Portrett av Roland Wakelin

De 10 mest kjente Roland Wakelin-maleriene, hvert og ett unikt

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 10 verk av Roland Wakelin i vår katalog

Kort fortalt

Causeway, Tuggerah (1919) er maleriet av Roland Wakelin som vekker mest oppmerksomhet; originalen befinner seg i Art Gallery of New South Wales, Sydney. Deretter går blikket til Pastoral (1947) og Richmond landscape, Tasmania (1944). Blant de 10 verkene til Roland Wakelin i vår katalog, er disse 10 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1887 – 1971 Flest verk: Art Gallery of New South Wales

Topp 10 malerier av Roland Wakelin, sett gjennom galleriets øyne

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Causeway, Tuggerah (1919) av Roland Wakelin

Causeway, Tuggerah

1919 · Oil · Art Gallery of New South Wales, Sydney

In the delicate interplay of light and atmosphere, Roland Shakespeare Wakelin captures a fleeting moment of stillness in his 1919 masterpiece, Causeway, Tuggerah. This evocative landscape invites the viewer to step onto a winding road that stretches through a lush, verdant corridor of trees, leading the eye toward an uncertain yet peaceful horizon. The composition is masterfully balanced, where the grounded reality of the earth meets the expansive, cloud-swept sky.…

Museene som har Roland Wakelins originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Roland Wakelin Malerier fra denne listen
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 9 Causeway, Tuggerah, Pastoral, Richmond landscape, Tasmania
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Breezy day at North Ryde

Roland Wakelin gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Roland Wakelins malerier: spørsmål til galleriet

Hva er det mest kjente verket til Roland Wakelin?Avslør svaret

Causeway, Tuggerah (1919), Art Gallery of New South Wales, Sydney. Deretter følger Pastoral (1947) og Richmond landscape, Tasmania (1944).

Hvor gammel var Roland Wakelin da Causeway, Tuggerah ble skapt?Avslør svaret

32 år gammel: Causeway, Tuggerah er fra 1919, og Roland Wakelin ble født i 1887.

Hvilke ti malerier av Roland Wakelin er de mest kjente?Avslør svaret

Causeway, Tuggerah, Pastoral, Richmond landscape, Tasmania, Morning on the Yarra, Berry's Bay, The red house, Interior, Judith in blue, River Road og Breezy day at North Ryde. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Roland Wakelin er kjent?Avslør svaret

Vår katalog inneholder 10 verk av Roland Wakelin, datert fra 1919 til 1948.

Hvor kan de mest kjente originalverkene til Roland Wakelin ses?Avslør svaret

Hovedsakelig i Art Gallery of New South Wales (Sydney) og National Gallery of Victoria (Melbourne). Museumslisten ovenfor viser alle.

I hvilken periode malte Roland Wakelin sine mest kjente malerier?Avslør svaret

I 1940s: 6 av de 10 verkene på denne siden ble laget da, Pastoral av dem.

Hvilket kjent maleri av Roland Wakelin er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Causeway, Tuggerah (1919) og det nyeste Breezy day at North Ryde (1948).

Hvilke originalverk av Roland Wakelin kan jeg se på Art Gallery of New South Wales?Avslør svaret

Causeway, Tuggerah, Pastoral og Richmond landscape, Tasmania: Art Gallery of New South Wales, Sydney har 9 av verkene på denne siden.

Roland Wakelin: et portrett av kunstneren

Early Life and Artistic Beginnings

Roland Shakespeare Wakelin (1887-1971) was born on April 17, 1887, in Greytown, New Zealand, the youngest of seven children born to Richard Alfred Wakelin, an English-born timber merchant, and Emily, née Noakes, from Auckland. From a young age, Wakelin demonstrated a passion for sketching and painting—a formative influence that would shape his entire artistic trajectory. He pursued formal education at Wellington Technical School in 1902-03, securing a scholarship that allowed him to continue his studies. Shortly thereafter, while employed with the Land and Income Tax Department, he undertook evening classes in painting under Henri Bastings and H. Linley Richardson, furthering his technical skills and broadening his artistic horizons. Recognizing the importance of exposure to diverse styles, Wakelin embarked on a significant journey to Sydney in 1908 and 1909, where he visited his brother and immersed himself in the burgeoning art scene. This formative experience solidified his fascination with European modernism—a movement that would profoundly impact his own distinctive artistic vision.

Education and Influences: The Royal Art Society School

Wakelin’s artistic development gained considerable momentum during his enrollment at the Royal Art Society School in Sydney from 1913 onwards. Under the tutelage of prominent artists Antonio Dattilo-Rubbo and Norman Carter, he honed his drawing skills and experimented with various painting techniques. Notably, Wakelin benefited from the inspiring presence of Grace Cossington Smith, Roy de Maistre, and Norah Simpson—fellow students who shared a fervent dedication to artistic innovation. Their discussions centered on groundbreaking works by European modernists like Cézanne, Gauguin, Matisse, and Picasso, sparking Wakelin’s intellectual curiosity and fueling his desire to push the boundaries of conventional art practice. The influence of these artists is palpable in Wakelin's subsequent paintings—particularly his bold use of color and abstract forms.

Notable Works and Artistic Style

Wakelin’s artistic output stands as a testament to his unwavering commitment to experimentation and stylistic exploration. Among his most celebrated pieces is “Causeway, Tuggerah,” a landscape painting that exemplifies Wakelin's signature approach—characterized by vibrant hues and dynamic brushstrokes designed to convey the essence of coastal scenery. Currently housed at the Art Gallery of New South Wales in Sydney, Australia, this artwork represents a pivotal moment in Wakelin’s artistic evolution. His distinctive style can be attributed to his absorption of Cézanne’s principles of simplification and tonal modulation—techniques that he skillfully integrated into his compositions. Furthermore, Wakelin's exploration of color-music paintings ("synchromies") demonstrated his pioneering spirit and foreshadowed the aesthetic trends of the early 20th century.

Recognition and Legacy

Roland Wakelin’s artistic achievements garnered considerable acclaim during his lifetime—a recognition reflected in invitations to exhibit at prestigious venues such as Macquarie Galleries and the National Art Gallery of New South Wales. He was honored by fellow artists and institutions for his contribution to Australian art, cementing his place within the history of modernist painting. Wakelin's influence extended beyond his own creations; he served as a catalyst for artistic innovation among younger generations—most notably Godfrey Clive Miller—who embraced Wakelin’s stylistic precepts and pursued similar experimental endeavors. His legacy continues to resonate today, shaping perceptions of Australian landscape art and inspiring artists to embrace bold visual language.

Concluding Remarks

Roland Shakespeare Wakelin remains a cornerstone figure in the genesis of modernism within Australia's artistic landscape. Through his meticulous observation of nature combined with innovative techniques—drawing inspiration from European masters—Wakelin established himself as a trailblazer who championed abstraction and color theory. His enduring impact can be discerned in the works of subsequent artists, underscoring Wakelin’s pivotal role in shaping Australian art history.