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'Rigid 26'

Navn Klasse Dato

Alfred Egerton Cooper, 'Rigid 26' (1918). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Alfred Egerton Cooper originaluniqueart.com/no/artists/alfred-egerton-cooper_no/
Kunstnerens levetid
1883 – 1974
Malt
1918
Opprinnelig størrelse
91 x 61 cm

I sammenheng med

'Rigid 26' — Alfred Egerton Cooper

Hvor stort er det?

Originalen måler 91 × 61 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 91 ved død.

Malt da kunstneren var 35. Kunstneren ble 91 år gammel. 2 av de 16 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Alfred Egerton Cooper (1883–1974) ▲ dette verket, 1918 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1918 Hovedvirksomhetsår: 1918–1937 Senere verk: fra 1937

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

  • Sir Gerald Dodson originaluniqueart.com/no/art/alfred-egerton-cooper-sir-gerald-dodson-AQVANM-en/
  • T. R. Wood originaluniqueart.com/no/art/alfred-egerton-cooper-t-r-wood-AQVANX-en/
  • Sir Barnes Wallis (1887–1979) originaluniqueart.com/no/art/alfred-egerton-cooper-sir-barnes-wallis-1887-1979-AQVANH-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/alfred-egerton-cooper-rigid-26-AQVAMD-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #b19583

    Katalogisert palett

    • #B19583
    • #5F5859
    • #CCAF96
    • #8E827B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Alfred Egerton Cooper i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%1500 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 12 mest viste verkene av Alfred Egerton Cooper

    1. 1 T. R. Wood 18.8%300 visits
    2. 2 The Pool of London, 1913 12.5%200 visits
    3. 3 Reverend Richard Lee, Headmaster 12.5%200 visits
    4. 4 Lighting Up Time, 1937 12.5%200 visits
    5. 5 HRH Henry Duke of Gloucester Receiving His Charge as President, 14 April 1937, 1937 6.2%100 visits
    6. 6 Dorset Landscape 6.2%100 visits
    7. 7 Frances Evelyn (1861–1938), Countess of Warwick (copy after John Singer Sargent), 1954 6.2%100 visits
    8. 8 The First Snow, from the NS8 Airship over the Lammermuirs, 1918 6.2%100 visits
    9. 9 Ascot, the Paddock 6.2%100 visits
    10. 10 Group Captain Clair Grece, DFC, MA (Oxon), 1945 6.2%100 visits
    11. 11 Sir Oliver Lodge (1851–1940) 6.2%100 visits
    12. — 'Rigid 26', 1918 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 99.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 27 verk av denne kunstneren, hvorav 11 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Alfred Egerton Cooper

    Alfred Egerton Cooper: A Traditionalist Capturing a Changing Era

    Alfred Egerton Cooper (1883-1974) was more than just a British painter; he was a meticulous observer of his time, a steadfast traditionalist who navigated the tumultuous shifts of the 20th century with an unwavering commitment to established artistic principles. Born in Tettenhall, Staffordshire, into a family steeped in both art and industry – his father a railway clerk and political agent – Cooper’s early life instilled within him a respect for detail, observation, and a quiet dignity that would profoundly shape his artistic vision. His formal training at the Royal Academy Schools and subsequent studies with John Singer Sargent provided him with a solid foundation in technique, but it was his independent spirit and dedication to mastering the classical methods of portraiture and landscape painting that truly defined his legacy.

    Cooper’s early career unfolded during the vibrant years following World War I. He quickly established himself as a skilled portraitist, capturing the likenesses of prominent figures – from members of the Royal Family to notable politicians and military leaders. His portraits weren't merely technical exercises; they were imbued with a sense of character, revealing the personalities beneath the formal facades. The influence of Sargent is evident in his careful attention to light and shadow, his ability to convey subtle nuances of expression, and his preference for a refined, almost understated elegance. However, Cooper never fully embraced the radical experimentation that characterized much of the art world at the time. He remained firmly rooted in the traditions of academic painting, prioritizing accuracy, realism, and a deep understanding of anatomy and composition.

    Early Influences: Beyond Sargent, Cooper’s artistic development was subtly shaped by his family history – his maternal grandparents were involved in the ironworks industry, fostering an appreciation for craftsmanship and detail.

    The War Years: The First World War proved a pivotal period. Serving as an artist in the Artists' Rifles and later as an official war artist for the Royal Air Force, Cooper witnessed firsthand the dramatic changes sweeping across Britain. This experience profoundly impacted his work, leading to a series of evocative paintings depicting airships – symbols of both technological advancement and the anxieties of a rapidly modernizing world.

