to present scenes of labor, displacement, and community strength. This commitment to truth-telling through art solidified his reputation as an artist who did not merely observe history but actively participated in its documentation.

    The Legacy of the Rincon Center Murals

    Perhaps Refregier’s most enduring achievement is the monumental mural series, The History of San Francisco. Commissioned in 1941 and executed between 1940 and 1948, this sprawling epic consists of twenty-seven panels located within the Rincon Annex Post Office. Using casein tempera on white gesso over plaster, Refregier created a visceral narrative that spans centuries of the city's complex evolution. The scale of the work—covering over 2,457 square feet—is matched only by its emotional depth and historical bravery.

    The murals are celebrated for their stark honesty, particularly in their depiction of San Francisco’s fraught relationship with marginalized communities. One of the most poignant and unsettling panels portrays the 1877 anti-Chinese Sand Lot riots, capturing a moment of intense violence and injustice with a muted palette of browns, grays, and ochres. Yet, within this grit, Refregier utilized strategic bursts of red and yellow to punctuate moments of profound symbolic significance. This series was not without controversy; in the 1950s, it faced congressional scrutiny over themes deemed inconsistent with certain American ideals, yet the murals survived as a testament to the artist's courage.

    Refregier’s life and work represent a bridge between the classical traditions of Europe and the gritty, democratic spirit of mid-century America. His ability to weave together personal experience, historical record, and social critique ensures that his legacy remains as vibrant and essential today as it was during the height of the WPA era.

    Les mer her

    • Kunstneren Anton Refregier originaluniqueart.com/no/artists/anton-refregier/
    • Lignende verk Flere verk å sammenligne med originaluniqueart.com/no/art/similar/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)

    originaluniqueart.com/no/art/download/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Kildehenvisning for dette kunstverket

    MLA
    Refregier, Anton. First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). 1938, https://originaluniqueart.com/no/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    APA
    Refregier, Anton (1938). First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) [Painting]. https://originaluniqueart.com/no/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    Chicago
    Anton Refregier. First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). 1938. https://originaluniqueart.com/no/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    Harvard
    Refregier, Anton (1938) First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). Available at: https://originaluniqueart.com/no/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Se nærmere på

    First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) — Anton Refregier

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på History of San Francisco mural Beating the Chinese by at Rincon Annex Post Office located near the Embarcadero at 101 Spear Street, San Francisco, California (2012), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Anton Refregier var omtrent 33 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Finnes det verk som ligner på "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)"?

    Verker som ligner på "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" er oppført på verkets Lignende verk-side.

    Er "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" av Anton Refregier i det frie domene (public domain), og hvorfor?

    Opphavsrettslig status for "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" – fortsatt beskyttet av opphavsretten – følger av kunstnerens dødsår, 1979.

    Kan jeg bruke utvidet virkelighet (AR) for å se "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" av Anton Refregier i mitt eget rom?

    Siden for Se i AR av "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" av Anton Refregier bruker utvidet virkelighet (AR) for å vise kunstverket i ditt eget rom på en kompatibel enhet.