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Starling's Nest

Navn Klasse Dato

abel hold, Starling's Nest (1879). Fri for opphavsrett.

Fakta om verket

Kunstner
abel hold originaluniqueart.com/no/artists/abel-hold/
Kunstnerens levetid
1815 – 1891
Malt
1879
Opprinnelig størrelse
25 x 30 cm

I sammenheng med

Starling's Nest — abel hold

Dimensjoner

Originalen måler 25 × 30 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Skyggelagt: livsløpet til abel hold (1815–1891) ▲ dette verket, 1879

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: originaluniqueart.com/no/art/similar/abel-hold-starling-s-nest-AQTTPS-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #1a2a20

    Lagret palett

    • #1A2A20
    • #C1C3A2
    • #8B825D
    • #5C4E30
    Navn på hovedfarge
    Phthalo Green
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    abel hold

    Abel Hold: A Yorkshire Painter of Nature’s Soul

    Abel Hold (1815-1896), a largely unsung figure of 19th-century British art, possessed a remarkable talent for capturing the essence of the natural world. Born in Alverthorpe, a small village near Wakefield, Yorkshire, his artistic journey began not with formal training but through a deep connection to the landscapes and wildlife surrounding him. Hold’s life was one of quiet dedication, marked by a self-taught approach and a profound respect for the subjects he depicted – animals, game birds, and the evocative scenery of West Yorkshire.

    Early in his career, Hold worked as a house painter and decorator, skills that undoubtedly informed his meticulous observation of detail and his understanding of color. However, it was his passion for depicting the natural world that truly defined his artistic output. He wasn’t merely recording scenes; he sought to convey the spirit and character of each subject, imbuing his paintings with a sense of life and immediacy. His work reflects a Romantic sensibility – an appreciation for beauty, a fascination with nature's power, and a yearning for connection with the wild.

    The Cawthorne Years: Patronage and Artistic Flourishing

    A pivotal moment in Hold’s career arrived through his acquaintance with Walter Spencer-Stanhope, the owner of Cannon Hall Estate. Recognizing Hold’s talent, Spencer-Stanhope became a generous patron, providing him with a studio and access to subjects for his paintings. This patronage allowed Hold to dedicate himself fully to his art, fostering a period of intense creative activity. The estate's extensive grounds offered an unparalleled source of inspiration – from the rolling hills and woodlands to the abundant wildlife.

    Hold’s connection with Cannon Hall extended beyond mere financial support; it fostered a shared appreciation for the natural world. He meticulously documented the estate’s flora and fauna, creating a rich visual record of its diverse ecosystem. His paintings of game birds – pheasants, partridges, and grouse – are particularly celebrated for their realism and sensitivity to the animals' behavior. He wasn’t simply rendering appearances; he captured the essence of these creatures in motion, conveying their alertness, grace, and inherent wildness.

    Technique and Materials: A Painter of Simplicity

    Hold’s artistic style was characterized by a directness and simplicity that belied his deep understanding of technique. He eschewed elaborate ornamentation or dramatic compositions, instead focusing on capturing the essential qualities of his subjects with clarity and precision. His brushwork was often loose and expressive, conveying texture and movement with subtle variations in tone and color.

    Notably, Hold developed his own pigments, grinding river pebbles for ochre, umber, and sienna – a testament to his resourcefulness and intimate connection with the landscape. This practice not only provided him with a unique palette but also reinforced his understanding of materials and their interaction with light. His paintings often possess a remarkable luminosity, achieved through careful layering of color and a sensitivity to atmospheric effects.

    Legacy and Recognition

    Despite his considerable talent, Abel Hold remained largely unknown during his lifetime. He was a working artist, content to pursue his passion without seeking fame or fortune. It wasn’t until decades after his death that his work began to receive wider recognition. The Cawthorne 1790-1990 booklet and later exhibitions highlighted the significance of his contributions to Yorkshire art. Today, Abel Hold is increasingly appreciated as a skilled naturalist painter who captured the beauty and spirit of the West Yorkshire landscape with remarkable sensitivity and insight.

    His paintings are now housed in collections such as the Scottish National Portrait Gallery (where a portrait of Jonas Beaumont hangs), and private collections, offering a glimpse into the life and work of an artist whose quiet dedication and profound connection to nature continue to resonate today. Abel Hold’s legacy lies not only in his beautiful paintings but also in his embodiment of a simpler, more contemplative approach to art – one rooted in observation, respect for the natural world, and a deep appreciation for its enduring beauty.

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    QR-kode som lenker til nedlastingssiden for Starling's Nest

    originaluniqueart.com/no/art/download/abel-hold-starling-s-nest-AQTTPS-en/

    Kildehenvisning for dette kunstverket

    MLA
    hold, abel. Starling's Nest. 1879, https://originaluniqueart.com/no/art/abel-hold-starling-s-nest-AQTTPS-en/
    APA
    hold, abel (1879). Starling's Nest [Painting]. https://originaluniqueart.com/no/art/abel-hold-starling-s-nest-AQTTPS-en/
    Chicago
    abel hold. Starling's Nest. 1879. https://originaluniqueart.com/no/art/abel-hold-starling-s-nest-AQTTPS-en/
    Harvard
    hold, abel (1879) Starling's Nest. Available at: https://originaluniqueart.com/no/art/abel-hold-starling-s-nest-AQTTPS-en/

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    Starling's Nest — abel hold

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Nest of a Blackbird (1883), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. abel hold var omtrent 64 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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