    King George VI & Winston Churchill: Two portraits stand out as particularly significant achievements: his depiction of King George VI and, perhaps more famously, his portrait of Winston Churchill. The latter was painted during a period when Churchill’s personality was notoriously difficult to capture – requiring multiple sittings and meticulous observation. Cooper's ability to convey Churchill’s formidable presence and complex character is a testament to his skill as a portraitist.

    A Landscape Painter of Quiet Observation

    While best known for his portraits, Cooper was also a capable landscape painter. His landscapes, often set in the English countryside, are characterized by a similar attention to detail and a restrained palette as his portraits. Unlike many of his contemporaries who embraced Impressionism’s fleeting effects of light and color, Cooper favored a more traditional approach – meticulously rendering textures, forms, and atmospheric conditions with a precise hand. His landscapes aren't dramatic or emotionally charged; instead, they offer quiet glimpses into the beauty of the natural world, inviting the viewer to contemplate the subtle details of rural life.

    His work during this period reflects the changing social landscape of Britain – the rise of air travel, the increasing prominence of technology, and the growing awareness of global events. Cooper’s paintings serve as a visual record of these transformations, capturing both the tangible changes in the physical environment and the shifting attitudes of British society. He wasn't overtly political, but his work subtly reflects the anxieties and aspirations of an era grappling with rapid modernization.

    Technique and Style

    Cooper’s artistic style can be described as a refined blend of academic tradition and personal expression. His portraits are characterized by their meticulous realism, precise draughtsmanship, and subtle use of color. He employed a layering technique, building up the image gradually with thin washes of paint, creating a sense of depth and luminosity. His landscapes similarly demonstrate his mastery of technique – carefully observed details, balanced compositions, and a restrained palette contribute to an atmosphere of quiet contemplation.

    Despite his adherence to traditional methods, Cooper was not immune to the influences of his time. He experimented with different mediums and techniques throughout his career, adapting his style to suit the subject matter and the demands of the market. However, he always remained true to his core principles – prioritizing accuracy, realism, and a deep understanding of artistic form.

    Legacy and Historical Significance

    Alfred Egerton Cooper’s legacy lies not in revolutionary innovation but in his steadfast commitment to traditional values. He was a painter who understood the importance of craftsmanship, observation, and a respect for established artistic principles. His portraits and landscapes offer valuable insights into the social and cultural landscape of Britain during the 20th century – capturing the personalities, events, and anxieties of an era marked by rapid change. His works are held in numerous public collections, including the National Portrait Gallery and the Imperial War Museum, ensuring that his contribution to British art continues to be appreciated for generations to come.

    Cooper’s career spanned over six decades, witnessing significant shifts in artistic trends and social attitudes. He remained a constant figure in the British art world, respected by his peers and admired by collectors. His paintings serve as a reminder of the enduring power of traditional techniques and the importance of capturing the essence of human experience with honesty and skill.

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    QR-kode som lenker til nedlastingssiden for 'Rigid 26'

    originaluniqueart.com/no/art/download/alfred-egerton-cooper-rigid-26-AQVAMD-en/

    Kildehenvisning for dette kunstverket

    MLA
    Cooper, Alfred Egerton. 'Rigid 26'. 1918, https://originaluniqueart.com/no/art/alfred-egerton-cooper-rigid-26-AQVAMD-en/
    APA
    Cooper, Alfred Egerton (1918). 'Rigid 26' [Painting]. https://originaluniqueart.com/no/art/alfred-egerton-cooper-rigid-26-AQVAMD-en/
    Chicago
    Alfred Egerton Cooper. 'Rigid 26'. 1918. https://originaluniqueart.com/no/art/alfred-egerton-cooper-rigid-26-AQVAMD-en/
    Harvard
    Cooper, Alfred Egerton (1918) 'Rigid 26'. Available at: https://originaluniqueart.com/no/art/alfred-egerton-cooper-rigid-26-AQVAMD-en/

    Se nærmere på

    'Rigid 26' — Alfred Egerton Cooper

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Sir Gerald Dodson, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Alfred Egerton Cooper var omtrent 35 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Bruker "'Rigid 26'" av Alfred Egerton Cooper sterke kontraster eller myke harmonier?

    Fargekomposisjonen i "'Rigid 26'" av Alfred Egerton Cooper forener en Serene kontrast med en Strong Color Unity harmoni.

    Hvilken kunstner kan "'Rigid 26'" tilskrives?

    "'Rigid 26'" tilskrives Alfred Egerton Cooper.

    Hvem er opphavspersonen til "'Rigid 26'", og hvilket år ble det laget?

    Kunstneren bak "'Rigid 26'" er Alfred Egerton Cooper, og verket er fra 1918.