Portrett av Robert Tournières

De 16 mest kjente maleriene av Robert Tournières, et gallerivalg

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 18 verk av Robert Tournières i vår katalog

Kort fortalt

Av alle originalverkene Robert Tournières etterlot seg, er det mest kjente Pomona (1739), som er en del av samlingen til Nationalmuseum i Stockholm. Like bak følger Portrait of an Old Man (Guillaume de Lisle?) (1700) og Michel Corneille l'Aîné (1642-1708) (1702). Vår katalog inneholder 18 verk av Robert Tournières; galleriet har bevart de 16 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1667 – 1752, Ifs Rococo Flest verk: Nationalmuseum

Robert Tournièress topp 10 malerier: galleriets utvalg

1
Pomona (1739) av Robert Tournières

Pomona

1739 · Oil · Nationalmuseum, Stockholm

The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.

8
Count Ferdinand Adolf von Plettenberg and his Family (1727) av Robert Tournières

Count Ferdinand Adolf von Plettenberg and his Family

1727 · Oil On Canvas · Szépművészeti Múzeum, Budapest

A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…

9
Concert (1690) av Robert Tournières

Concert

1690 · Oil On Canvas · Louvre, Paris

Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…

Utvalget av Robert Tournières fortsetter, fra 11 til 16

Motivene som fanget Robert Tournièress blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Robert Tournièress originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Robert Tournières Malerier fra denne listen
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Pomona
Opera House, VersaillesOpera House Versailles 1 Michel Corneille l'Aîné (1642-1708)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Portrait of Richard (Dicky) Bateman
Musée des Beaux-Arts de Dijon, DijonMusée des Beaux-Arts de Dijon Dijon 1 Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727)
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 1 Count Ferdinand Adolf von Plettenberg and his Family
Louvre, ParisLouvre Paris 1 Concert
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 1 Portrait of Unknown Woman as Hebe
Musée d'Arts de Nantes, NantesMusée d'Arts de Nantes Nantes 1 Portrait of the Maupertuis family

Robert Tournières tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Robert Tournières

Hvilket verk er Robert Tournières mest kjent for?Avslør svaret

Pomona (1739), Nationalmuseum, Stockholm. Deretter følger Portrait of an Old Man (Guillaume de Lisle?) (1700) og Michel Corneille l'Aîné (1642-1708) (1702).

Hvor gammel var Robert Tournières da Pomona ble laget?Avslør svaret

72 år gammel: Pomona er fra 1739, og Robert Tournières ble født i 1667.

Hva er de ti mest kjente maleriene til Robert Tournières?Avslør svaret

Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert og Pierre Louis Moreau de Maupertuis. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Robert Tournières?Avslør svaret

Vår katalog inneholder 18 verk av Robert Tournières, datert fra 1690 til 1750.

I hvilke museer henger mesterverkene til Robert Tournières?Avslør svaret

Hovedsakelig i Nationalmuseum (Stockholm), Opera House (Versailles) og Birmingham Museum and Art Gallery (Birmingham). Museumslisten ovenfor viser alle.

I hvilke år malte Robert Tournières sine mest kjente verk?Avslør svaret

I 1700s: 2 av de 16 verkene på denne siden ble laget da, Portrait of an Old Man (Guillaume de Lisle?) av dem.

Hva er de første og de siste kjente originalverkene til Robert Tournières?Avslør svaret

På denne siden er det eldste Concert (1690) og det nyeste Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).

Hvilke motiver valgte Robert Tournières oftest?Avslør svaret

Portraits (3) og Portraiture (2), fordelt på 16 verk på denne siden.

Hvilken teknikk brukte Robert Tournières mest?Avslør svaret

Oil On Canvas, for 3 av de 16 verkene på denne siden.

Hvilken kunstretning tilhører Robert Tournières?Avslør svaret

Rococo, basert på originalene på denne siden.

Robert Tournières: liv og virke

Robert Le Vrac de Tournières: A Life in Transition

Early Life and Education

Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.

Artistic Development and Style

Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.

Academic Recognition and Major Works

Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.

Influences and Artistic Preoccupations

Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.

Later Life and Legacy

In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.

Historical Significance

Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.