Portrett av William Henry Margetson

De 55 mest kjente maleriene av William Henry Margetson, et gallerivalg

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 55 verk av William Henry Margetson i vår katalog

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Av alle originalverkene William Henry Margetson etterlot seg, er det mest kjente At The Cottage Door. Like bak følger The Seashore og The Morning Walk (1900). Vår katalog inneholder 55 verk av William Henry Margetson; galleriet har bevart de 55 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1861 – 1940, Denmark Hill Romanticism Flest verk: Art Gallery of New South Wales
At The Cottage Door av William Henry Margetson1. At The Cottage Door The Seashore av William Henry Margetson2. The Seashore The Morning Walk (1900) av William Henry Margetson3. The Morning Walk 1900

William Henry Margetsons topp 10 malerier: galleriets utvalg

1
At The Cottage Door av William Henry Margetson

At The Cottage Door

Oil On Canvas

A woman stands at the threshold of a cottage, her hands resting upon the window frame. She is positioned in profile, looking out from the interior toward an unseen point beyond the glass. The scene is framed by the architectural elements of the doorway and the windowsill, which are crowded with various botanical elements. Potted plants and ceramic vases occupy the immediate foreground and the ledge, creating a layered depth…

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2
The Seashore av William Henry Margetson

The Seashore

Oil On Canvas

A woman stands where the wet sand meets the tide. The light is diffused, filtered through an overcast sky that refuses to break. She is a vertical presence against the long, horizontal bands of the sea and the heavens. Her dress flows in soft lines, mimicking the movement of the receding water. The palette is quiet, composed of muted blues, greys, and beige. There is a stillness here, a sense…

Om dette originalverket

Utvalget av William Henry Margetson fortsetter, fra 11 til 55

11The dragon sank towards him av William Henry MargetsonThe dragon sank towards him 12The Annunciation av William Henry MargetsonThe Annunciation 13Then He Climbed Quietly Down av William Henry MargetsonThen He Climbed Quietly Down 14The Golden Calf av William Henry MargetsonThe Golden Calf 15Century European Art Fa Gold av William Henry MargetsonCentury European Art Fa Gold 16Now Off You Go av William Henry MargetsonNow Off You Go 17The Egyptian Bondage av William Henry MargetsonThe Egyptian Bondage 18The laundry maid av William Henry MargetsonThe laundry maid 19Shaking With Fear She Dropped The Magic Key av William Henry MargetsonShaking With Fear She Dropped The Magic Key 20Two Young Women Seated av William Henry MargetsonTwo Young Women Seated 21Jocelyn, Bishop Of Glasgow av William Henry MargetsonJocelyn, Bishop Of Glasgow 22He Begged Her To Open The Ball With Him av William Henry MargetsonHe Begged Her To Open The Ball With Him 23Alfred Tennyson av William Henry MargetsonAlfred Tennyson 24The Execution Of James Guthrie av William Henry MargetsonThe Execution Of James Guthrie 25The Arrow Of The Lord's Deliverance av William Henry MargetsonThe Arrow Of The Lord's Deliverance 26Her Eyes Were Closed av William Henry MargetsonHer Eyes Were Closed 27She Heard A Gruff Voice Say av William Henry MargetsonShe Heard A Gruff Voice Say 28Harbingers Of Spring av William Henry MargetsonHarbingers Of Spring 29The Betrayal av William Henry MargetsonThe Betrayal 30The Fairy Godmother Touched Them With Her Wand av William Henry MargetsonThe Fairy Godmother Touched Them With Her Wand 31Paul Shipwrecked av William Henry MargetsonPaul Shipwrecked 32A Summer Evening av William Henry MargetsonA Summer Evening 33She Climbed The Stairs av William Henry MargetsonShe Climbed The Stairs 34Regent Moray Arrests His Enemies av William Henry MargetsonRegent Moray Arrests His Enemies 35Hydraulic Riveting On The Forth Bridge av William Henry MargetsonHydraulic Riveting On The Forth Bridge 36They Found Their Way Home Quite Easily av William Henry MargetsonThey Found Their Way Home Quite Easily 37George Wishart Led To Execution av William Henry MargetsonGeorge Wishart Led To Execution 38The fiery furnace av William Henry MargetsonThe fiery furnace 39Mary At The Loom av William Henry MargetsonMary At The Loom 40Elijah And His Servant Watching For Rain av William Henry MargetsonElijah And His Servant Watching For Rain 41Paterson Explaining The Darien Scheme In Edinburgh av William Henry MargetsonPaterson Explaining The Darien Scheme In Edinburgh 42A New Day av William Henry MargetsonA New Day 43Blow av William Henry MargetsonBlow 44The Princess Came To The Iron Chest av William Henry MargetsonThe Princess Came To The Iron Chest 45Do Not Cry av William Henry MargetsonDo Not Cry 46O Magic Mirror On The Wall av William Henry MargetsonO Magic Mirror On The Wall 47The trial of Adam Wallace av William Henry MargetsonThe trial of Adam Wallace 48Portrait Of Helen Hatton av William Henry MargetsonPortrait Of Helen Hatton 49Taking The Poison av William Henry MargetsonTaking The Poison 50Impmod B Fa Gold av William Henry MargetsonImpmod B Fa Gold 51Girl By A Lock av William Henry MargetsonGirl By A Lock 52A Moment's Reflection av William Henry MargetsonA Moment's Reflection 53Gardenpath av William Henry MargetsonGardenpath 54Irving - As Mephistopheles, And George Alexander av William Henry MargetsonIrving - As Mephistopheles, And George Alexander 55The sea hath its pearls (1897) av William Henry MargetsonThe sea hath its pearls1897 · Art Gallery of New South Wales

