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En Crinoline

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Alice Pike Barney, En Crinoline (1915). Fri for opphavsrett.

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Kunstner
Alice Pike Barney originaluniqueart.com/no/artists/alice-pike-barney_no/
Kunstnerens levetid
1857 – 1931
Malt
1915

I sammenheng med

En Crinoline — Alice Pike Barney

Når ble dette malt?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Skyggelagt: livsløpet til Alice Pike Barney (1857–1931) ▲ dette verket, 1915

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/alice-pike-barney-en-crinoline-8XXAUK-en/

Fargepalett

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    Espresso #494e3c

    Lagret palett

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    Navn på hovedfarge
    Espresso
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Alice Pike Barney

    Født i Cincinnati, USA

    A Defiant Bloom: The Life and Art of Alice Pike Barney

    Alice Pike Barney, en pionerende amerikansk Symbolistisk maler og D.C.-salonnière, utfordret konvensjonene, fremmet kunsten og skapte et pulserende kulturliv. Hun representerte en ny generasjon kvinner som omfavnet frihet og kreativitet i en tid da samfunnets forventninger var sterke. Født i Cincinnati i 1857 til Samuel Napthali Pike, en kulturell støttespiller som eide Pike’s Opera House, og Ellen Pike, ble hun omgitt av en atmosfære som verdsette kunsten fra barnsben av. Denne tidlige eksponeringen ville vise seg å være avgjørende, selv om hennes vei til å bli en anerkjent kunstner ikke var umiddelbar eller enkel. Opprinnelig bestemt til et konvensjonelt liv, ble et brutt ekteskap med utforsker Henry Morton Stanley veien for et bryllskap med Albert Clifford Barney. Det var imidlertid en tilfeldig møte med Oscar Wilde under en sommerferie på Long Beach Hotel i 1882 som tenkte hennes lidenskap – et ønske om å skape, uttrykke seg og utfordre begrensningene som ble pålagt kvinner i hennes tidsalder. Denne samtalen fungerte som en katalysator, og drev henne mot et liv dedikert til kunstnerisk innsats til tross for innledende betenkeligheter fra mannen hennes og de dominerende sosiale normene.

    Parisian Refinement and the Embrace of Symbolism

    Driven by this newfound artistic fervor, Barney embarked on formal training in Paris, immersing herself in the vibrant artistic currents of the late 19th century. She studied under Charles Émile Auguste Carolus-Duran, a master portraitist renowned for his rich color palettes and dynamic compositions. Later, she sought guidance from James Abbott McNeill Whistler, whose emphasis on aestheticism and tonal harmony profoundly influenced her style. These influences coalesced into an artistic vision leaning towards Symbolism – a movement that prioritized expressing ideas and emotions through evocative imagery rather than literal representation. Her early works reflected this blend of realism and symbolic elements, often featuring portraits and landscapes imbued with a sense of mystery and introspection. Returning to the United States, Barney navigated the complexities of marriage while simultaneously striving to establish her artistic voice in a society that frequently relegated women to domestic roles. She found herself balancing societal expectations with an increasingly urgent need for self-expression, a tension that would define much of her creative journey. The influence of Whistler’s focus on color and form is particularly evident in the subtle gradations and atmospheric effects present in many of her landscapes.

    A Salonnière and Patron of the Arts in Washington D.C.

    Alice Pike Barney quickly became renowned for her vibrant salon life in Washington D.C., transforming her home into a haven for artists, writers, political figures, and intellectuals. This gathering place fostered lively discussions, artistic collaborations, and a spirit of intellectual exchange. She actively cultivated an environment where creativity flourished, becoming a central figure in the city’s burgeoning art scene. Beyond her own painting, Barney demonstrated remarkable versatility, extending her creative energies into theatrical productions. She wrote, directed, and produced plays – most notably The Enchantress of Streams, a “wordless Greek idyll” showcasing her innovative approach to performance. This commitment extended beyond artistic creation; she designed and built Studio House, an architectural embodiment of her vision for a dedicated artistic hub. It was intended as a space where artists could live, work, and exhibit their creations, solidifying Barney’s role not only as an artist but also as a passionate patron of the arts. The studio became a nexus point for Washington's cultural elite, attracting figures like former presidents Taft and Roosevelt, alongside countless other prominent individuals. Her salon was legendary for its intellectual stimulation and artistic atmosphere, drawing together some of America’s most influential minds.

    Legacy and Lasting Influence

    Alice Pike Barney’s contributions extended far beyond the realm of art; she was a vocal advocate for women’s suffrage and actively engaged in philanthropic endeavors, demonstrating her commitment to social progress. Her life itself became a testament to the “New Woman” archetype – embodying independence, intellectual curiosity, and artistic expression. She challenged societal norms by pursuing a professional career while navigating the complexities of marriage and motherhood, paving the way for future generations of female artists. Notable works like In Shadow (1910) and Natalie at Seven, a tender portrait capturing childhood innocence, remain poignant examples of her artistic skill and sensitivity. Her paintings are now part of prestigious collections, including the Smithsonian American Art Museum, ensuring her legacy endures. Barney’s influence resonates not only through her artwork but also through her unwavering dedication to fostering creativity and challenging societal expectations. She died in Los Angeles in 1931, leaving behind a rich tapestry of artistic achievement, cultural influence, and unwavering dedication to the power of creative expression. Her story serves as an inspiration, reminding us of the importance of pursuing one’s passions and breaking down barriers to create a more inclusive and vibrant world.

    Family and Connections

    Daughters: Alice Pike Barney was the mother of two remarkable daughters who also left their mark on history: Natalie Clifford Barney, a renowned writer and salon hostess celebrated for her literary gatherings in Paris, and Laura Clifford Barney, a Baháʼí writer and philanthropist known for compiling Some Answered Questions from interviews with ʻAbdu’l-Bahá.

    Husbands: Her first marriage to Albert Clifford Barney provided the financial stability that allowed her to pursue her artistic ambitions. After his death, she married Christian Hemmick, a relationship that ultimately ended in divorce.

    Artistic Circle: Barney’s connections extended to prominent figures like James Abbott McNeill Whistler and Oscar Wilde, both of whom profoundly influenced her artistic development and worldview.

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    originaluniqueart.com/no/art/download/alice-pike-barney-en-crinoline-8XXAUK-en/

    Kildehenvisning for dette kunstverket

    MLA
    Barney, Alice Pike. En Crinoline. 1915, https://originaluniqueart.com/no/art/alice-pike-barney-en-crinoline-8XXAUK-en/
    APA
    Barney, Alice Pike (1915). En Crinoline [Painting]. https://originaluniqueart.com/no/art/alice-pike-barney-en-crinoline-8XXAUK-en/
    Chicago
    Alice Pike Barney. En Crinoline. 1915. https://originaluniqueart.com/no/art/alice-pike-barney-en-crinoline-8XXAUK-en/
    Harvard
    Barney, Alice Pike (1915) En Crinoline. Available at: https://originaluniqueart.com/no/art/alice-pike-barney-en-crinoline-8XXAUK-en/

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    En Crinoline — Alice Pike Barney

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på The Field (1922), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Alice Pike Barney var omtrent 58 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
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