Motivene som fanget William Henry Margetsons blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Victorian era 5 verk

Century European Art Fa Gold, William Henry Margetson #15 Century European Art Fa Gold The Egyptian Bondage, William Henry Margetson #17 The Egyptian Bondage The laundry maid, William Henry Margetson #18 The laundry maid Shaking With Fear She Dropped The Magic Key, William Henry Margetson #19 Shaking With Fear She Dropped The Magic Key

Melancholy mood 3 verk

Century European Art Fa Gold, William Henry Margetson #15 Century European Art Fa Gold The laundry maid, William Henry Margetson #18 The laundry maid Shaking With Fear She Dropped The Magic Key, William Henry Margetson #19 Shaking With Fear She Dropped The Magic Key

Woman 2 verk

At The Cottage Door, William Henry Margetson #1 At The Cottage Door The Seashore, William Henry Margetson #2 The Seashore

Flowers 2 verk

Flowers Of The Field, William Henry Margetson #7 Flowers Of The Field At The Cottage Door, William Henry Margetson #1 At The Cottage Door

Museene som har William Henry Margetsons originalverk

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av William Henry Margetson Malerier fra denne listen
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 The sea hath its pearls

William Henry Margetson tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til William Henry Margetson

Hvilket verk er William Henry Margetson mest kjent for?Avslør svaret

At The Cottage Door. Deretter følger The Seashore og The Morning Walk (1900).

Hva er de ti mest kjente maleriene til William Henry Margetson?Avslør svaret

At The Cottage Door, The Seashore, The Morning Walk, The Angel appearing to the Shepherds, Marsh Marigolds, The good samaritan, Flowers Of The Field, The Brazen Serpent, Knox on his deathbed og The Sea Hath Its Pearls. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot William Henry Margetson?Avslør svaret

Vår katalog inneholder 55 verk av William Henry Margetson, datert fra 1897 til 1924.

I hvilke museer henger mesterverkene til William Henry Margetson?Avslør svaret

Hovedsakelig i Art Gallery of New South Wales (Sydney). Museumslisten ovenfor viser alle.

I hvilke år malte William Henry Margetson sine mest kjente verk?Avslør svaret

I 1900s: 2 av de 55 verkene på denne siden ble laget da, The Morning Walk av dem.

Hva er de første og de siste kjente originalverkene til William Henry Margetson?Avslør svaret

På denne siden er det eldste The sea hath its pearls (1897) og det nyeste Marsh Marigolds (1924).

Hvilke motiver valgte William Henry Margetson oftest?Avslør svaret

Victorian era (5), Melancholy mood (3) og Woman (2), fordelt på 55 verk på denne siden.

Hvilken teknikk brukte William Henry Margetson mest?Avslør svaret

Oil On Canvas, for 2 av de 55 verkene på denne siden.

Hvilken kunstretning tilhører William Henry Margetson?Avslør svaret

Romanticism og Post-impressionism, basert på originalene på denne siden.

William Henry Margetson: liv og virke

A Life Dedicated to Aesthetic Beauty: William Henry Margetson

William Henry Margetson, born in Camberwell, Surrey, in December 1861, was a painter whose career unfolded across the shifting tides of Victorian and early 20th-century British art. He wasn’t a revolutionary figure shattering conventions, but rather a dedicated craftsman who beautifully captured an era's ideals of feminine beauty and spiritual yearning. His journey began with formal training at Dulwich College, followed by studies at the prestigious Royal College of Art and the Royal Academy Schools – a path typical for aspiring artists of his time, yet one he navigated with distinct talent and sensitivity. Margetson first exhibited at the Royal Academy in 1885, marking the beginning of a consistent presence in London’s art scene over the following decades, showcasing work not only at the RA but also at the Royal Society of British Artists, the Royal Institute of Oil Painters, and the Grosvenor Gallery. This early success was cemented by winning the Armitage Medal for his studies at the Academy, a testament to his foundational skills.

From Victorian Academicism to Post-Impressionist Whispers

Initially, Margetson’s style firmly rooted itself in the academic tradition of Victorian painting. He excelled in portraiture, and it was through these depictions of women that he first garnered recognition. However, what distinguished him wasn't merely technical proficiency but a focus on capturing an *aesthetic* ideal – his subjects were often portrayed with modern hairstyles and fashionable hats, reflecting contemporary society while simultaneously embodying timeless grace. As the 19th century waned, Margetson’s artistic sensibilities began to evolve. He didn’t abandon realism entirely, but he allowed himself to be influenced by the burgeoning Post-Impressionist movement and the Pre-Raphaelites, particularly Lawrence Alma-Tadema. This shift manifested in a looser brushstroke, a more nuanced use of color, and an increasing interest in symbolic imagery. While never fully embracing radical experimentation, Margetson skillfully integrated these new influences into his existing style, creating works that bridged tradition and modernity.

The Zenith of His Career: ‘The Sea Hath Its Pearls’

‘The Sea Hath its Pearls’, exhibited at the Royal Academy in 1897, stands as Margetson's most celebrated achievement. Now residing in the Art Gallery of New South Wales, Australia, this classically decorative painting encapsulates his artistic maturity. The work is a masterful blend of Victorian elegance and symbolic depth, depicting a scene imbued with romanticism and subtle allegory. It’s not simply a beautiful image; it invites contemplation on themes of beauty, loss, and the hidden treasures within life's depths. This success wasn’t an isolated incident. Margetson also ventured into religious and allegorical subjects, demonstrating his versatility and intellectual curiosity. His ability to imbue these works with emotional resonance further solidified his reputation as a painter capable of more than just superficial beauty.

Beyond the Canvas: Illustration and Personal Life

Margetson’s talents extended beyond oil and watercolor painting; he also worked as an illustrator, contributing to various publications. This foray into illustration likely honed his skills in narrative composition and attention to detail – qualities evident in his paintings. His personal life was equally enriching. He married Helen Hatton, a fellow artist whom he met during a collaborative illustration project. They established a home first in London before relocating to the picturesque villages of Blewbury and Wallingford, Oxfordshire, where they continued their artistic pursuits. Margetson’s dedication to his craft remained unwavering throughout his life, culminating in a prolific career that spanned several decades. He passed away in Wallingford in 1940 at the age of 78, leaving behind a legacy of beautiful paintings and evocative illustrations.

A Lasting Impression: Historical Significance

While not a household name today, William Henry Margetson occupies an important niche within British art history. He represents a transitional figure – one who skillfully navigated the changing aesthetic landscape of his time. His work provides valuable insight into Victorian ideals of beauty, the influence of emerging artistic movements, and the enduring appeal of classical themes. The portrait of Alfred Tennyson he painted now held in the National Portrait Gallery is another testament to his skill and recognition within the art world. Margetson’s paintings continue to captivate viewers with their delicate beauty, emotional depth, and technical mastery, ensuring that his legacy as a dedicated artist endures.
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